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Alman filozof (Johann Kaspar Schmidt) Max Stirner'in olum yildonumu (26 Haziran 1856)
"Nedir benim olmasi gereken! Oncelikle iyinin meselesi, sonra Tanri'nin, insanligin, gercegin, ozgurlugun, humanizmin ve adaletin; dahasi halkimin, kralimin, anavatanimin; ve nihayet tinin ve binlercesinin. Sadece benim meselem asla benim olmamalidir. 'Yuh be, egoiste bakin, sadece kendini dusunuyor!' " Biricik ve Mulkiyeti
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"Was soll nicht alles Meine Sache sein! Vor allem die gute Sache, dann die Sache Gottes, die Sache der Menschheit, der Wahrheit, der Freiheit, der Humanität, der Gerechtigkeit; ferner die Sache Meines Volkes, Meines Fürsten, Meines Vaterlandes; endlich gar die Sache des Geistes und tausend andere Sachen. Nur Meine Sache soll niemals Meine Sache sein. 'Pfui über den Egoisten, der nur an sich denkt!' "
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Alman besteci Richard Wagner'in librettosunu yazdigi ve bestelediği Nibelung Yuzugu (Der Ring des Nibelungen) epik dortlusunun ikinci kismi olan Valkureler (Die Walküre - La Valchiria) muzikal dramasi ilk kez 26 Haziran 1870 tarihinde München, Nationaltheater2da sahnelendi.
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Amerikali oyun ve senaryo yazari Sidney Howard’in dogum yildonumu (26 Haziran 1891)
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“Ne istediginizi bilmenin bir yarisi, onu elde etmeden once neyi birakmaniz gerektigini bilmektir.”
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1931 yilinda Iyi Dunya (The Good Earth) romaniyla Pulitzer Odulu'nu, 1938 yilinda The Mother (Ana) romaniyla Nobel Edebiyat Odulu'nu alan Amerikali roman yazari Pearl Sydenstricke Buck'in dogum yildonumu (26 Haziran 1892)
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"Saz damli kucuk koy evinin mutfaginda ana, kamis iskemlesini toprak ocagin basina cekmis, ocagin agzindan iceri ustalikla kuru sazlar atmaktaydi. Atesin uzerinde buyuk bir demir tencere vardi. Ates yeni tutusmus oldugu icin ana kah bir dal, kah bir avuc yaprak, kah biraz daha kuru saz atarak alevleri besliyordu. Bu sazlari gecen guz civar yamaclardan, kendisi toplayip kurutmustu.Mutfagin kosesinde, atese sokulabildigi kadar sokulmus, pek ihtiyar, pek ciliz ve burusuk bir kadin oturmaktaydi. Ustune gecirmis oldugu yamali mavi yeldirmenin altindan, icindeki parlak kirmizi pamuklu hirkanin uclari gorunuyordu.Gozleri hastalikli oldugu icin gozkapaklari birbirine yapismis, yarı kor gibiydi. Ama kirpiklerinin arasindan secebildikleri ona yetiyordu. Bu sirada ihtiyar kadin, ananin o guclu ve becerikli elleriyle, ocaktaki alevleri besleyip parlatisini seyretmekteydi.Cokuk, dissiz agzindan hafifce islik gibi cikan bir sesle, 'Dikkat, et, atesi pek besleme'dedi. 'Kala kala bir demet cirpimiz kaldi yoksa iki mi? Bahar geleli daha surada kac gun otlarin kesilecek boya gelmelerine daha cok var. Ben de iste gordugun gibiyim; bir daha diasri cikip da ateslik cali cirpi toplayacak gucum kalmadi. Kimsenin isine yaramaz acuzenin biri olup ciktim iste. Gayri olsem daha iyi.' "
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"In the kitchen of the small thatched farmhouse the mother sat on a low bamboo stool behind the earthen stove and fed grass deftly into the hole where a fire burned beneath the iron cauldron. The blaze was but just caught and she moved a twig here, a handful of leaves there, and thrust in a fresh bit of the dried grass she had cut from the hillsides last autumn.In the corner of the kitchen as near as she could creep to the fire sat a very old and weazened woman, wrapped in a thick padded coat of bright red cotton stuff, whose edges showed under a patched coat of blue she wore over it. She was half blind with a sore disease of the eyes, and this had well-nigh sealed her eyelids together. But through the small slits left open she could see a great deal still, and she watched the flare of the flames as they leaped and caught under the strong and skillful hands of the mother. Now she said, her words hissing softly through her sunken, toothless gums, --Be careful how you feed the fire -- there is only that one load --is it two? --and the spring is but newly come and we have long to go before the grass is long enough to cut and here I am as I am and I doubt I can ever go again and pick a bit of fuel -- a useless old crone now, who ought to die."
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Martinikli (Karayip)- Fransiz sair Aimé Césaire’in dogum yildonumu (26 Haziran 1913)
“Ama daha yeni sekilleniyor, insanin eseri tutkusunun
kavuklarinda gizlenen siddeti yok etmek tamamen,
kaliyor yine insana hicbir irkin tekelinde degildir guzellik,
ne zeka, ne de guc, herkese yer vardir, zafer randevusunda."
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“For the work of man is only just beginning and it remains to conquer all,
The violence entrenched in the recess of his passion,
And no race holds a monopoly of beauty, of intelligence, of strength, and,
There is a place for all at the Rendezvous of Victory.”
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Charles Chaplin’in yonetip rol aldigi Altina Hucum (The Gold Rush - La febbre dell'oro) 26 Haziran 1925’te Grauman's Egyptian Theatre, Hollywood, California’da gosterime girdi.
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Ingiliz yazar, filozof ve roman yazari Colin Henry Wilson'in dogum yildonumu (26 Haziran 1931)
"Sair Goethe de otobiyografisinde, sevgilisinden ayrilip Alsace'in yollarindan birinde ilerlerken karsidan kendisine dogru gelen ikizini (doppelganger) gordugunu bildirir. Figurun uzerinde gri ve altin yaldizli bir takim elbise vardir. Sekiz yil sonra ayni kizi ziyarete giderken ansizin, ayni yerden gectigini ve uzerinde ayni takim elbise oldugunu fark eder."
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"Goethe, in his autobiography, tells how, having just said goodbye to his sweetheart, he was riding along a road in Alsace when he saw, coming to meet him, his Own double (or doppelganger), dressed in a grey and gold suit. Eight years later, on his way to visit the same girl, he realized that he was now dressed in the grey and gold suit. He had 'seen' his future self."
"Durum, son donemlere ait cogul kisilik vakalariyla daha da desteklenmistir. Flora Rheta Schreiber, Sybil'da bazilari erkek olan on dort farkli kisiligi olan bir hastasini anlatir. Tecavuzcu Billy Milligan'in, bazilari Billy'nin kendisinden cok daha yetenekli ve zeki olan yirmi uc farkli kisiligi oldugu saptanmistir. Unlu Three Faces of Eve (Eve'in Uc Yuzu)nun konusu Christine Sizemore, inanilmaz bir sayiya, kirk ikinci kisilige ulasir. Eve vakasi aynı zamanda kisiligin bazi bakimlardan bedenden bagimsiz olabilecegini de akla getirmektedir. Christine Sizemore'un naylona karsi alerjisi vardir, ancak ikinci kisiligi devreye girdigi anda naylon alerjisi yok olur. Miyoptur; ama ikinci kisiligi gozluksuz cok iyi gorebilir. Bir keresinde anestezi etkisindeyken ikinci kisiligi devreye girer ve anesteziden hic etkilenmez."
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"The point is reinforced by some more recent cases of multiple personality. In Sybil, Flora Rheta Schreiber describes a patient with fourteen different personalities, some of them male. The rapist Billy Milligan proved to have twenty-three sub-personalities, some of them far more talented and brilliant than Billy himself.* And Christine Sizemore, the subject of the famous Three Faces of Eve, reached an unbelievable total of forty alter-egos. And the Eve case also suggests that the ‘personality’ may, in some ways, be independent of the body. Christine Sizemore was allergic to nylon, but the moment her alter-ego took over, the nylon rash disappeared. She was shortsighted; her alter-ego could see perfectly without glasses. On one occasion, when she was under anaesthetic, her alter-ego took over and was totally unaffected by the anaesthetic."
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Ingiliz roman yazari, sair, edebi elestirmen ve editor Ford Madox Ford'un olum yildonumu (26 Haziran 1939)
"Erkek bir kadinla, onunla konusabilmek icin yatar. Erkek icin bir kadini metres yapmak sadece birinci adimdir; esas onemli olan ikinci adimdir, yani onu arkadas yapmak. Yatmadiginiz bir kadinla arkadas olmaniz pratikte imkansizdir cunku konusulmamis bircok sey cevrenizde dolanip durur." Gecit Toreninin Sonu
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"That one goes to bed with a woman in order to be able to talk to her. Implication: that turning a woman into a mistress is only a first step; the second step, turning her into a friend, is the one that matters; but being friends with a woman you haven't slept with is in practice impossible because there is too much unspoken in the air."
