Italyan ressam Pietro Desani’nin dogum yildonumu (17 Kasim 1595)
David con la testa di Golia, XVII secolo
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Rebecca ed Eleazar, XVII secolo
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Italyan ressam Pietro Desani’nin dogum yildonumu (17 Kasim 1595)
David con la testa di Golia, XVII secolo
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Rebecca ed Eleazar, XVII secolo
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Fransiz ressam Pierre Mignard'in dogum yildonumu (17 Kasim 1612)
The Virgin of the Grapes, 1640
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Ecce homo, 1690
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Italyan ressam Angelo Solimena'nin dogum yildonumu (17 Kasim 1629)
Vergine col Bambino, XVII secolo
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Nocera Inferiore, Pietà, Museo Diocesano San Prisco, XVII secolo
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Italyan ressam Benedetto Luti’nin dogum yildonumu (17 Kasim 1666)
Autoritratto, circa 1690
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Allegoria della Sapienza, XVII secolo
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Hollandali ressam Jacob van der Does’un olum yildonumu (17 Kasim 1673)
Italienische Landschaft mit Hirtenszene, 1650 - 1660
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Campagna-Landschaft, 1662
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Fransiz ressam Noël-Nicolas Coypel’in dogum yildonumu (17 Kasim 1690)
L’Enlèvement d’Europe, 1727
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The Judgement of Paris, 1728
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Hollandali ressam Ludolf Backhuysen'in olum yildonumu (17 Kasim 1708)
Dutch Merchant - Ships in a Storm, 1670s
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Battle of Vigo Bay 1702
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Italyan sehir peyzaj ressami ve ressam Canaletto'nun yegeni Bernardo Bellotto’nun olum yildonumu (17 Kasim 1780)
Vista del Canal Grande, Santa Maria della Salute e la Dogana da Campo Santa Maria Zobenigo, 1743
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Capricho arquitectónico con un palacio, 1765 – 1766
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Ingiliz ressam Charles Lock Eastlake'in dogum yildonumu (17 Kasim 1793)
A View of Trajan's Forum, Rome, 1821
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The Celian Hill from the Palatine, 1823
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Avusturyali ressam Eduard Gurk’un dogum yildonumu (17 Kasim 1801)
Gnadenkirche in Mariazell, 1833
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The "Kaiserbesuch" in Teplitz, 1836
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Fransiz ressam François-Louis Français'nin dogum yildonumu (17 Kasim 1814)
Paysage avec Daphnis et Chloé, 1872
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Vue d'Antibes, 1894
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Avustralyali ressam Adelaide (Eliza Scott) Ironside'in dogum yildonumu (17 Kasim 1831)
Figure with sheaf of wheat, circa 1853
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Marriage at Cana of Galilee, 1861
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Librettosu Antonio Piazza ve Temistocle Solera tarafindan yazilan, Giuseppe Verdi'nin besteledigi iki perdelik operasi Oberto conte di San Bonifacio promiyerini 17 Kasim 1839 tarihinde Milano, Teatro alla Scala'da yapti.
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Ingiliz ressam John Varley'in olum yildonumu (17 Kasim 1842)
The Straits of Gibraltar,1825
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Bamborough Castle from the Northeast, with Holy Island in the Distance, Northumberland, 1827
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Rus ressam Alexander Nikanorovich Novoskoltsev’in dogum yildonumu (17 Kasim 1853)
Jacob recognizes Joseph's clothing, 1880
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Novoskoltsev Alexander Nikanorovich, After the masquerade, circa 1890
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Italyan ressam Gaetano Esposito’nun dogum yildonumu (17 Kasim 1858)
I pescatori, XX secolo
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Sulla strada di casa, entro il 1911
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Ingiliz ressam James Ward'nin olum yildonumu (17 Kasim 1859)
Venus Rising from her Couch, 1828
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An Overshot Mill in Aberdulais, Wales, 1847
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Ingiliz ressam Ramsay Richard Reinagle'in olum yildonumu (17 Kasim 1862)
Twilight, 1807
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Sunset, 1807
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Italyan ressam Giuseppe Mascarini’nin dogum yildonumu (17 Kasim 1877)
Interno, 1950 - 1954
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Lettrice, XX secolo
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Alman asilli Isvicreli yazar, aktor ve film yonetmeni Curt (Kurt Walter) Goetz'un dogum yildonumu (17 Kasim 1888)
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"Fakirlik ayip degildir, zenginlik de oyle.”
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"Hayal gucu olmadan suclu da olmazdi sair de. / Ohne Phantasie gibt es keine Verbrecher und keine Dichter.“
Rus filozof ve edebiyat teorisyeni Mihail Mihaylovic Bahtin'in dogum yildonumu (17 Kasim 1895)
"Sanatsal olmayan hayatlarimizi karmakarisik hale getiren pratik ilgilerimizle kirlenmemis basit, saf bir bicim gorusune ne denli yaklasirsak, sanat olarak adlandirilan seye de o denli yaklasacagimiz acik degil midir?" Dostoyevski Poetikasinin Sorunlari
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"Is it not obvious that the closer we can come to a simple, pure vision of form, uncontaminated by the practical interests that clutter our non-artistic lives, the closer we come to what is properly called art?"
“Cinsellik tek basina bicimlendirici plastik-resimsel gucler uretemez; yani, bedeni bitmis ve kendi icinde kapsanan belirli bir dissal kendilik olarak bicimlendiremez. Cinsel yaklasimda, otekinin dis bedeni butunlugunu yitirir ve benim ic bedenimin bir bileseni haline gelir yalnizca; baska bir deyisle, bana vaat ettigi (cinsel arzu, haz, doyum gibi) bedenler-arasi olanaklarla baglantili olarak degerli hale gelir yalnizca ve bu icsel olanaklar da onun esnek dis tamamlanmisligini gizler ve yok eder. Otekinin bedenine cinsel yaklasimda, kendi bedenim ve otekinin bedeni tek bir tende birlesir, ama bu butunluklu ten olsa olsa bir icten olabilir. Kuskusuz, tek bir ic tende birlesme, cinsel tutumumun en saf haliyle yoneldigi nihai sinirdir; gercekte benim otekinin bedenine sevgiye dayali bir hayranlik duymamdan kaynaklanan estetik ogelerle ve dolayisiyla, bicimlendirici, kurucu guclerle karmakarisik hale gelir daima. Ama bu durumda, estetik degerin bu gucler araciligiyla olusumu, yalnizca bir aractir, ozerklik ve eksiksizlik kazanmaz.” Sanat ve Sorumluluk
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"A quite distinctive approach to the other's body is the sexual approach. By itself, it is incapable of developing form- giving plastic-pictorial energies, i.e.,it is incapable of giving form to the body as a determinate external entity that is finished and self-contained. In the sexual approach, the other’s outer body disintegrates and becomes merely a constituent in my own inner body, or, in other words, it becomes valuable only in connection with those intracorporeal possibilities (the possibilities of carnal desire, pleasure, gratification) which it promises me, and these inner possibilities submerge. In the sexual approach to the other's body, my own body and the other's merge into one flesh can be only an inner flesh. To be sure, this merging into one inner flesh is an ultimate limit toward which my sexual attitude tends in its purest form; in reality, it is always complicated by aesthetic moments that derive from my loving admiration of the other's body, and, consequently, by form-giving, constructive energies as well. In this case, however, the formation of aesthetic value through these energies is only a means and does not attain autonomy and fullness."
Italyanca librettosu Victorien Sardou'nun Fédora isimli oyunundan uyarlayarak Arturo Colautti tarafindan yazilan, Umberto Giordano'nun beteledigi uc perdelik Fedora operasi Gemma Bellincioni (Fedora) ve Enrico Caruso'nun (Loris Ipanov) performanslariyla ilk kez 17 Kasim 1898 tarihinde Milano, Teatro Lirico'da sahnelendi.
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Avusturyali ressam Julius Victor Berger'in olum yildonumu (17 Kasim 1902)
A Visitor in the Harem, ca. late 1800's
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Musikzauber, 19th century
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Amerikali Orientalist ressam Edwin Lord Weeks'in olum yildonumu (17 Kasim 1903)
Interior of a Mosque at Cordova, 1880
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Another street and balcony scene, 19th century
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Fransiz heykeltiras Francois-Auguste Rodin’in olum yildonumu (17 Kasim 1917)
Le Baiser, 1888
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Le Penseur (The Thinker, 1903)
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Amerikali aktor (Roy Harold Scherer, Jr.) Rock Hudson’in dogum yildonumu (17 Kasim 1925)
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Amerikali Impressionist ressam Guy Orlando Rose'un olum yildonumu (17 Kasim 1925)
The Green Mirror, 1911
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In the oak grove, 1919
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Amerikakli sair ve oyun yazari George Sterling'in olum yildonumu (17 Kasim 1926)
(Sterling, San Francisco, Taylor Caddesi'ndeki Bohemian Club'in soyunma odasinda siyanur icerek intihar etti. Esi 1918'de zehirle intihar etmisti.)
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Sokaklarimizin sonunda gunes doguyor;
Sokaklarimizin sonunda serenler vardir;
Sokaklarimizin sonunda gun batimi var;
Sokaklarimizin sonunda yildizlar.
Hic sabahin ruzgarlari
Yanip sonen denizden serin
Okyanustan akan hizlica,
Sisli kum tepelerine kadar ve kacar.
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At the end of our streets is sunrise;
At the end of our streets are spars;
At the end of our streets is sunset;
At the end of our streets the stars.
Ever the winds of morning
Are cool from the flashing sea--
Flowing swift from our ocean,
Till the fog-dunes crumble and flee.
17 Kasim 1932 Persembe gunu, Gustav, Zero Mustafa ve esi, Lutz'a giderken tren ZZ isgal gucleri tarafindan durduruldu. Gustave, Zero ve Agatha’yi korumaya calisirken fasist sinir devriyesi tarafindan vuruldu. (Żubrówka- Polonya. Buyuk Budapeste Oteli filmi, 2014)
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Groucho, Harpo ve Chico Marx biraderlerin basrollerini paylastigi 3 Ahbap Cavuslar Harbe Gidiyor (Duck Soup - Zuppa d'anatra) 17 Kasim 1933'de Amerika'da vizyona girdi.
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1 Akademi, 2 BAFTA, 4 Golden Globe, 2 Emmy Odulu sahibi ve 8 Akademi Odul adayligi bulunan Italyan asilli Amerikali yonetmen Martin (Marcantonio Luciano) Scorsese’nin dogum gunu (17 Kasim 1942)
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"Bir filmde fantezi ve gerceklige yaklasim bakimindan bir farklilik olmadigini dusunurum. Elbette ki bunu gercek yasamda yaparsaniz klinik bir deli olursunuz."
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Akademi Odul adayligi bulunan, Emmy ve Golden Globe Odulu sahibi, film yapim sirketi sahibi Italyan asilli Amerikali aktor Daniel Michael 'Danny' DeVito’nun dogum gunu (17 Kasim 1944)
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Rus yazar (Victor Lvovich Kibalchich) Victor Serge'un olum yildonumu (17 Kasim 1947)
"Yasli Vincent, olmek uzere oldugu icin ziyaretcileri artti. Anlasilan, bir insan olmekteyken daha ilginc oluyor. Simdiye dek cezalandirmaktan ote ona hicbir ilgi gosterilmemisti. On yila mahkum edilmis 5231 Numara'dan baska hicbir sey olmamisti. Ama simdi, olurken, tekrar insanligini kazanmisti."
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"Now that Old Vincent is dying, he has visitors. It seems that a man becomes more interesting before departing. Until now, they didn't pay any attention to him except to punish him; he was never anything more than Number 5231, condemned for ten years. Now that he's dying he has become a human being again."
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"Hapishaneye karsi kazanilmis zafer, buyuk bir zaferdir. Bazi anlarda sasilacak kadar ozgur hissedersiniz kendinizi. Bu iskence sizi yenemedikten sonra hicbir seyin yenemeyecegini anlarsiniz. Sessizlik icinde, bedeninin aci cekmesinden ve delilikten cok daha kuvvetli olan irade ve zeka ile o koca hapishane duzeniyle carpisirsiniz... Ve ne zaman parmaklikli pencereden iceri bir parca gunes girse, ne zaman disaridan iyi bir haber gelse, ne zaman bombos gunu degerli bir isle doldursaniz tarifsiz bir nese, bir ilahi gibi kaplar icinizi."
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"A victory over jail is a great victory. You sense that if this torture has not broken you, nothing will ever be able to break you. In silence you struggle against the huge prison machine with the firmness and its stoic intelligence of a man who is stronger than the suffering of his flesh and stronger than madness… And, when a broad ray of sunlight inundates the barred window, when good news comes in from the outside, when you have succeeded in filling the dismal day with useful work, an inexpressible joy may ascend within you like a hymn."
Fransiz aktris (Sophie Maupu) Sophie Marceau’nun dogum gunu (17 Kasim 1966)
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Ingiliz yazar, sanatci, sair ve illustrator Mervyn (Laurence) Peake’in olum yildonumu (17 Kasim 1968)
“Simdi kapilar savrularak acilmaya, koridorlarda sesler yankilanmaya, duvarlarda isiklar titresmeye baslayacakti. Simdi tas peteklerde ihtiraslar kilden formlar icinde dolasacakti. Gozyaslari ve tuhaf kahkahalar olacakti. Golgeli tavanlarin altinda vahsice dogumlar ve olumler yasanacakti. Ve dusler, ve siddet, ve hayal kirikliklari. Ve yakinda alev yesili bir safak sokecek. Ve sevgi isyanini haykiracak! Cunku yarin baska bir gun…”
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“And yet, by now there would be doors flung open; there would be echoes in the passageways, and quick lights flickering along the walls. Through honeycombs of stone would now be wandering the passions in their clay. There would be tears and there would be strange laughter. Fierce births and deaths beneath umbrageous ceilings. And dreams, and violence, and disenchantment. And there shall be a flame-green daybreak soon. And love itself will cry for insurrection! For tomorrow is also a day...”
The Notebook filminde Allie karakterine hayat veren Kanadali aktris Rachel Anne McAdams'in dogum gunu (17 Kasim 1978)
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Amerikali yazar Christopher James Paolini'nin dogum gunu (17 Kasim 1983)
"Kum saati durdurulamaz. Biz istesek de istmesek de yillar gecer... ama hatirlayabiliriz. Kaybedilen sey hatiralarimizda yasayabilir. Duydugunuz sey mukemmel olmasa ve boluk porcuk olsa da ona deger verin, cunku siz olmadan o da var olamaz."
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“The sands of time cannot be stopped years pass whether we will them or not, but we can remember.......what has been lost may yet live on in memories, that which you will hear is imperfect and fragmented yet treasure it for without you it does not exist.”
"Eragon: 'Tarihteki en buyuk savasa baslamak uzereyiz, ama burada durmus birbirimize hos sozler soyleyerek vakit kaybediyoruz.'
Saphira: 'Sabir, cok fazla kalmadi... Ustellik duruma bir de su acidan bak; eger kazanirsak butun vaatleri yuzunden bize bir yillik bedava yemek borclanacaklar.'
Eragon: 'Seni beslemenin nelere mal oldugunu ogrenince cok uzulecekler. Bira ve sarap mahzenlerini bir gecede bosaltabileceginden bahsetmiyorum bile.'
Saphira: 'Ben bunu asla yapmam,' diyerek burnunu cekti, sonra yumusadi. 'Tamam, belki iki gecede.' "
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" 'We're about to engage one of the largest armies in history, and here we are, stuck exchanging pleasantries.
'Patience,' counseled Saphira. 'There aren't that many more... Besides, look at it this way: if we win, they'll owe us an entire year of free dinners, what with all their promises.'
He stifled a chuckle. 'I think it would dismay them to know what it takes to feed you. Not to mention that you could empty their cellars of beer and wine in a single night.' Eragon said.
'I would never,' Saphira sniffed, then relented. 'Maybe in two nights.' "
Madonna, ilk remix albumu You Can Dance'i 17 Kasim 1987 tarihinde Sire ve Warner Bros. etiketleriyle piyasaya surdu.
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Amerikali oyun yazari Neil Simon'in, New York Belediye Baskan Yardimcisi Charley Brock ve esi Myra'nin onuncu evlilik yildonumlerinde yasanan olaylari konu alan komedi oyunu Soylentiler (Rumors - Pettegolezzi), ilk kez 17 Kasim 1988'de New York, Ethel Barrymore Theatre'da sahnelendi.
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Eddie Murphy'nin yonetip rol aldigi, kadrosunda Richard Pryor, Redd Foxx ve Danny Aiello'nun bulundugu komedi-drama Harlem geceleri (Harlem Nights), 17 Kasim 1989'da vizyona girdi.
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