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Bernardo Bertolucci’nin yonettigi, Marlon Brando, Maria Schneider, Maria Michi’nin rol aldigi Paris'te Son Tango (Ultimo tango a Parigi - Last Tango in Paris) 14 Ekim1972’de New York Film Festival’inde gosterime girdi.
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Amerikali ekonomist Milton Friedman, 14 Ekim 1976 tarihinde Nobel Ekonomi Odulunu kazandi.
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"Eger kasitli olarak, yaratici, atilgan ve kendine guvenen insanlari isten cikarip onlarin yerine kalin kafali, siradan ve hayal gucunden yoksun olanlari ise alacak bir sistem gelistirmek isterseniz yapmaniz gereken tek sey bugun buyuk kentlerde ve ulke capinda uygulanan sistemi taklit etmek ve ogretmen olabilmek icin diploma zorunlulugu koyarak standart maas sistemi uygulamaktir."
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"If one were to seek deliberately to devise a system of recruiting and paying teachers calculated to repel the imaginative and daring, and to attract the mediocre and uninspiring, he could hardly do better than imitate the system of requiring teaching certificates and enforcing standard salary structures that has developed in the largest city and state-wide systems. The alternative system would resolve these problems and permit competition to be effective in rewarding merit and attracting ability to teaching."
David Bowie, 12.studyo albumu Heroes’i 14 Ekim 1977’de RCA etiketiyle piyasaya surdu.
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Amerikali hard rock, heavy metal ve glam metal grubu Kiss, 2.canli albumu Alive II'yu 14 Ekim 1977 tarihinde Casablanca etiketiyle piyasaya surdu.
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Ingiliz heavy metal grubu Iron Maiden, canli konser albumu Live After Death'i 14 Ekim 1985 tarihinde EMI etiketiyle piyasaya surdu.
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John Cleese, Jamie Lee Curtis ve Kevin Kline’in rol aldigi komedi Wanda Adinda Bir Balik (A Fish Called Wanda - Un pesce di nome Wanda), 14 Ekim 1988’de Ingiltere’de vizyona girdi.
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Quentin Tarantino’nun yonettigi, John Travolta, Uma Thurman ve Samuel L. Jackson’in rol aldigi Ucuz Roman (Pulp Fiction), 14 Ekim 1994’de Amerika ve Kanada’da vizyona girdi.
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Populer romanlarin Amerikali yazari Harold Robbins’in dogum yildonumu (14 Ekim 1997)
Firtinanin sekizinci gunuydu. O gune kadar, boylesine siddetli bir firtinaya rastlanmamisti. Kervandakilerin hepsi daha kucucukken dinledikleri deveci ihtiyar Mustafa'nin anilari arasinda bile boyle bir firtinayi duymamislardi. Mustafa kefiyesiyle yuzunu iyice orterek kervanbasi Fuat'in cadirina dogru zorlukla ilerlemeye calisti. Yolunu kaybedip de ucsuz bucaksiz colun ortasinda kalmamak icin, ara sira duraklayip ortuyu aralayarak cevresine bakmiyordu. Her durusunda da o minicik kum taneleri birer igne gibi yuzune saplaniyordu. Yasli adam, cadira girmeden once durdu, genzine dolan kum tanelerinden kurtulmak icin kendini zorlayarak, tukurmeye calisti. Ama agzi islanmamisti bile, sadece kumun puturlu kurulugunu hissediyordu. Fuat, titrek aleviyle karanlikta golgeler olusturan yag kandilinin durdugu masanin yanindaki koltugundan deve surucusune sessizce bakti. Dev gibi bir adamdi; konusmaktan da pek hoslanmazdi.” Fedai
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“It was the eighth day of the storm. There had never been a storm like this one before. Not even in the memory of old Mustapha, the camel keeper, who was himself an old man when all the others in the caravan were boys.Holding his ghutra close to his face, he made his way laboriously toward the tent of Fouad, the caravan master, pausing every few moments to peer through the narrow cloth slits, to make sure he did not lose his bearings and wander away from the tiny shelter of the oasis out into the ripping, swirling sand of the open desert. Each time he stopped, the grains of sand tore into his face like so many shotgun pellets. He hawked and summoned up his spit to clear his throat before he entered the small tent. But there was no moisture, only the grainy dryness of the sand. Fouad looked up at the camel keeper from his chair next to the small table on which the oil lamp flickered, lending only shadows in the darkness. He did not speak. A giant of a man, he was not much given to words.”