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Blue Fox Entertainment, Mira Sorvino, Chris Carpenter, Sean Astin'in basrollerini paylastigi komedi Hero Mode'un fragmanini yayinladi.
Genc bir kodlama dehasinin dunyanin en buyuk video oyununu yaratmak icin sadece 30 gunu vardir.
https://youtu.be/wVvi4AK9Aag
Italyan ressam Zanobi Machiavelli'nin olum yildonumu ( 7 Mayis 1479 )
Saint Nicholas of Tolentino Saves a Hanged Man, circa 1470
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L'Incoronazione della Vergine, 1473
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Italyan ressam Ranieri del Pace'nin dogum yildonumu ( 7 Mayis 1681 )
Affresco: L'eterno e Angeli, XVI secolo
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Scena Mitologica, XVI secolo
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Iskoc filozof Thomas Reid'in dogum yildonumu ( 7 Mayis 1710 )
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" Bir insanin reddettigi ilk ilkenin kabul ettigi baskalariyla ayni temele dayanmasi iyi bir argumandir; cunku bu durumda, birini tutan ve digerini reddeden bir tutarsizliktan suclu olmasi gerekir. Boylece, bilinc, hafiza, gercek anlamda akil ogrenmeler hepsi esit derecede dogal armaganlardir. Bunlardan birinin tanikligini almak icin iyi bir neden tayin edilemez, bu da digerlerine gore esit gucte degildir. En buyuk supheler bilincin ifadesini itiraf eder ve taniklik ettigi seyin ilk prensip olarak tutulmasina izin verir. Bu nedenle, duyunun veya bellegin derhal ifadesini reddederse, tutarsizliktan sucludurlar. "
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" It is a good argument ad hominem, if it can be shewn that a first principle which a man rejects, stands upon the same footing with others which he admits: for, when this is the case, he must be guilty of an inconsistency who holds the one and rejects the other. Thus, the faculties of consciousness, of memory, of external sense, and of reason,are all equally the gifts of Nature. No good reason can be assigned for receivingthe testimony of one of them, which is not of equal force with regard to the others.The greatest skeptic admits the testimony of consciousness, and allow that what ittestifies is to be held as a first principle. If therefore they reject the immediatetestimony of sense or of memory, they are guilty of an inconsistency. "
Iskoc filozof, ekonomist ve tarihci David Hume'un dogum yildonumu ( 7 Mayis 1711 )
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" Insanin hayatina son vermek yuce Tanri'nin deger bicmesine ayrilmissa, insanin kendi yasamina son vermesi onun hakkina bir tecavuzse; yasamin korunmasi da yok edilmesi kadar esit derecede sus olacaktir.Kafama dogru dusen bir tasi rotasindan saptirirsam, doganin isleyisini bozarim ve madde ve hareketin genel yasalari ile belirledigi yasamimi surecin otesine uzatarak yuce Tanri'nin ozel alanini isgal etmis olurum. "
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" Were the disposal of human life so much reserved as the peculiar province of the almighty that it were an encroachment on his right for men to dispose of their own lives; it would be equally criminal to act for the preservation of life as for its destruction. If I turn aside a stone, which is falling upon my head, I disturb the course of nature, and I invade the peculiar province of the almighty, by lengthening out my life, beyond the period, which, by the general laws of matter and motion, he had assigned to it. "
" Bir izlenim oncelikle duyulara carpar ve sicagi sogugu, susuzlugu acligi, bir cesit zevki ya da aciyi algilamamizi saglar. Zihin bu izlenimlerin, izlenimler kaybolduktan sonra zihinde kalan ve bizim tasarim diye adlandiracagimiz bir suretini cikarir. Zevk veya aci tasarimi ruha dondugunde yeni yeni arzu ve tiksinti, umit ve korku izlenimleri olusturur; bunlari da bu sekilde turedikleri icin ic duyum izlenimleri olarak adlandirmak dogru olacaktir. Bunlar bellek ve imgelem tarafindan tekrar kopyalanir ve tasarim olurlar; bu tasarimlar da, belki, sirayla baska izlenimleri ve tasarimlari meydana getirir. "
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" An impression first strikes upon the senses, and makes us perceive heat or cold, thirst or hunger, pleasure or pain of some kind or other. Of this impression there is a copy taken by the mind, which remains after the impression ceases; and this we call an idea. This idea of pleasure or pain, when it returns upon the soul, produces the new impressions of desire and aversion, hope and fear, which may properly be called impressions of reflection, because derived from it. These again are copied by the memory and imagination, and become ideas; which perhaps in their turn give rise to other impressions and ideas. "
Italyan ressam Giovanni Camillo Sagrestani'nin olum yildonumu ( 7 Mayis 1731 )
Ariadne on the Island of Naxos, or an Allegory of Autumn, 1683 - 1731
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Scena sacrificale, XVIII secolo
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Fransiz ahlakci ve deneme yazari Joseph Joubert'in dogum yildonumu ( 7 Mayis 1754 )
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" Yeni kitaplarin en kotu yani, bizi eski bir tanesini okumaktan alikoymasýidir. / The worst thing about new books is that they keep us from reading the old ones. "
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'' Sende biraz siir yoksa, hic bir yerde bulamazsin. / Vous trouverez la poésie nulle part, sauf si vous apporter certaines d'entre elles avec vous. '
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" Erkek olsaydi arkadas olarak secmeyecegin bir kadini karin olarak secme./ Only choose in marriage a man whom you would choose as a friend if he were a woman. "
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" Kelimeler cama benzer; gormeye yardim etmedikleri zaman goruse engel olurlar. / Words, like glasses, obscure everything which they do not make clear. "
Insan haklari bildirgesinden hemen sonra kadin haklari bildirgesini kaleme alan ve akabinde giyotine gonderilen Fransiz kadin filozof ve yazar Olympe de Gouges’un dogum yil donumu ( 7 Mayis 1748 )
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“ Adam, sen, adil olabilir misin? Sana bu soruyu bir kadin soruyor. En azindan bu hakki ondan alamazsin. Soyle bana, benim cinsiyetimi baski altina alan, kendinden menkul iktidari kim verdi sana? Gucun mu? Yeteneklerin mi?
Yaraticiyi hikmetinde tani. Yakinlasmayi ister gorundugun doganin ihtisami icinde soyle bir yuru ve eger cesaret edebilirsen, senin baskici egemenligine kaynak olusturabilecek bir ornek bul. Hayvanlara git, elementleri arastir, bitkileri incele, evet, doganin isleyisine bak ve eger sana bunun icin gerekli araclari gosterirsem, kanitlarimi kabul et. Eger yapabilirsen, doganin duzeni icinde cinsleri ara, arastir ve karar ver. Onlari her yerde, herhangi bir ayrim olmadan birlikte gorebilirsin; onlar her yerde uyumlu bir topluluk olarak bu olumsuz saheseri yaratmak icin calisiyor… “
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“ Man, are you capable of being just? It is a woman who poses the question; you will not deprive her of that right at least. Tell me, what gives you sovereign empire to opress my sex? Your strength? Your talents?
Observe the Creator in his wisdom; survey in all her grandeur that nature with whom you seem to want to be in harmony, and give me, if you dare, an exampl of this tyrannical empire. Go back to animals, consult the elements, study plants, finally glance at all the modifications of organic matter, and surrender to the evidence when I offer you the menas; search, probe, and distinguish, if you can, the sexes in the administration of nature. Everywhere you will find them mingled; everywhere they cooperate in harmonious tpgetherness in this immortal masterpiece… ”
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“ Uomo, sei capace di essere giusto ? E’ una donna che ti pone questa domanda; non le toglierai almeno questo diritto. Dimmi: “Chi ti ha dato il dominio sovrano di opprimere il mio sesso? La tua forza? I tuoi talenti?
Osserva il creatore nella sua saggezza; percorri la natura in tutta la sua grandezza, alla quale sembra tu voglia avvicinarti e donami, se osi, l’esempio di questo tirannico dominio.Risali agli animali, consulta gli elementi, studia i vegetali, getta infine un occhio su tutti i cambiamenti della materia organizzata; e arrenditi all’evidenza quando te ne do l’occasione; cerca, fruga e distingui, se puoi, i sessi nell’amministrazione della natura. Ovunque li troverai confusi, ovunque coopereranno con un insieme armonioso a questo capolavoro immortale… ”
Fransiz ressam Claude-Louis Châtelet'nin olum yildonumu ( 7 Mayis 1795 )
Vue de Catanzaro, 1780 ( Birmingham Museum of Art )
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Illumination du pavillon du Belvédère, Petit Trianon, 1781 ( Château de Versailles )
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Italyan besteci Vito Niccolò Marcello Antonio Giacomo Piccinni’nin dogum yildonumu ( 7 Mayis 1800 )
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Ingiliz sair ve oyun yazari Robert Browning’in dogum yildonumu ( 7 Mayis 1812 )
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Mevsim bahara erismis
Sabah vakti gelmis
Saatlerden tam yedi
Yamaclar sabah cigiyle bezenmis
Karga dalin birine konmus
Sumuklubocek bir dikenin uzerinde
Tanrim cennetinde
Dunyada her sey yerli yerindei
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“ Cehalet masumiyet degil, bir gunahtir. / L'ignorance n'est pas l'innocence, mais du péché. / L'ignoranza non è innocenza, ma peccato. / Unwissenheit ist keine Unschuld, sondern Sünde. / La ignorancia no es inocencia sino el pecado. ”
Fransiz ressam Félix-Saturnin Brissot de Warville'in dogum yildonumu ( 7 Mayis 1818 )
Troupeau de moutons dans les montagnes ( Shepherd and Flock in the Mountains, 1870 ), New York, Brooklyn Museum
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Hirt und Schafherde in Weidelandschaft, 1892
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Ludwig van Beethoven’in 9.senfonisi (The Symphony No. 9 in D minor, Op. 125), ilk performansini 7 Mayis 1824’de Viyana, Kärntnertortheater’da gerceklestirdi.
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https://www.youtube.com/watch?v=Iq-3B6xfNpY
Fransiz ressam Jean-Jacques-François Le Barbier'in olum yildonumu ( 7 Mayis 1826 )
A Female Turkish Bath or Hammam, 1785
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Europe from a set of The Four Continents, ca. 1786
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Italyan anne Fransiz babadan olup, Firenze'de dogan Fransiz ressam Stanislao Pointeau'nun dogum yildonumu ( 7 Mayis 1833 )
Scorcio toscano, 1855 - 1865
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A cavallo del somarello, 1863
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Alman besteci, piyanist ve orkestra sefi Johannes Brahms’in dogum yildonumu ( 7 Mayis 1833 )
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“ Zanaat olmadan ilham, ruzgarda savrulan sazlardan baska bir sey degildir. / Ohne Handwerk, Inspiration ist nur ein Schilfrohr durch Wind geschüttelt. ”
https://www.youtube.com/watch?v=3X9LvC9WkkQ
Italyan ressam Luigi Busi'nin dogum yildonumu ( 7 Mayis 1837 )
Torquato Tasso e il Cardinale Cinzio Aldobrandini nel convento di Sant'Onofrio a Roma, 1863 - 1864 ( Pinacoteca Nazionale di Bologna )
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Gioie materne, 1884
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Rus besteci Pyotr Ilyic Caykovski'nin dogum yildonumu ( 7 Mayis 1840 )
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Alman Romantik ressam Caspar David Friedrich'in dogum yildonumu ( 7 Mayis 1840 )
Chalk Cliffs on Rügen, 1818
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Two Men Contemplating the Moon, c. 1825–1830 (Metropolitan Museum of Art, New York)
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Fransiz portre ressami Philippe-Gustave de Galard'in olum yildonumu ( 7 Mayis 1841 )
M. et Mme Marandon de Montyel, 1800
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Marie-Caroline Merman, 1800
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Hintli yazar ve sair Rabindranath Tagor'un dogum yildonumu ( 7 Mayis 1861 )
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Sana soylemem lazim gelen en derin sozleri konusmak istiyorum; fakat gulersin korkusuyla cesaretim kirik.
Kendime gulmem ve saka ile karisik, sirrimi yaralamam bundandir.
Istirabimi hafife aliyorum, sen de alirsin diye.
Sana soylemem gereken en gercek sozleri, anlatmayi diliyorum; fakat onlara inanmazsin korkusuyla cesaretim kirik.
Iste bundan dolayidir ki, demek istedigimin tersini soyleyerek, onlari hakikat degilmis gibi gosteriyorum.
Sen de gulersin korkusuyla, istirabimi gulunecek bir seymis gibi gosteriyorum.
Senin hakkinda en nadide kelimeleri kullanmayi diliyorum; fakat ayni degerde karsilik alamam korkusuyla cesaretim kirik.
Iste sana zalimane isimler takmamin ve duygusuz kuvvetimle ovunmemin sebebi bundandir.
Istirap nedir, hic bilmezsin diye, seni incitiyorum.
Senin yaninda sessiz oturmayi diliyorum; fakat kalbim dudaklarimdan tasar korkusuyla cesaretim kirik.
Iste gevezelik edip, havadan sudan bahsetmemin ve kalbimi kelimelerin ardina saklamamin sebebi bundandir.
Sen de oynarsin korkusuyla, istirabimla insafsizca oynarim.
Senin yanindan ayrilmayi dilerim; fakat korkakligimi anlarsin endisesiyle, cesaretim kirik.
Iste basimi dik tutup, senin yanina boyle lakayt gelmemin sebebi bundandir.
Gozlerinin devamli darbeleri, istirabimi ebediyen taptaze muhafaza eder.
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I long to speak the deepest words I have to say to you; but I dare not, for fear you should laugh.
That is why I laugh at myself and shatter my secret in jest. I make light of my pain, afraid you should do so.
I long to tell you the truest words I have to say to you; but I dare not, being afraid that you would not believe them.
That is why I disguise them in untruth, saying the contrary of what I mean.
I make my pain appear absurd, afraid that you should do so.
I long to use the most precious words I have for you; but I dare not, fearing I should not be paid with like value.
That is why I gave you hard names and boast of my callous strength.
I hurt you, for fear you should never know any pain.
I long to sit silent by you; but I dare not lest my heart come out at my lips.
That is why I prattle and chatter lightly and hide my heart behind words.
I rudely handle my pain, for fear you should do so.
I long to go away from your side; but I dare not, for fear my
cowardice should become known to you.
That is why I hold my head high and carelessly come into your presence.
Constant thrusts from your eyes keep my pain fresh for ever.
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Oldugun gibi gel, suslenmek icin ugrasma!
Sacinin orguleri cozulduyse
Ayimi duzgun degilse
Korsenin kurdeleleri baglanmamissa, aldirma!
Oldugun gibi gel, suslenmek icin ugrasma!
Ispanya dogumlu Fransiz ressam Jean-Bertrand Pégot-Ogier'nin dogum yildonumu ( 7 Mayis 1877 )
Chasse-marée au Pouldu, 1899
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La femme saoule, 1907 Clohars-Carnoët
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Belcikali yazar ve sair (Alphonsus Josephus de Ridder) Willem Elsschot'un dogum yildonumu ( 7 Mayis 1882 )
“ Katipler mutevazidirlar, isyankarliklariyla zorla bir nebze saygi edinen iscilerden cok daha mutevazi. Katipler genel olarak fazla uzmanlasmis kimseler de degillerdir ve birbirlerinin yerini oyle guzel tutarlar ki, uzun yillar deneyimi olan biri bile ilk firsatta elli yasinda kicina tekmeyi yiyebilir, yeri de en az onun kadar iyi ve daha ucuza calisan biri tarafindan doldurulabilir.
Bunu bildigimden, ayrica cocuklarim oldugu icin yabancilarla tartismaya girmekten itinayla kacinirim; zira bunlar patronumun arkadaslari olabilir. Bu yuzden tramvayda beni itip kakmalarina izin veririm, ayagima basan olursa sert tepki vermem. Ama o aksam artik hicbir sey umurumda degildi. Nasil olsa peynir ruyasi gerceklesmeyecek miydi? ” Peynir
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" Clerks are humble people, much humbler than labourers, who have earned a measure of respect through their rebelliousness and solidarity with one another. Clerks, however, aren't generally very specialized and are interchangeable to the point that a highly experienced employee can be booted out at the first opportunity after fifty years of service – with a kick up his loyal backside – to be replaced by someone equally qualified but cheaper.
Because I know this and because I have kids, I take great care not to argue with strangers, as they could be my boss's friends. So I let myself be jostled a bit on the tram and don't make a fuss when someone tramples on my toes. But that evening I couldn't have cared less. Wasn't I going to make that cheese dream come true? "
Amerikali sair, deneme ve kisa oyku yazari, editor, egitimci Fenton Johnson’in dogum yildonumu ( 7 Mayis 1888 )
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Zamaninda ben de
Meryem Ana gibi bakire
Papazin karisi gibi namusluydum
Bizim rahmetli peder
Yatakli vagonlarda calisirdi
Ak adamlarin bahsisi ugruna
Hayat sigortasi yaptirdigindan
Tam iki gun sonra
Sizlere omur
Derken Koca Lizze cikageldi
Ak adamlar icin
Bir ev isletiyordu
Kisaca rezaletin karsisinda
Basimi egdim gitti
Simdi cevremdeki adamlardan
Daha cok cin iciyorum
Hani mitolojide bir irmak vardir
Her seyi unutturur ya
Cin o Lethe irmaginin suyundan daha iyi
Amerikali sair ve yazar Archibald MacLeish’in dogum yildonumu ( 7 Mayis 1892 )
Bunun hesabi sorulmadi
Gozyaslarinin hesabi sorulmadi ama sorulacak
Madrid'in, Barcelona'nin, Valencia'nin gozyaslari
Bu gozyaslarinin hesabi sorulmadi.
Almeria'nin, Badajoz'un, Guernica'nin doktugu kan
Bu kanin hesabi sorulmadi.
Gozyaslari yuzlerde kurumus
Kum ustunde kurumus kan.
Gozyaslarinin hesabi sorulmadi, kanin hesabi sorulmadi
Sorulacak bunlarin hesabi.
Cunku Guernica'nin adamlari konusmaz.
Almeria'nin cocuklari sessizdir
Badajoz'un kadinlari dilsiz
Dilsizdir onlar, sesleri cikmaz, sesleri cikmaz
Bogazlarini tikamistir oranin kumu
Konusmazlar, konusmayacaklar da ve cocuklar
Almeria'nin cocuklari usludur
Kipirdamazlar, kipirdamayacaklar da
Vucutlari kirik, kemikleri kirik, agizlari
Cunku oludur onlar, dilsizdir hepsi.
Yanilmayin
Hesap sorulmayacak sanmayin.
Yanilmayin
Dokulen kanin hesabi sorulmamissa
Yalanin hesabi sorulmayacak sanmayin
Yanilmayin
Bunun hesabi sorulacak
Sorulacak ama
Vakit var
Vakit var daha.
Bu yerlerde olulerin vakti boldur
Badajoz'da, Guernica'da, Almeria'da
Bekliyebilirler vakitleri var daha.
Vakit var
Bekleyebilirler daha.
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This will be answered.
The tears were not answered but this will be answered.
The tears of Madrid, of Barcelona, Valencia –
The tears were not answered.
The blood of Guernica, Badajoz, Almería –
The blood was not answered.
The tears are dry on the faces.
The blood is dry on the sand.
The tears were not answered: the blood was not answered.
This will be answered.
Because the men of Guernica do not speak,
Because the children of Almería arc silent,
Because the women of Badajoz are dumb,
Are dumb, they have no voices, no voices,
Their throats arc stopped with the sand of that place,
They do not speak, they will never speak, and the children,
The children of Almería, they are still,
They do not move, they will never move, those children:
Their bodies are broken, their bones are broken, their mouths are –
Because they are dead, are dumb, because they are speechless,
Do not believe
Do not believe the answer will not come.
Do not believe
Because the blood has not been answered
The lie will not be answered.
Do not believe
Because the tears have not been answered
The lie will not be answered.
Do not believe it.
This will he answered.
This will be answered with
Time.
There is time.
The dead have time in those cities
In Badajoz, In Guernica, Almería.
They can wait: they have much time.
There is time.
They can wait.
Fransiz ressam Charles-Émile Jacque'in olum yildonumu ( 7 Mayis 1894 )
La Vieille forêt, 1860 - 1870 ( New York, Brooklyn Museum )
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Sheep in stall, 1894
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Ispanyol ressam Rafael Argelés Escriche'nin dogum yildonumu ( 7 Mayis 1894 )
Joven con canasto y paraguas ( Young with Basket and Umbrella, 1920 )
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Joven cosiendo ( Lady Sewing, 1921 )
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2 Akademi ve 1 Golden Globe Odullu Amerikali aktor (Frank James Cooper) Gary Cooper'in dogum yildonumu ( 7 Mayis 1901 )
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Italyan ressam Gianfilippo Usellini'nin dogum yildonumu ( 7 Mayis 1903 )
Il carnevale dei poveri , 1941
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Carnevale con pretini, XX secolo
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Turk roman ve oyun yazari, sair Rifat Ilgaz’in dogum yildonumu ( 7 Mayis 1911 )
Siniýf'in ozaniyim mimli
Hababam Siniýf'nin yazariyim unlu
Kim ne derse desin cocuklar icin yazdim hep
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I’m the poet of the class, marked, / Soy el poeta de la clase,
I’m the writer of the Chaos Class, reputed, / Soy el escritor de la Clase del Caos,
No matter what they say, I’ve always written for kid. / No importa lo que digan, siempre he escrito para niños
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A woman who lit the way for centuries
Is ready to cry on the shore.
Anger on her cheeks,
Blood on her skirt,
Fallen off her waist
Her rainbow.
In a sunny clime
Skyscraper has closed its curtains.
A flag is fluttering
In a timeless tempest
That sweeps the Asian shores.
The tempest began
Even before the Books foretold;
Stars would fall
On a hopeless flag fold.
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This feet will judge me,
I let them walk about,behind a thought
Street to street.
This head, this inflexible head too...
Sometimes tired
Always yearing for a pillow!
This lungs too, will judge me,
I,unfortunately refused the sun,the air from them.
This mouth, these theeth, this stomach...
What could I offer loosely!
These wrists, too, will judge me,
I tolerated there suffer.
Only if I know, nobody is in charge
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In what language do children cry,
In what language do they smile
Crying has one meaning in every language
Chinese, English, Turkish…
Sniffling
Maybe a little child-like.
Crying your heart out,
And sobbing
Humanlike!
Ingiliz heykeltiras Mary Spencer Watson'in dogum yildonumu ( 7 Mayis 1913 )
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Arjantin halkinin cok sevdigi, Arjantin Devlet Baskani Juan Domingo Perón'un esi ( María Eva Duarte de Perón ) Eva Perón'un dogum yildonumu ( 7 Mayis 1919 )
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" Ben sadece serceler arasinda buyuk bir serceyim. / Solo soy un gorrión entre una gran bandada de gorriones. "
" Yillarca izledim ve birkac zengin ailenin Arjantin'in zenginligini ve gucunu ellerinde nasil tuttugunu gordum. "
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" He visto por muchos años cómo algunas familias ricas tenían en sus manos gran parte de la riqueza y el poder de Argentina. / I had watched for many years and seen how a few rich families held much of Argentina's wealth and power in their hands. "
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" Benim icin aglama Arjantin! / Don't cry for me Argentina! "
Amerikali bilim kurgu ve fantastik yazari Gene Rodman Wolfe'un dogum yildonumu ( 7 Mayis 1931 )
" ' Ama oldum, ' demis melek, ' ne dersen de. Bak, nasil da kan kaybediyorum, gormez misin artik damarlarimda can kalmadigini, fiskirmayip da usul usul sizdigini? Baksana, cehremde renk kalmadi. Melegin temasi ilik degil midir, isildamaz mi halbuki? Tut elimi de gor, durgun bir golden yeni akmis bir irkintiye degmis gibi olursun. Hele bir kokla su nefesimi, cirkin degil mi, les gibi, murdar? ' Cebrail hicbir sey soylememis. En sonunda melek demis ki, ' Canim kardesim, seni kanitlarimla ikna edememis olsam bile yalvaririm kenara cekil. Kainati varligimdan kurtarayim. '
' Aslinda ikna oldum, ' demis Cebrail, yana cekilip. ' Dusuncelere gark oldum da ondan durakladim, bizim de zeval buldugumuzu en basindan bilseydim bunca zaman o kadar acar davranmazdim. ' "
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“ ' But I am dead, ' said the angel, ' nevertheless. You have observed the wasting of my blood—do you not observe also that it no longer issues in straining spurtings, but only seeps sluggishly? Note the pallor of my countenance. Is not the touch of an angel warm and bright? Take my hand and you will imagine you hold a horror new dragged from some stagnant pool. Taste my breath—is it not fetid, foul, and nidorous? ' Gabriel answered nothing, and at last the angel said, ' Brother and better, even if I have not convinced you with all my proofs, I pray you stand aside. I would rid the universe of my presence. '
' I am convinced indeed, ' Gabriel said, stepping ftom the other’s way. ' It is only that I was thinking that had I known we might perish, I would not at all times have been so bold. ' ”
" Her gun emir kulu oldugumuz halde, kendi kendimizin efendisi oldugumuzu varsayarak ' Yapacagim ' veya ' Yapmayacagim ' deriz, gercekte efendilerimiz uykudadir. Derken biri icimizde uyanir, hayvan gibi guder bizi, halbuki dizginleri tutan, biraz da benligimizin o vakte kadar varligindan bihaber oldugumuz bir parcasidir. "
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“ We say, ' I will, ' and ' I will not, ' and imagine ourselves (though we obey the orders of some prosaic person every day) our own masters, when the truth is that our masters are sleeping. One wakes within us and we are ridden like beasts, though the rider is but some hitherto unguessed part of ourselves. ”
Ingiliz roman ve oyku yazari Angela Olive Carter’in dogum yildonumu ( 7 Mayis 1940 )
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" Koyluler Walser'in bilmedikleri bir dilde soylediklerini saygiyla dinlemisler, soylediklerini anlamayinca da bunu Walser'in gercek bir ermis olduhunun kaniti saymislardi. " Sirk Geceleri
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"They listened respectfully to Walser's babblings and, when they did not understand him, took it as proof he was in a holy trance."
" Palyacolar eninde sonunda kendilerini oldururler. Hani ya Mesih yeniden dunyaya dondugunde bu kez bir erkek tarafindan dogurulacak olursa diye entari giyenlerin etekleri kadar bol olan su palyaco pantolonlarimiz var ya, iste onlarla asariz kendimizi cogu kez ya da aslan terbiyecisinin tabancasini asirip yapariz bu isi. Daann! SIK beynine bir kursun! "
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" We kill ourselves. Often we hang ourselves with the gaudy braces from which we suspend those trousers loose as the skirts that Muslims wear lest the Messiah be born to a man. Or, sometimes, a pistol may be sneaked from the lion-tamer, his blanks replaced with live bullets. Bang! a bullet through the brain. "
Iskoc antropolog, insanbilimci, yazar ve halk bilimci James George Frazer’in olum yildonumu ( 7 Mayis 1941 )
“ Caglar boyu insanlarin umut ve hayallerinin, tipki saglam bir kuleymiscesine hayatin sikintki ve firtinasindan kacip sigindiklari inanclarin temellerine saldirmak hakikaten hazin ve takdir edilmeyen bir ugrastir. Fakat er ya da gec, karsilastirmali yontemin saldirisi, sarmasiklarla, yosunlarla ve binlerce hassas, kutsal kurumun cicekleriyle kapli bu muhterem kurumu asmasi kacinilmazdir. Gunumuzde bizler yalnizca silahlari cepheye tasiyoruz: henuz ateslenmediler. Boyle kaba bir bicimde parcalanan eski yapilari daha zarif ve dayanikli sekillere sokmak baska ellere, belki de farkli ve daha mutlu devirlere kalmistir. ”
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“ In some respects a thankless task to strike at the foundations of beliefs in which, as in a strong tower, the hopes and aspirations of humanity through long ages have sought a refuge from the storm and stress of life. Yet sooner or later it is inevitable that the battery of the comparative method should breach these venerable walls, mantled over with the ivy and mosses and wild flowers of a thousand tender and sacred associations. At present we are only dragging the guns into position :they have hardly yet begun to speak. The task of building up into fairer and more enduring forms the old structures so rudely shattered is reserved for other hands, perhaps for other and happier ages. ”
Avustralyali roman yazari Peter Carey’in dogum gunu ( 7 Mayis 1943 )
“ Ne benim esrari, ruhlarla aciklayacak vaktim vardi ne de Matthew’nun. Cunku bizler merak duygusunu ve Vermeer ile Monet’ye hayranligini yitirmeyen karmasik, kimyasal makinelerdik. Bedeni tuzlu suda yuzen, batan gunesin karsisinda cosku duyan makineler. Fakat simdi isigim gitmisti. ” Gozyasinin Kimyasi
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“ Neither I nor Matthew had time for souls. That we were intricate chemical machines never diminished our sense of wonder, our reverence for Vermeer and for Monet, our floating bodies in the salty water, our evanescent joy before the dying of the light. But now the light was gone. In one hour it would be suffocated in the earth. I dug into the rat's nest of newspaper. ”
“ O kucuk bir burjuva maceraperestiydi. Iste simdi de bu tanrinin cezasi veledi getirmisti buraya. Pervasizca yapivermisti bunu. Devrimin yari zamanli bir is oldugunu saniyordu. ”
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“ She was a petit bourgeois adventurist. And she brings this fucking brat here, now. She just went and did it. She thinks the revolution is a part-time job. ”
Italyan ressam Antonino Sartini'nin olum yildonumu ( 7 Mayis 1954 )
Donna in riva al fiume, 1946
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Spiagge di Rimini, 1950 circa
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Ispanyol yazar Almudena Grandes’in dogum gunu ( 7 Mayis 1960 )
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“ ' Bana soz vermeni istiyorum. ' Basimi olur anlaminda salladim. ' Ne olursa olsun daima iki seyi hatirlayacagina soz vermeni istiyorum. Bunu hatirlayacagini soyle bana. ' Basimi tekrar salladim. ' Birincisi, seks ve ask birbirinden tamamen farklidir. Ikincisi, dun gece yaptigimiz bir ask eylemiydi. ' Gozlerine dikkatle baktim, ' Soz veriyorum. ' Gulumseyip alnimdan optu ve benimle vedalasti. ‘ Gule gule Lulu. Cici ol ve buyume! ’ “
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“ ’ Quiero que me prometas algo ’. Asentí con la cabeza. ‘ Quiero que me prometas que, pase lo que pase, recordarás siempre dos cosas. Dime que lo harás!. ’ Asentí nuevamente. ‘ La primera es que el sexo y el amor no tienen nada que ver. ’ ‘ Eso ya me lo dijiste anoche. ’ ‘ Bien. La segunda es que lo de anoche fue un acto de amor –me miró a los ojos con una intensidad especial.' Me sonrió, me dio un beso en la frente, me abrió la puerta y se despidió de mí. ‘ Adiós Lulú, sé buena, y no crezcas.! ’ “
Gelir esitsizligi konularinda arastirmalariyla unlu Fransiz ekonomist Thomas Piketty’nin dogum gunu ( 7 Mayis 1971 )
“ Gelirin her zaman iki bilesenden olustugunu hatirlatmakta yarar var: Bir yanda emek geliri ( yevmiye, ucret, ikramiye, ucret disi emek gelirleri vs. ve emekle iliskilendirilen, hukuki bicimi ne olursa olsun her turlu hakedis ); diger yanda sermaye geliri (kira, kar payi, faiz, kar, arti deger, gayrimaddi hak odemeleri –telif ucretleri- vs. ve toprak, gayrimenkul, finansal urunler, endustriyel donanim vs. cinsinden ve yine hukuki bicimi ne olursa olsun sahip olunan sermayeden elde edilen gelirler). ” Yirmi Birinci Yuzyilda Kapital
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“ Rappelons en effet que le revenu comprend toujours deux composantes : les revenus du travail (salaires, traitements, primes, bonus, revenus du travail salarié, etc., et autres revenus rémunérant le travail, quelle que soit leur forme juridique précise), les revenus du capital ( loyers, dividendes, intérêts, bénéfices, plus-values et autres revenus obtenus du simple fait de détention d’un capital terrien, immobilier, financier, industriel etc., quelle que soit là aussi leur forme légale ). "
Akademi ve Golden Globe Odullu Iranli senarist ve yonetmen Asgar Ferhadi'nin dogum gunu ( 7 Mayis 1972 )
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