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Roger Moore, Yaphet Kotto ve Jane Seymour’un rol aldigi, 8.James Bond filmi Yasamak Icin Oldur (Live and Let Die - Vivi e lascia morire) 27 Haziran 1973’de Amerika’da vizyona girdi. (Turkiye, 30 Aralik 1974)
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Kanadali sair, roman ve oyun yazari Alden (Albert) Nowlan’in olum yildonumu (27 Haziran 1983)
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“Cocuk, yetiskinlerin mukemmel olmadigini anladigi gun ergen olur, onlari affettigi gun yetiskin olur, kendini affettigi gun bilge olur.”
Timothy Dalton, Maryam d'Abo, Jeroen Krabbé’in rol aldigi, 15.James Bond filmi Günisiginda Suikast (The Living Daylights - Agente 007, Zona pericolo) 27 Haziran 1987’de Londra ’da gosterime girdi.
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Ingiliz filozof Alfred Jules Ayer’in olum yildonumu (27 Haziran 1989)
“Mantik ve matematik ilkeleri, dogruca, bizim onlari hicbir zaman baska turlu kabul etmeyisimiz yuzunden evrensel olarak dogrudurlar. Bunun sebebi de, kendimizle celiski icine girmeden, dilin kullanimini yoneten kurallara aykiri dusmeden ve boylece soyleyimlerimizi kendilerini curutur duruma getirmeden onlari bir yana atamayisimizdir. Baska deyisle, mantik ve matematigin dogrulan analitik onermeler ya da totolojilerdir.” Dil, Dogruluk Ve Mantik
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“The principles of logic and mathematics are true universally simply because we never allow them to be anything else. And the reason for this is that we cannot abandon them without contradicting ourselves, without sinning against the rules which govern the use of language, and so making our utterances self-stultifying. In other words, the truths of logic and mathematics are analytic propositions or tautologies.”
John Woo'nun yonettigi, John Travolta ve Nicolas Cage'in oynadigi aksiyon-suc-bilim kurgu Face/Off (Yuz Yuze), 27 Haziran 1997 tarihinde vizyona girdi.
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2 Akademi, 6 Golden Globe, 2 Emmy ve 3 BAFTA Odullu, Amerikali komedi Aktoru Jack Lemmon'in olum yildonumu (27 Haziran 2001)
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Italyan yazar, aktor, eski yuzucu, sarkici, besteci, sanayici, avukat, senarist, stilist ve album yapimcisi Bud Spencer'in (Carlo Pedersoli) olum yildonumu (27 Haziran 2016)
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“Yilan bir turlu sahini anlayamamaktadir. '’Nicin bu tozun topragin icinde karanlikta kalmiyorsun da goklerde suzulup cennete ucmaya niyetleniyorsun?’' diye sorar ona. '’Seni orada bekleyen tehlikeleri, pusuya yatmis olan gerilimleri ve firtinalari bilmiyor musun, seni avlayip hayatina son verecek olan avcinin silahini gormuyor musun?'’ Fakat sahin, yilanin soyledigini iplemez. Kanatlarini cirpar ve gokyuzune dogru yukselir, cennete dogru uctukca zafer sarkilari soyledigi duyulmaktadir. Gunlerden bir gun yilan sahini yerde gorur; kalbinden akan kanlarla yere serpilmistir. Yilan, '’Seni sersem, seni uyarmistim,’ der hemen ona, ‘sana burada, karanlikta, tozun topragin icinde guvenlikte kalmani soylemistim, kimse zarar veremezdi sana burada.’ Sahinse, son nefesini verirken soyler soyleyecegini: '’Ben semaya ciktim, goz kamastirici tepelerin ustunden uctum, isiga baktim, yasadim, hayatimi yasadim!’ "
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“The snake cannot understand the falcon. “Why don’t you rest here in the dark, in the good slimy moisture?” the snake demands. “Why soar to the heavens? Don’t you know the dangers lurking there, the stress and storm awaiting you there, and the hunter’s gun which will bring you down and destroy your life?” But the falcon paid no heed. It spread its wings and soared through space, its triumphant song resounding through the heavens. One day the falcon was brought down, blood streaming from its heart, and the snake said: “You fool, I warned you, I told you to stay where I am, in the dark, in the good warm moisture, where no one could find you and harm you.” But with its last breath the falcon replied: “I have soared through space, I have scaled dazzling heights, I have beheld the light, I have lived, I have lived!”