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Amerikali girisimci, animator, ses sanatcisi, film yapýmcisi ve Disney Sirketinin kurucusu Walter Elias Disney’in dogum yil donumu (5 Aralik 1901)
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“Bankacilara hayal gucunu, teminat olarak gosteremiyorsunuz. Hayallerini nasil gerceklestirecegini bilen bir insanin ulasamayacagi hedef olmadigina inaniyorum. Hayalleri gercek kilmanin dort kurali vardir; merak, oz guven , cesaret ve tutarlilik. Bence bunlarin en onemlisi oz guven. Bir seye inanacaksaniz, ona % 100 sonuna kadar, sorgulamadan inanin. Bankacilari, Disneyland’in iyi bir yatirim oldugu konusunda asla ikna edemedim. Cunku onlara hayal gucunu, bir teminat olarak gosteremiyorsunuz. Disney’de geçmiţe bakarak cok vakit gecirmeyiz. Hep ileriye gideriz, acilmamis kapilari acar, yapilmamislari yapariz. Cunku bizler, merakli insanlariz. Ve merakimiz bize hep yeni yollar gosterir.”
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“You know bankers don't have any imagination, none at all. You have to show them what you're going to do. Somehow, I can't believe that there are any heights that can't be scaled by a man by a man who knows the secret of making dreams come true. The special secret it seems to me is summarized in four C's. They are Curiosity, Courage, Confidence and Constancy. And the greatest of all is Confidence. When you believe in a thing, believe in it all the way, implicitly and unquestionably.I could never convince the financiers that Disneyland was feasible, because dreams offer too little collateral. Around here, however, we don't look backwards for very long. We keep moving forward, opening up new doors and doing new things, because we're curious...and curiosity keeps leading us down new paths.”
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Fransiz empresyonist ressam Claude Oscar Monet’nin olum yil donumu (5 Aralik 1926)
Donne in giardino (Women in the Garden, 1866-7)
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https://www.youtube.com/watch?v=_8mct7uJyRs
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Amerikali sair Vachel Lindsay’in olum yil donumu (5 Aralik 1931)
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Gun dogmazsa-bir yildiz isirsa gokyuzunde
Sensin
Gokyuzunde bir baska yildiz isirsa ay adina
Sensin
Sen benim ilkbaharimsin
Bir elma dali yuzun-cicek acmis
Gozlerine vuran isik gencliginde
Cumle iyilikleriyle yureginin
Sen benim askimsin.
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Amerikali roman yazari ve gazeteci Joan Didion’in dogum gunu (5 Aralik 1934)
"Belli bolgelerde, yaz gundonumu oncesinde ve sonrasinda, alacakaranligin uzadigi ve mavilestigi, sadece birkac hafta surecek bir zaman dilimi yasanir. Mavi gecelerde, gunun asla bitmeyecegi duygusuna kapilirsiniz. Mavi gecelerin sonu yaklasirken (sonu gelecektir, mutlaka gelir) ciddi ciddi urperir, kendinizi hastalanacakmis gibi hisseder ve ayni anda, ilk kez farkina varirsiniz: Mavi isik azalmaktadir, gunler simdiden kisalmaya baslamistir, yaz bitmistir."
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“In certain latitudes there comes a span of time approaching and following the summer solstice, some weeks in all, when the twilights turn long and blue.During the blue nights you think the end of day will never come. As the blue nights draw to a close (and they will, and they do) you experience an actual chill, an apprehension of illness, at the moment you first notice: the blue light is going, the days are already shortening, the summer is gone.”
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Dave Robicheaux serisi ile taninan Amerikali gizem yazari James Lee Burke'un dogum gunu (5 Aralik 1936)
"Kadin ortak bir veranda ve cali dolu bir bahceyle birbirine baglanan eski tugla evlerden birinde oturuyordu. Arkamda ayak sesleri duydum, donup bir sey hakkinda sakalasan ve bir kese kagidinin icinde bir sise sarap tasiyan uc adama baktim. Donup partinin oldugu isikli eve girmelerinin ardindan onlara fazla dikkat etmedim.
Kapiyi acinca gulumsedi. Seffaf omuzlu mavi bir elbise giymisti, genis bir hasir sapkanin altindan sari bukleleri dokuluyordu. Arkasindan vuran isikta cok guzel gorunuyordu, yarisa yetisip yetismememiz umurumda degildi. Sonra gozlerinin omzumun arkasinda bir yere baktigini ve surat ifadesinin degistigini gordum. Verandada arkamdan gelen ayak seslerini duydum, bu kez hizla kosuyorlardi. Tam arkami donmusken uc adamdan biri beni Annie Ballard'in oturma odasina itti ve otomatik Browning tabancasýný yuzume dogrulttu.
'Beyninin burnundan akmasini istemiyorsan hic davranma sirfinti,!ť dedi. Spor ceketimin icine uzanarak otuz sekizligimi gogus kilifindan cikardi."Neon Yagmurlari
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"She lived in an old brick rowhouse that was connected to several others by a common porch and a shrub-filled front yard.I heard footsteps behind me, turned and glanced at three men who were joking about something and carrying a wine bottle wrapped in a paper sack, but I paid no attention to them after they turned toward a lighted house where a party was going on.
She smiled when she opened the door. She wore a blue dress with transparent shoulders, and her blond curls stuck out from under a wide straw hat. She was very pretty with the light behind her, and I didn't care whether we made it to the track or not. Then I saw her eyes focus over my shoulder, saw her expression break apart, heard the feet on the porch behind me, this time fast and running. Just as I turned, one of the three men shoved me hard into Annie Ballard's living room and aimed a Browning automatic pistol straight into my face.
'Don't try to pull it, biscuit-eater, unless you want your brains running out your nose,' he said, and reached inside my sports coat and pulled my .38 from my waist holster."
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Preston Sturges ‘in yonettigi, Joel McCrea, Veronica Lake ve Robert Warwick’in rol aldigi macera-drama-komedi Ask Yildizi (Sullivan's Travels), 5 Aralik 1941’de Portekiz’de gosterime girdi.
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Italyan tiyatro oyuncusu ve oyun yazari Dario Fo’nun Bir Anarsistin Kaza Sonucu Olumu (Morte accidentale di un Anarchico) ilk kez 5 Aralik 1970’de Varese’de Collettivo Teatrale La Comune grubu tarafindan sahnelendi.
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Elijah Wood, Ian McKellen ve Viggo Mortensen’in rol aldigi Yuzuklerin Efendisi: Iki Kule (The Lord of the Rings: The Two Towers), 5 Aralik 2002’de New York’ta gosterime girdi.
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“Mercedes ise simsiyah gozlu, mercan dudakli Kibrisli ya da Keoslu Yunanli kizlar kadar guzeldi. Arlesli ve Enduluslu kizlarin yurudugu gibi ozgur ve acik adimlarla yuruyordu. Kentli bir kiz belki de nesesini bir ortu altinda ya da en azindan kirpiklerinin golgesi altinda saklamaya calisirdi, ama Mercedes guluyordu ve cevresini saran herkese bakiyordu, gulumsemesi ve bakislari sozlerinin dile getirebilecegi her seyi soyluyordu: dostumsaniz, benimle birlikte sevinin, cunku gercekten cok mutluyum!”
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“Lovely as the Greek girls of Cyprus or Chios, Mercedes boasted the same bright flashing eyes of jet, and ripe, round, coral lips. She moved with the light, free step of an Arlesienne or an Andalusian. One more practiced in the arts of great cities would have hid her blushes beneath a veil, or, at least, have cast down her thickly fringed lashes, so as to have concealed the liquid lustre of her animated eyes; but, on the contrary, the delighted girl looked around her with a smile that seemed to say: "If you are my friends, rejoice with me, for I am very happy."
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“Sans degildi. Olanlarin sansla hicbir ilgisi yoktu.
Bunu daha sonra ogrendim ancak her seyi fark ettigimde insanin kaderini kendisinin belirledigine olan saglam inancim yuzunden gercegi kavramam zor oldu. O ana kadarki hayatim bunu dogrular gibiydi. Belirli yollari secmistim ve bunlarin hepsi iyi sonlara ulasmisti. Yolda karsilastigim kucuk engelleri ise kotu sans olarak degil ama sadece mukemmel olmayan muhakememin urunu olarak kabul ederdim. Kendime bir felsefe secmek zorunda kalsam bu, William Henley’nin cesur dizeleri olurdu: ‘Ben kaderimin efendisiyim, ben ruhumun kaptaniyim.’ Boylece her seyin basladigi o kis sabahi kiraladigim arabaya atlayip Aberdeen’den kuzeye dogru yola koyuldugumda direksiyonda bir baskasinin eli oldugu aklima bile gelmedi. Gercekten, ana yoldan sahil boyu uzanan yan yola donmemin kendi kararim olduguna inaniyordum. Bu buyuk ihtimalle akillica bir karar degildi, cunku yollar bana soylenene gore Iskocya’nin son kirk yildaki en yogun kar yagisiyla dolmustu ve yoldan cikabilecegim ya da engellerle karsilasabilecegime dair uyarilmistim. Tedbir ve uymam gereken programin beni daha cok kullanilan yol uzerinde tutmasi gerekirdi ama ‘Sahil Yolu’ yazili kucuk tabela aklimi celmisti. Babam hep kanimda deniz oldugunu soylerdi. Nova Scotia’nin kiyilarýnda, denizin yaninda dogup buyumustum ve hicbir zaman denizin buyuleyici cekimine karsi koyamazdim. Boylece Aberdeen’in cikisindaki ana yol karaya dondugunde direksiyonu saga cevirdim ve sahil boyunca devam ettim.” Susanna Kearsley, Kis Denizi
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“It wasn’t chance. There wasn’t any part of it that happened just by chance.
I learned this later; though the realization, when it came, was hard for me to grasp because I’d always had a firm belief in self-determination. My life so far had seemed to bear this out — I’d chosen certain paths and they had led to certain ends, all good, and any minor bumps that I had met along the way I could accept as not bad luck, but simply products of my own imperfect judgment. If I’d had to choose a creed, it would have been the poet William Henley’s bravely ringing lines: I am the master of my fate; I am the captain of my soul. So on that winter morning when it all began, when I first took my rental car and headed north from Aberdeen, it never once occurred to me that someone else’s hand was at the helm. I honestly believed it was my own decision, turning off the main road for the smaller one that ran along the coastline. Not the wisest of decisions, maybe, seeing as the roads were edged with what I’d been assured was Scotland’s deepest snow in forty years, and I’d been warned I might run into drifting and delays. Caution and the knowledge I was running on a schedule should have kept me to the more well-traveled highway, but the small sign that said ‘Coastal Route’ diverted me. My father always told me that the sea was in my blood. I had been born and raised beside it on the shores of Nova Scotia, and I never could resist its siren pull. So when the main road out of Aberdeen turned inland I turned right instead, and took the way along the coast.”
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Broad Green Pictures, Glenne Headly, Morgan Freeman, Tommy Lee Jones ve Rene Russo'nun rol aldigi ve 8 Aralik'ta vizyona girecek aksiyon-komedi Just Getting Started' tan bir promo yayinladi.
https://youtu.be/yHFax7WNd_Q?t=1
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Margot Robbie'nin rol aldigi I Tonya'nin Fransa posteri geldi.
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Amblin Entertainment, Apaches Entertainment ve Legendary Entertainment, 8 Haziran 2018'de Turkiye'de vizyona girecek olan Jurassic World: Fallen Kingdom'in fragmanini yayinladi.
https://youtu.be/1rke8XzpUUI?t=1
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"Gelecek gecti ve fark etmedik bile. / Il futuro č passato e non ce ne siamo nemmeno accorti." Ettore Scola
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Stefano Satta Flores, Nino Manfredi ve Vittorio Gassman, Birbirimizi Oyle Cok Sevmistik ki (C'eravamo tanto amati) filminde
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Fransiz Empresyonist ressam Frédéric Bazille’in dogum yil donumu (6 Aralik 1841)
La Riunione di Famiglia (Family Reunion, 1867)
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Bagnanti Estate scena (Bathers / Summer Scene, 1867)
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Paesaggio a Shore of Lez (Landscape on the Shore of Lez, 1870)
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Thomas Edison, 6 Kasim 1877’de insan sesini kaydedip tekrarlayabilen gramofonu icat etti. Ilk basarili gramofon denemesinde aygitta ‘Mary’nin kucuk bir kuzusu vardi’ siirini okuduktan sonra gramofonu ikinci kez calistýrdiginda ayni sozcukler cizirtili ama oldukca net bir bicimde duyuldu.
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Victoria donemi Ingiliz roman yazari Anthony Trollope’un olum yil donumu (6 Aralik 1882)
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“Bir koca daha cok, bir ev veya bir at gibidir.”
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“Hicbir zaman yeterince iyi olmadiginizi dusunmeyin. Insanlar sizi sizin kendinizi gordugunuz gibi gorurler.”
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Amarikali sair Joyce Kilmer’in dogum yil donumu (6 Aralik 1886)
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Latif bir siiri, bir agac kadar,
Gormem sanirim asla.
Sirin dunyanin akan bagrinda
Agac aç agzini bastirmakta;
Butu gun bakar agac Tanri’ya,
Ve kaldirir yaprakli dallarini duaya;
Yazin susler agac sacini,
Takarak kizi gerdanin yuvasini.
Gogsunde yatar kar;
Yagmurla icli disli yasar.
Yazar siirleri benim gibi aptallar,
Fakat sadece Tanri bir agaci yapar.
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Silili sair Pablo Neruda, 6 Aralik 1930’da Batavia’da genc bir Hollandali kiz, ilham perisi ve ilk karisi olan Maryka Antonieta Hagenaar Vogelzang ile evlendi.
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James Joyce’un 1921 yilinda Amerika’da ‘muzir’ gerekcesiyle yasaklanan epik romani Ulysses, 6 Aralik 1933’de serbest birakildi.
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Avusturyali roman ve oyku yazari Peter Handke’nin dogum gunu (6 Aralik 1942)
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Cocuk daha henuz cocukken kollarini sallayarak yururdu.
Derenin irmak olmasini isterdi, irmagin sel,
bir su birikintisinin de deniz olmasini.
Cocuk henuz cocukken cocuk oldugunu bilmezdi.
Her sey yasam doluydu ve tum yasam birdi.
Cocuk henuz cocukken hicbir ţey hakkinda fikri yoktu.
Aliskanliklari yoktu.
Bagdas kurup otururdu, sonra kosmaya baslardi.
Sacinin bir tutami hic yatmazdi
fotograf cektirirken poz vermezdi
Cocuk henuz cocukken su sorulara sira gelmisti.
Neden ben benim de sen degilim,
neden buradayim da orada degilim?
Zaman ne zaman basladi ve uzay nerede bitiyor?
Gunesin altindaki yasam sadece bir ruya mi?
Gorduklerim, duyduklarim, kokladiklarim
sadece dunyadan onceki dunyanin bir goruntusu mu?
Gercekten kotuluk var mi?
Gercekten kotu insanlar var mi?
Nasil olur da ben olan ben olmadan once var degildim
ve nasil olur da ben olan ben,
bir zaman sonra ben olmayacagim…
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When the child was a child it walked with its arms swinging,
wanted the brook to be a river, the river to be a torrent,
and this puddle to be the sea.
When the child was a child, it didn’t know that it was a child,
everything was soulful, and all souls were one.
When the child was a child, it had no opinion about anything,
had no habits,
it often sat cross-legged,
took off running,
had a cowlick in its hair,
and made no faces when photographed.
When the child was a child, it was the time for these questions:
Why am I me, and why not you?
Why am I here, and why not there?
When did time begin, and where does space end?
Is life under the sun not just a dream?
Is what I see and hear and smell
not just an illusion of a world before the world?
Given the facts of evil and people.
does evil really exist?
How can it be that I, who I am,
didn’t exist before I came to be,
and that, someday, I, who I am,
will no longer be who I am?...
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Fransiz yazar Simone de Beauvoir, 6 Aralik 1954’de Mandarinler (Les mandarins - The Mandarins) romaniyla Fransa’nin en buyuk edebiyat odulu Goncourt Odulunu kazandi.
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“Cunku su an buradayim, ama asla geri donmeyecegim; cunku dunya hem çok zengin hem de cok yoksul, gecmis ise hem cok yogun hem de cok hafif; cunku su guzelim ani mutluluga donusturemiyorum. Cunku askim oldu ve ben ona ragmen yasamimi surdurecegim.”
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“Because I am here, because I'll never return, because the world is too rich, too poor, the past too heavy, too light, because I can't turn this too-beautiful hour into hapiness, because my love has died and I wll survive it.”
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Cezayir asilli Fransiz psikiyatr, filozof, devrimci ve yazar Frantz Fanon’in olum yil donumu (6 Aralik 1961)
“Gazete haberleri ve fotograflarinda, sinema filmlerinde toplumlar once goruntuleriyle taninir. Gorulur ki kravatsiz medeniyetler, onune pestemal orten medeniyetler ve sapkasiz medeniyetler vardir. Belli bir kultur seviyesine baglilik, ekseriyetle insanlarinin giyim gelenekleriyle ifade edilir. Mesela, Arap dunyasinda kadinin giydigi carţaf, turist tarafindan hemen fark edilir.”
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“It is by their apparel that types of society first become known, whether through written accounts and photographic records or motion pictures. Thus, there are civilizations without neckties, civilizations with loin-cloths, and others without hats. The fact of belonging to a given cultural group is usually revealed by clothing traditions. In the Arab world, for example, the veil worn by women is at once noticed by the tourist. “
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Rob Marshall’in yonettigi, Ziyi Zhang, Ken Watanabe ve Michelle Yeoh’unn rol aldigi romantik drama Bir Geysanin Anilari (Memoirs of a Geisha), 6 Aralik 2005’de New York’ta gosterime girdi.
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“Sadece budalalar dunyaya kizarlar'' diye teselli etti kendisini.'' Tas, agir olduđu surece asagiya duser.'' Daima cocuk olarak mi kalacagim? Bu insanlara ruhumu sadece paralari karsiliginda vermeye yonelik, mukemmel aliskanligi ne zaman elde edecegim? Eger onlarin saygisina erismek istiyorsam, sunu anlamalarini saglamaliyim: Zavalli biri olarak onlarin dunyevi mallarinin kolesi olsam da, yuregimle onlarin terbiyesiz kendini begenmisliklerinin cok cok otesinde, adeta bir tahtin uzerinde bulunuyorum. Onlarýn aciz lutuf emarelerinden ya da kucumseyislerinden, anlatilmasi olanaksiz bir sekilde daha yuce bir konumdayim.'' Stendhal, Kirmizi ve Siyah
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“Only a fool,” he said to himself, “gets angry at others. A stone falls because it’s heavy. Am I going to be forever a child? When will I acquire the good habit of giving these people my soul, only and exactly to the extent they pay me for it? If I want to be valued by them, as well as by myself, it must be by demonstrating to them that my poverty is doing business with their wealth, and yet that my heart is a thousand leagues distant from their insolence, set in a sphere too high to be affected by their petty displays of either disdain or approval.”
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“Sen hicbir zaman dogru durust bir orkestra sefi olamayacaksin. Ta eskiden de degildin zaten. Bu kentin insanlarina, onlar razi olsalar bile, asla hizmet edemeyeceksin. Cunku onlarin hayati senin umurunda degil. Gercek bu. Muzigin daima o sacma yaranla ilgili olacak, baska bir sey alamayacak, hicbir zaman bir derinligi, baskalari icin bir degeri olmayacak. Ben en azindan kendi capimda elimden geleni yaptim diyebilecegim. Bu kentin mutsuz insanlarina yardim etmek icin elimden geleni yaptigimi soyleyebilirim. Oysa senin haline bak. Sen oldum olasi bir tek yarani umursadin. Iste bu yuzden, o zamanlar bile gercek bir muzisyen olmadin hic.” Kazuo Ishiguro, Avunamayanlar
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“You'll never be able to serve the people of this city, even if they wanted you to. Because you care nothing for their lives. That’s the truth of it. Your music will only ever be about that silly little wound, it will never be anything more than that, it'll never be anything profound, anything of any value to anyone else. At least I, in my small way, I can say I did what I could. That I did my best to help the unhappy people here. But you, look at you. You've only ever cared about that wound. That's why even back then you were never a real musician.”
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“Izin verir misin? Gitmeyip kalayim ve seni sadece kardesinmisim gibi seveyim. Gunahimizin en dogru cezasi bu olur, Tanrinin kizginligini da yatistiririz.”
Madam de Renal, kalkip iki eliyle Julien'in basini tuttu ve kollarini gerip onun gozlerine bakarak, “Ya ben?” dedi. “Ya ben? Seni bir kardes gibi sevmek benim elimden gelir mi?”
Julien, hungur hungur agliyordu. Onun ayaklarina kapanip.
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"Won't you allow me to stay and love you henceforth like a brother? It is the only rational atonement. It may appease the wrath of the Most High."
"Am I," she cried, getting up and taking Julien's head between her two hands, and holding it some distance from her. "Am I to love you as if you were a brother? Is it in my power to love you like that?"
Julien melted into tears.
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“Ask, sadece kitaplar ve siirler icin yaratilmis, ulasilmaz, sekilsiz bir kavram degildir. Gercektir, onemlidir ve gereklidir.” Nora Roberts, Beyaz Dusler
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“Love’s not some amorphous concept created for books and poetry and not attainable. It’s real and vital, and it’s necessary.”
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Romali devlet adami, bilgin, hatip ve yazar Marcus Tullius Cicero'nun olum yil donumu (7 Aralik 43)
(Octavianus, Antonius ve M. Aemilius Lepidus'un Ucler Meclisi tarafindan oldurulmesi kararlastirildi ve Formiae'da suikast sonucu olduruldu.)
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"Sucluluk disinda hicbir kotuluk yoktur."
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"Herkes hata yapabilir; ama ahmaklar hatalarina bagli kalirlar ve bunu olunceye kadar surduruler."ť
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Vincenzo Foppa, Il Fanciullo che legge Cicerone (The Young Cicero Reading, 1464)
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17. yuzyil Romasinin Barok heykeltirasi Italyan Giovanni ‘Gian’ Lorenzo Bernini’nin dogum yil donumu (7 Aralik 1598)
Apollo e Dafne (Apollo and Daphne 1622-25), Galleria Borghese, Roma
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Fontana del Tritone (Triton Fountain, 1642-43)
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19. yuzyil Amerikan edebiyatinin onde gelen roman yazarlarindan Willa Cather’in dogum yil donumu (7 Aralik 1873)
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“Buyuk askin oldugu yerde daima mucizeler vardir.”
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“Agaclari seviyorum cunku yasamak zorunda olduklari hayata, diger varliklardan daha iyi teslim olmus gibi bir halleri var.”
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“Bazi seyleri en iyi sakin zamanlarda, bazilariniysa firtinada ogrenirsiniz.”
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Irlandali roman yazari Joyce Cary’nin dogum yil donumu (7 Aralik 1888)
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“Irade hicbir zaman ozgur degildir; her zaman bir hedefe, bir amaca baglidir. Diyecegim, arabanin motorudur irade, arabayi kullanamaz.”
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Baba 3 filminin (The Godfather: Part III) Don Altobello’su, Iyi, Kotu ve Cirkin filminin (The Good, the Bad and the Ugly) Tuco’su, Amerikali aktor Eli Wallach’in dogum yil donumu (7 Aralik 1915)
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