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Amerikali sair, cevirmen ve deneme yazari Kenneth Rexroth’un olum yildonumu (6 Haziran 1982)
Mevsimler degisiyor, yillar geciyor
Kimsenin yardimi, gozetimi olmadan.
Ay, hic aldirmadan, donuyor yorungesinde,
Dolunay, yarimay, gene dolunay.
Irmagin bagrina sokuluyor beyaz ay;
Hava acelya bahariyla uykulu;
Bir cam kozalagi dusuyor gecenin derinligine;
Yaktigimiz kamp atesi sonuyor daglarda.
Patlak yildizlar goz kirpiyor titrek dallarda;
Saydam gecede gol karanlik, dipsiz;
Kuzeyde goklere yukselen dagin tepesi
Ikiye bolunmus yigilan karlarla.
Kalbim ey uzlasma bilmeyen,
Kolayca bastan cikan kalbim,
Uzanmis yatiyoruz yildizlarin yansidigi suyun
kiyisinda
Ve her biri sonsuza dek surse dedigimiz anlar
Su gibi akip gidiyor yani basimizdan.
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The seasons revolve and the years change
With no assistance or supervision.
The moon, without taking thought,
Moves in its cycle, full, crescent, and full.
The white moon enters the heart of the river;
The air is drugged with azalea blossoms;
Deep in the night a pine cone falls;
Our campfire dies out in the empty mountains.
The sharp stars flicker in the tremulous branches;
The lake is black, bottomless in the crystalline night;
High in the sky the Northern Crown
Is cut in half by the dim summit of a snow peak.
O heart, heart, so singularly
Intransigent and corruptible,
Here we lie entranced by the starlit water,
And moments that should each last forever
Slide unconsciously by us like water.
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Roger Moore, Maud Adams ve Louis Jourdan’in rol aldigi 13.James Bond filmi Ahtapot (Octopussy) 6 Haziran 1983’de Londra’da gosterime girdi.
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Franka Potente, Matt Damon, Chris Cooper’in rol aldigi Gecmisi Olmayan Adam (The Bourne Identity) 6 Haziran 2002’de Los Angeles, California’da gosterime girdi.
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Amerikali yazar Ken Grimwood’un (Kenneth Milton Grimwood Dothan) olum yildonumu (6 Haziran 2003)
“Sanki sonsuza dek, sonsuz bir secenekleri ve ikinci sanslari olacakmis gibi gelmisti onlara. Onlara bahsedilmis olan paha bicilemez zamani bosa harcamislardi, aci, sucluluk ve var olmayan cevaplar bulmak icin sorduklari sorularla harcamislardi. Oysa ikisinin de ihtiyaci olan tek yanit kendileri ve birbirlerine duyduklari ask olmaliydi. Simdi bunu Pamela'ya soyleme, onu kollarinda tutup ona ne kadar saygi duydugunu ve deger verdigini gosterme sansini da sonsuza dek kaybetmisti. Pamela olmustu ve uc yýl icinde Jeff de olecekti, neden yasadigini hic bilmeden.” Sil Bastan
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“It had seemed as if they would have forever, an infinity of choices and second chances. They had squandered far too much of the priceless time that had been granted them, wasted it on bitterness and guilt and futile quests for nonexistent answers – when they themselves, their love for each other, had been all the answer either of them should have ever needed. Now even the opportunity to tell her that, to hold her in his arms and let her know how much he had revered and cherished her, was eternally denied him. Pamela was dead, and in three years' time Jeff, too, would die, never knowing why he'd lived.”
“Siradaki parca blues'un ozunu anlatiyor. Bilirsiniz ya ,hicbir seyi olmayan kisiler icin blues vardiýr ve bu huzunlu bir blues'dur... ama en huzunlu blues turu istedikleri her seye sahip olup sonra onu kaybeden ve bir daha asla geri gelmeyecegini bilenler icindir. Bu dunyada bundan daha buyuk aci yoktur ve biz buna 'Her Seye Sahiptim Ama Simdi Hepsini Kaybettim' turu blues deriz.
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“You see, there's some blues for folks ain't never had a thing, and that's a sad blues ... but the saddest kind of blues is for them that's had everything they ever wanted and has lost it, and knows it won't come back no more. Ain't no sufferin' in this world worse than that; and that's the blue we call 'I Had It But It's All Gone Now.”
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Ingiliz oyun yazari ve senarist Peter (Levin) Shaffer’in olum yildonumu (6 Haziran 2016)
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“Sorun su ki; sen hayatini kendin harcamazsan, baskalari senin yerine harcar.”
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“Kendi husranimin suc ortagiydim.”
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“Cunku guzellik, sevgili Phaidroscugum yalnizca guzellik, hem sevilmeye deger hem de goze gorunur bir seydir; guzellik, bunu iyice belle, tinsel olanin duyularla kavrayip duyularla katlanabilecegimiz tek bicimidir. Yoksa oteki tanrisal kavramlar da, akil, ardem, hakikat de bize duyularimizla gorunseydi, halimiz nice olurdu? Vaktiyle Zeus karsisinda Semele gibi asktan eriyip bitmez, yanip kul olmaz miydik?” Thomas Mann, Venedik’te Olum
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“Denn die Schönheit, mein Phaidros, nur sie, ist liebenswürdig und sichtbar zugleich: sie ist, merke das wohl! die einzige Form des Geistigen, welche wir sinnlich empfangen, sinnlich ertragen können. Oder was würde aus uns, wenn das Göttliche sonst, wenn Vernunft und Tugend und Wahrheit uns sinnlich erscheinen wollten? Würden wir nicht vergehen und verbrennen vor Liebe, wie Semele einstmals vor Zeus?”
