Hong Sangsoo’nun The Woman Who Ran Finds'indan fragman yayinlandi.
https://youtu.be/3ge6f3bDmWM
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Hong Sangsoo’nun The Woman Who Ran Finds'indan fragman yayinlandi.
https://youtu.be/3ge6f3bDmWM
Lesley Manville, Carice Van Houten, Paloma Faith, Michael McElhatton, Kosar Ali ve daha fazla oyuncu, Starz'in yeniden cevrim dizisi Dangerous Liaisons'in kadrosuma dahil oldular.
https://deadline.com/wp-content/uplo...1&h=383&crop=1
Dizi, Marquise de Merteuil (Englert) ve Vicomte de Valmont’un (Denton), devrimin arifesinde Paris’te tutkulu genc asiklar olarak nasil bulustugunun asil hikayesini anlatiyor. Gecmislerinin yanlislarini duzelterek, Paris’in kenar mahallelerinden yukselen ve Fransiz aristokrasisinin doruklarina tirmanarak hem soylulari hem de birbirlerini hayatta kalmak icin bastan cikaran ve manipule eden cifte odaklaniyor.
https://deadline.com/2021/06/dangero...es-1234776226/
''Yasamýn ogleden sonrasina neredeyse hazirliksiz adim atariz. Daha da kotusu, bu adimi yanlms varsayimlarla atariz. Dogrular ve idealler vardir. Bize yardimci olur, onculuk eder. Fakat yasamin ogleden sonrasini, yasamin sabah programina gore yasayamayiz. Cunku, sabah onemli olan sey, aksam onemsiz olacaktir. Ve sabah gercek olan sey, aksam bir yalan olacaktir. / Thoroughly unprepared, we take the step into the afternoon of life. Worse still, we take this step with the false presupposition that our truths and our ideals will serve us as hitherto. But we cannot live the afternoon of life according to the program of life’s morning, for what was great in the morning will be little at evening and what in the morning was true, at evening will have become a lie. '' Carl Gustav Jung
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Foto : Jung, 1959'da Isvicre'deki evinde John Freeman ile roportaj yapiyor.
https://pbs.twimg.com/media/E4AjPUBV...jpg&name=large
" There are two sorts of silence. The silence of the words and the silence of the voice. The latter touches us deeply.
John grows up normally, but doesn't talk, and this drives his parents to distraction. When he is about 16, at last, one teatime, he says: ' I'd like a little sugar. ' His mother is staggered and asks, ' But John, why have you never said anything up to now? ' ' Up to now, everything was perfect. '
If everything is perfect, language is useless. This is true for animals. If animals don't speak, it's because everything's perfect for them. If one day they start to speak, it will be because the world has lost a certain sort of perfection. " Jean Baudrillard, Cool Anilar
74. Cannes Film Festivali'nden Juri baskani Spike Lee'li resmi poster geldi.
https://pbs.twimg.com/media/E4FCmq7X...pg&name=medium
Dune'un dunya promiyeri Venedik Film Festivali'nde ( 1 - 11 Eylul 2021 ) gerceklestirilecek.
Festivalin yarisma disi seckisinde gosterilecek filmden yeni gorseller geldi.
https://pbs.twimg.com/media/E4E2k_EX...pg&name=medium
https://pbs.twimg.com/media/E4E2rYHW...pg&name=medium
Screen Media ve Millenium Media, 2 Temmuz'da dijitale gelecek Megan Fox'li korku filmi Till Death'in fragmanini yayinladi.
https://youtu.be/pMQ_1n_baR8
HBO, Euphoria'nin 2. sezonundan bir teaser yayinladi.
https://youtu.be/q0N2Ysm07OI
Dakota Johnson ve Sean Penn, Christy Hall imzali Daddio filminde rol alacak.
https://cinevisao.pt/wp-content/uplo...lme-Daddio.jpg
Film, New York’taki JFK havaalanina indikten sonra sari bir taksinin arka koltuguna atlayan genc bir kadina odaklaniyor.
https://www.devdiscourse.com/article...r-christy-hall
Everest dagi’na Ingiltere tarafindan gerceklestirilen ilk uc sefere cikan Ingiliz dagci George Mallory‘nin hikayesini anlatacak Everest'in basrolu emin ellerde.
https://images.immediate.co.uk/produ...ize=1240%2C826
https://www.radiotimes.com/movies/ew...st-newsupdate/
Hollandali ressam Rogier van der Weyden’in olum yildonumu ( 18 Haziran 1464 )
Portrait of a Woman with a Winged Bonnet, c. 1440 ( Gemäldegalerie, Berlin )
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Beaune Altarpiece, c. 1445–1450
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Italyan mimar ve heykeltiras Bartolomeo Ammannati’nin dogum yildonumu ( 18 Haziran 1511 )
Fontana del Nettuno, Firenze ( Fountain of Neptune, 1560-1565, Florence )
https://live.staticflickr.com/5801/3...7f083b5d_b.jpg
Hollandali Altin Cag ressami Allaert van Everdingen’in dogum yildonumu ( 18 Haziran 1621 )
Cannon Foundry of Julitabroeck, Södermanland, 1650 – 1675
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Forest Scene with Watermill, c. 1650
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Hollandali Altin Cag ressami Wouter Pietersz. Crabeth II’nun olum yildonumu ( 18 Haziran 1644 )
The Assumption of the Virgin Mary, 1628
https://upload.wikimedia.org/wikiped...II_Crabeth.jpg
Harmanus Herberts and his officers, 1642
https://upload.wikimedia.org/wikiped...er-Crabeth.jpg
Italyan cellist ve besteci Antonio Maria Bononcini'nin dogum yildonumu ( 18 Haziran 1677 )
http://www.baroquemusic.org/CGBononcini.jpg
https://www.youtube.com/watch?v=AIqsUywgSNM
Fransiz ressam Joseph-Marie Vien’in dogum yildonumu ( 18 Haziran 1716 )
Two Women Bathing, 1763 ( Musée de Cahors Henri-Martin )
https://upload.wikimedia.org/wikiped...in_Ca.1.32.jpg
Self-Portrait, 1794
https://upload.wikimedia.org/wikiped.../37/JMVien.jpg
Fransiz ressam Charles Joseph Auguste Migette’in dogum yildonumu ( 18 Haziran 1802 )
Entrance of King Henry II of France into Metz, ending of the Republic of Metz, 1850
https://upload.wikimedia.org/wikiped...tranceMetz.jpg
Election of Almobert as First Master Alderman in 1055 ( 1862 )
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Rus yazar Ivan Aleksandrovic Goncarov’un dogum yildonumu ( 18 Haziran 1812 )
“ Kis, yanina yaklasilmaz, soguk bir guzel kadin gibi huyunu hic degistirmeden sicaklarin gelecegi belli gunlere kadar uzar; ne umulmadik gunesli havalarla insanlari sasirtir, ne de gorulmemis soguklarla bellerini buker. ”
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“ Winter, like a cold, unapproachable beauty, retains her character until the lawful season of thaw has arrived. Never does she mock one with unexpected softenings of the air; never does she triple-harness the earth with unheard-of degrees of frost. ”
“ Mesela deniz. Tanri eksik etmesin ama bizden uzak olsun daha iyi. Insana huzun vermekten baska seye yaramaz. Baktikca aglayacaginiz gelir. Bu ucsuz bucaksiz su kitlesi onunde ruh ezilip buzulur. Hic degismeden, alabildigine uzayip giden bu guzel manzarada yorulan goz, dinlenecek bir yer bulamaz. ”
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“ The sea, for example? Never mind about that! It brings man only sorrow; looking at it makes him feel like crying. The heart is flummoxed in the face of the boundless shroud of waters, and there is nothing upon which to rest one’s gaze, tormented as it is by the vast scene’s monotony. ”
Italyan ressam Francesco Manno’nun olum yildonumu ( 18 Haziran 1831 )
Sant'Andrea della Valle, XVIII secolo
https://upload.wikimedia.org/wikiped..._Valle_027.JPG
Ratto di Europa, XVIII secolo
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Norvecli ressam Peter Nicolai Arbo’nun dogum yildonumu ( 18 Haziran 1831 )
Saint Olav at the Battle of Stiklestad, 1859
https://upload.wikimedia.org/wikiped...Stiklestad.jpg
The Wild Hunt of Odin, a Norse version of Wild Hunt, 1872
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Italyan ressam Valerico Laccetti’nin dogum yildonumu ( 18 Haziran 1836 )
Le gioie della famiglia, 1885
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Mandrie e pastori nella campagna romana, XIX secolo
https://3.bp.blogspot.com/-CW1kM-ItV...s/s1600/1.Jpeg
Ispanyol ressam Eduardo Chicharro y Agüera’nin dogum yildonumu ( 18 Haziran 1873 )
El **uelarre, siglo XX ( The Coven )
https://blog.setdart.com/wp-content/...1-1024x715.jpg
Dolor ( Pain, 1912 )
https://static3.museoreinasofia.es/s.../AS01365_0.jpg
Italyan ressam Francesco Manno’nun olum yildonumu (18 Haziran 1883)
Ritratto di gentildonna, XIX secolo
https://www.capitoliumart.it/media/c.../0112-0001.jpg
Portrait of Victor Emmanuel II of Italy, XIX secolo
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Italyan ressam Luigi Mussini’nin olum yildonumu ( 18 Haziran 1888 )
Odalisca, 1862
https://upload.wikimedia.org/wikiped...ca%2C_1862.jpg
Partita a scacchi fra Ruy López de Segura e Leonardo da Cutro, 1871 circa
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Silili ressam Laureano Ladrón de Guevara Romero’nun dogum yildonumu ( 18 Haziran 1889 )
Retrato de Henriette Petit ( Portrait of Henriette Petit, 19th century )
https://www.artistasvisualeschilenos...003_imagen.jpg
La naturaleza muerta, siglo XIX
https://www.artistasvisualeschilenos...005_imagen.jpg
Ingiliz yazar Samuel Butler’in olum yildonumu ( 18 Haziran 1902 )
“ Hic kimse bir cocugun bildigini soyledigi seyleri bildigini ya da bilebilecegini dusunmez; ama dunya tavizlerle dolu ve dogruca yorumlanabilecek bir dogrulama yoktur. Insan dili dusuncenin oldukca bariz bir aracidir; dusunce ise kesin olarak cevrilemez. Bir dilden digerine anlamli bir dereceye kadar kisitlamayacak ya da genisletmeyecek bir ceviri olmayacagina gore, bir yerlerde dusunceyi sarsmadan ve sertlesmeden cevirilebilecek dil yoktur. ”
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“ No one, he answered, expected that the boy either would or could know all that he said he knew; but the world was full of compromises; and there was hardly any affirmation which would bear being interpreted literally. Human language was too gross a vehicle of thought— thought being incapable of absolute translation. He added, that as there can be no translation from one language into another which shall not scant the meaning somewhat, or enlarge upon it, so there is no language which can render thought without a jarring and a harshness somewhere. ”
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“ Dostluk para gibidir, elde edilmesi kolay korunmasi zordur. / L'amicizia è come il denaro, più facile da fare che da mantenere. ”
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“ Insan, yiyecegi vakte kadar aviyla dostane iliskiler surdurebilen tek hayvandir. / L'uomo è il solo animale che può restare in termini amichevoli con le vittime che intende mangiare fino a quando le mangia. ”
Fransiz roman yazari ve sair Raymond Radiguet'nin dogum yildonumu ( 18 Haziran 1903 )
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" Olumu sukunet icinde dusunmek ancak tek basimiza dusunuyorsak mumkundur. Olum iki kisilik oldugunda, inancsizlar icin bile olum olmaktan cikar. Aci verici olan hayati degil, ona anlam kazandiran seyi terk etmektir. Ask hayatimiz oldugunda, birlikte yasamak ya da birlikte olmek arasinda nasil bir fark olabilir ? / Envisager la mort avec calme ne compte que si nous l'envisageons seul. La mort à deux n'est plus la mort, même pour les incrédules. Ce qui chagrine, ce n'est pas de quitter la vie, mais de quitter ce qui lui donne un sens. Lorsqu'un amour est notre vie, quelle différence y a-t-il entre vivre ensemble ou mourir ensemble ? "
“ Insanin en yalan soyleyemeyecegi anlar, aslinda tam olarak en cok yalan soyledigi ve ozellikle de kendine yalan soyledigi anlardir. Bir kadinin yalan soyleyemeyecegi anda olduguna inanmak, bir cimrinin sozde comertligine inanmak anlamina gelir. ” Icimizdeki Seytan
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" Les moments où l'on ne peut pas mentir sont précisément ceux où l'on ment le plus et surtout à soi-même. Croire une femme au moment où elle ne peut mentir, c'est croire à la fausse générosité d'un avare. "
“ Ilk opucugun tadi beni, hayatta ilk kez tadilan bir meyve gibi hayal kirikligina ugratmisti. En buyuk hazlari yenilikte degil, aliskanlikta yakalariz. Birkac dakika sonra, yalnizca Marthe'in dudaklarina alismamis, artik vazgecemez hale gelmistim. O ise, o sirada beni bundan sonsuza dek mahrum birakmaktan soz ediyordu. ”
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" La saveur du premier baiser m’avait déçu comme un fruit que l’on goûte pour la première fois. Ce n’est pas dans la nouveauté, c’est dans l’habitude que nous trouvons les plus grands plaisirs. Quelques minutes après, non seulement j’étais habitué à la bouche de Marthe, mais encore je ne pouvais plus m’en passer. Et c'est alors qu'elle parlait de m'en priver à tout jamais. "
Tradisyonalizm akiminin kurucusu metafizikci, ressam, sair, yazar ve tasavvuf onderi Isvicreli Frithjof Schuon’un dogum yildonumu ( 18 Haziran 1907 )
“ Bu kusursuz yogunlasma ‘gogusun acilip genislemesine (insirah) tekabul eder ve bu nedenle dervislerin dansi bazen Zikr'us-Sadr ( gogusten yapilan zikir ) olarak adlandirilmistir. Bu dansin ayni cinsel yasam gibi hem hayati, hem varolussal, hem de ayinsel kendine ozgu bir buyusu bulunuyor. Bilkuvve tarzda sembolik olarak Sonluyu Sonsuza ya da’ Ben ’i ‘ Kendi ’ye donusturur. ”
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“The point, includes in reality and as if by compensation a mystery of dilation, precisely as the Absolute by definition includes Infinitude; perfect concentration coincides with an ' expansion of the breast ' ( inshirāh ), whence the name dhikr al-sadr ( invocation by the breast ) that is sometimes given to the dance of the dervishes. This dance pertains, like sexual life, to a magic that is at once vital, existential, and sacramental; it symbolically transfers the finite into the Infinite or the ' I ' into the Self in a manner that is virtual and yet at the same time effective on its psychological plane.”
Meksikali sair ve gazeteci Efraín Huerta’nin dogum yildonumu ( 18 Haziran 1914 )
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Sana sessizligi ben buldum diyorum yeniden
o usul ikindide, adin yakilinca
komurlesince
buyuk altin alevinde ondokuz yilinin.
Sevgim alacakaranligin baglarini cozdu
yalniz senin fisiltina vermek icin kendini,
beyaz odun alevinin o cam fisiltina.
Anilarin bir igne batisidir dudaklarima,
hayatinin masallarini kurdum bugun
bir elmanin ince kabugunda.
Bu ara hep tedirginim,
bir pencerenin acilisini
bekliyorum simdi
arkandan gideyim
ya da parcalanayim diye
uzgun kaldirimlarda.
Ama oylesine bir ses gelir ki daglardan
acidir uyumak,
anmak olumdur seni.
Urkerek cekilir sessizlik,
yildizsiz gokyuzunden cekilir,
agizlarimizin acelesinden,
solgun kamelyalardan,
karanfillerden.
Gel, ruzgara anlatalim opulerimizi;
dusun: alacakaranlik bizi anliyor,
sari fisiltisinda gozlerinin
biliyor nasil hoslandigimi,
kollarinin beyaz suyundan.
Acmamis ciceklere soyleyelim sakimizi,
ayi gozetlemeyen cocuklara.
Birbirimize bakmadan soyleyelim.
Yalancidir onlar, su kuslar, sacaklar.
Birbirimizi sevmiyoruz artik,
sevmemistik de.
Tutkuyla geldik, tutkuyla gidiyoruz.
Alacakaranligin sesindeyiz artik,
cilginligin yureginde.
Gel, ruzgara anlatalim opuslerimizi,
Sakimizin aci yuklerine.
Ask ne atestir, ne de mermer.
Ask bana duydugun acimadir senin,
benim sana.
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Te repito que descubrí el silencio
**uella lenta tarde de tu nombre mordido,
carbonizado y vivo
en la gran llama de oro de tus diecinueve años.
Mi amor se desligó de las auroras
para entregarse todo a su murmullo,
a tu cristal murmullo de madera blanca incendiada.
Es una herida de alfiler sobre los labios tu recuerdo,
y hoy escribí leyendas de tu vida
sobre la superficie tierna de una manzana.
Y mientras todo eso,
mis impulsos permanecen inquietos,
esperando que se abra una ventana para seguirte
o estrellarse en el cemento doloroso de las banquetas.
Pero de las montañas viene un ruido tan frío
que recordar es muerte y es agonía el sueño.
Y el silencio se aparta, temeroso
del cielo sin estrellas,
de la prisa de nuestras bocas
y de las camelias y claveles desfallecidos.
Expliquemos al viento nuestros besos.
Piensa que el alba nos entiende:
ella sabe lo bien que saboreamos
el rumor a limones de sus ojos,
el agua blanca de sus brazos.
¡Parece que los dientes rasgan trozos de nieve.
El frío es grande y siempre adolescente.
El frío, el frío: ausencia sin olvido.)
Cantemos a las flores cerradas,
a las mujeres sin senos
y a los niños que no miran la luna.
Cantemos sin mirarnos.
Mienten **uellos pájaros y esas cornisas.
Nosotros no nos amamos ya.
Realmente nunca nos amamos.
Llegamos con el deseo y seguimos con él.
Estamos en el ruido del alba,
en el umbral de la sabiduría,
en el seno de la locura.
Dos columnas en el atrio
donde mendigan las pasiones.
Perduramos, gozamos simplemente.
Expliquemos al viento nuestros besos
y el amargo sentido de lo que cantamos.
No es el amor de fuego ni de mármol.
El amor es la piedad que nos tenemos.
Italyan Post-Empresyonist ressam Mario Puccini’nin olum yildonumu ( 18 Haziran 1920 )
La Metallurgica ( Metalworks, 19th century )
https://upload.wikimedia.org/wikiped...Metalworks.jpg
Pasture in Maremma, XX secolo
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Rus yazar (Alexei Maximovich Peshkov) Maksim Gorki'nin olum yildonumu ( 18 Haziran 1936 )
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“ Aksam olup da batan gunesin kizil isinlari pencere camlarini tutusturunca, fabrikanin tas karni kusmuk gibi disari atardi oguttugu insanlari, ve yuzleri isten kararmis isciler ac insanlara ozgu parlak dislerini gostererek yeniden sokaklara dolar, ortaliga makine yagi kokulari yayarlardi eksi eksi. Artik sesler canli ve hatta neseli cikardi, cunku forsalik o gun icin son bulmustu, evde aksam yemegi yiyip dinleneceklerdi. Fabrika bir gun daha yutmustu. Makineler, insan kaslarindaki butun gucu kendi ihtiyaclari icin emmisti. O gun de gecip gitmisti hic iz birakmadan. Insan bir adim daha atmiasti mezarina dogru. Fakat dinlenmek tatli seydi, dumanli meyhane zevkliydi, ve insan seviniyordu isgununun son bulmasina.
Bayram gunleri, saat ona dek uyunurdu. Sonra, agirbasli ve evli kimseler en iyi elbiselerini giyip kilisedeki ayine giderler, dinsel gorevlere karsi gosterdikleri ilgisizlik yuzunden gencleri kinarlardi. Kilise donusu, yemek yenir ve aksama kadar yatilirdi. Yillar boyunca biriken yorgunluk istah birakmazdi. Yemek yiyebilmek icin, coklari icki icerler, midelerini kavurucu alkolle uyarirlardi.
Aksam olunca, sokaklarda tembel tembel dolasilirdi. Lastik cizmesi olan, kuru havada bile cizmesini giyerdi; semsiyesi olan, hava gunesli bile olsa, semsiyesini alirdi.
Birbirleriyle karsilasinca fabrikadan makinelerden soz ederler, ustabasilara verip veristirirlerdi. Sozler, dusunceler, hep calismayla ilgili konulari kapsardi. Gecip giden gunlerin renksiz tekduzeligi icerisinde tek tuk basit bir fikir kivilcimi parlarsa, o bile coktu. Erkekler eve donunce karilariyla kavga ederler, cogu zaman da sille tokat doverlerdi onlari. Gencler kahvehanede kalirlar, ya da birbirlerinin evinde toplanir, akordeon calar, rezil sarkilar soyler, dans eder, edepsizlikler anlatirlar ve icki icerlerdi. Calismaktan bitkin dusen erkekler kolayca sarhos olurlardi. Icki onlari yok yere sinirlendirir ve bu hastaliga varan sinirlilik, bir yerden patlak vermek isterdi. O zaman, bosalmak icin, yoktan bir bahane icat ederek hayvani bir ofkeyle birbirlerine girerler, kanli dogusler cikardi. Kimileri sakatlanir, arada sirada olenler olurdu. ” Ana
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“ In the evening, when the sun was setting, and red rays languidly glimmered upon the windows of the houses, the factory ejected its people like burned-out ashes, and again they walked through the streets, with black, smoke-covered faces, radiating the sticky odor of machine oil, and showing the gleam of hungry teeth. But now there was animation in their voices, and even gladness. The servitude of hard toil was over for the day. Supper awaited them at home, and respite. The day was swallowed up by the factory; the machine sucked out of men’s muscles as much vigor as it needed. The day was blotted out from life, not a trace of it left. Man made an other imperceptible step toward his grave; but he saw close before him the delights of rest, the joys of the odorous tavern, and he was satisfied.
On holidays the workers slept until about ten o’clock. Then the staid and married people dressed themselves in their best clothes and, after duly scolding the young folks for their in- difference to church, went to hear mass. When they returned from church, they ate pirogs, the Russian national pastry, and again lay down to sleep until the evening. The accumulated exhaustion of years had robbed them of their appetites, and to be able to eat they drank,long and deep, goading on their feeble stomachs with the biting, burning lash of vodka.”
In the evening they amused themselves idly on the street; and those who had overshoes put them on, even if it was dry, and those who had umbrellas carried them, even if the sun was shining.
Meeting one another they spoke about the factory and the machines, had their fling against their foreman, conversed and thought only of matters closely and manifestly connected with their work. Only rarely, and then but faintly, did solitary sparks of impotent thought glimmer in the wearisome monotony of their talk. Returning home they quarreled with their wives, and often beat them, unsparing of their fists. The young people sat in the taverns, or enjoyed evening parties at one another’s houses, played the accordion, sang vulgar songs devoid of beauty, danced, talked ribaldry, and drank. Exhausted with toil, men drank swiftly, and in every heart there awoke and grew an incom- prehensible, sickly irritation. It demanded an outlet. Clutching tenaciously at every pretext for unloading themselves of this disquieting sensation, they fell on one another for mere trifles, with the spiteful ferocity of beasts, breaking into bloody quarrels which sometimes ended in serious injury and on rare occasions even in murder. ”
Ingiliz The Beatles grubunun kurucu uyelerinden, Ingiliz bas gitarist, soz yazari, besteci, multi-enstrumantalist Paul McCartney'in dogum gunu ( 18 Haziran 1942 )
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Italyan sarkici, dans sanatcisi, televizyon sunucusu ve aktris Raffaella Carrà’nin dogum gunu ( 18 Haziran 1943 )
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Turk muzisyen, sarkici-soz yazari ve oyuncu Ilhan Sesen'in dogum gunu ( 18 Haziran 1948 )
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Italyan aktis, yapimci, yazar ve model Isabella Rossellini'nin dogum gunu ( 18 Haziran 1952 )
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" Kendine sadik kalan kadinlar benim icin her zaman daha ilginc ve guzeldir […] tarzi, trendi, cekiciligi ve zarafeti olan kadinlar. Herhangi bir guzellik standardina boyun egmeyen kadinlar. / Women who stay true to themselves are always more interesting and beautiful to me […] women who have style, chic, allure and elegance. They didn't submit to any standard of beauty. "
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Amerikali roman yazari Richard Powers’in dogum gunu ( 18 Haziran 1957 )
“ Amerika’nin Katolik servetinin en buyuk mirascisi Ann Caroll, kilisenin en aziz piskoposunun oldurulmesinin ardindaki kan dondurucu komployu ortaya cikarmak icin gorevlendirilir. Yunanistan’daki Athos Dagini, Paris’i, San Salvador’u, New York’u ve New Orleans’i arastiran Caroll; Katolik hiyerarsisinin en ust statulerindeki suclari kesfediyor, kiliseyi temellerinden sarsiyor, bin yildir sure gelen Roma-Yunan Katolikligi arasindaki bolunmeyi duzeltecek yeni bir inanca onculuk ediyor ve Katolik kilisesine yeni bir anlayis getiriyor. ”
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" This fast-paced adventure sends Ann Carroll, heir to America's greatest Catholic fortune, on a quest to reveal the chilling conspiracy behind the murder of the Church's most saintly bishop. Searching Mt. Athos in Greece, Paris, San Salvador, New York, and New Orleans, she discovers crimes at the highest levels of the Catholic hierarchy, rocks the Church to its foundations, and leads a Pentecostal renewal of faith that heals the millennium-long schism between Roman and Greek Catholicism and gives birth to a new Catholic Church. "
Italyan sair Vincenzo Cardarelli'nin olum yildonumu ( 18 Haziran 1959 )
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Bilmiyorum, nerede yuva yaptiklarini,
nerede barisi bulduklarini.
Ben onlar gibiyim
surekli ucmakta havada.
Yasami siyirip geciyorum
onlar gibi suda yiyecek bulmak icin.
Belki onlar gibi ben de barisi seviyorum,
denizdeki o sonsuz olani,
ne ki, benim yazgim yasamak,
firtinada cakip cakip sonen simsekler gibi.
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Uctun, guvercin gibi
Kacip kayboldun, oraya,
doguya dogru.
Seni goren yerler bende kaldi
Ve buluslarimizin saatleri.
Issiz saatler,
bana bir gomut gibi gelen yerler
onlarin nobetcisiyim.
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Nature morte calismalari ile unlu Italyan ressam Giorgio Morandi'nin olum yildonumu ( 18 Haziran 1964 )
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Amerikali sanatci, illustrator, gazeteci ve modernist yazar Djuna Barnes’in olum yildonumu ( 18 Haziran 1982 )
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" Yalnizca imkansiz sonsuza kadar surer. Zamanla ona erisebilirsin. Robin'in aski ve benimki bastan beri imkansizdi ve birbirimizi sevmekle artik sevemez olduk. Hayati bir yemek zili gibi calsan da bir tek saat hic cinlamaz-kopus saati. Herkes sonunda o yuregi agzinda olmak denen zehirden oluyor. " Geceyi Anlat Bana
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“ Only the impossible lasts forever; with time, it is made accessible. Robin's love and mine was always impossible, and loving each other, we no longer love. Yet we love each other like death. Beat life like a dinner bell, yet there is one hour that won't ring--the hour of disentanglement. Oh well, he sighed, every man dies finally of that poison known as heart-in-the-mouth. ”
“ Nora herkesin yaninda kendini soyuyor. Kendini ikaz etmeyi beceremedigi icin, donup baktiginda hep azalmis oldugunu goruyordu. Her zaman uygun bir fiyata satilabildigi icin dunyanin her tarafindaki yoldan cikmislar onu cok karli buluyorlardi cunku kendi ihanetinin parasini kendi cebinde tasiyordu. ”
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“ Nora robbed herself for everyone; incapable of giving herself warning, she was continually turning about to find herself diminished. Wandering people the world over found her profitable in that she could be sold for a price forever, for she carried her betrayal money in her own pocket. ”
Pulitzer Odullu Amerikali roman ve kisa oyku yazari John Cheever'in olum yildonumu ( 18 Haziran 1982 )
" Cinsellik, kiskanclik, ozlem ve coskunluktan olusan donanimi ile aski tanimak arkadasligi tanimaktan daha kolaydi, arkadasligin ( atletik ekipman disinda ) hicbir donanimi yok gibiydi. "
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" Love with its paraphernalia of sexuality, jealousy, nostalgia and exaltation was easier to recognize than friendship, which seemed to have (excepting athletic equipment) no paraphernalia at all. "
" Insanlar hakkinda hicbir sey bilmemek de korkunc bir karanlik gibidir. Karanliktan korkmam ama insan cehaletinin bazi turleri vardir ki beni korkutur. "
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" I don't know where they're going and if you don't know anything about people it's like a terrible kind of darkness. I'm not afraid of the dark but there are some kinds of human ignorance that frighten me. "