Amerikali ressam George Hitchcock'in dogum yildonumu (29 Eylul 1850)
Flower Girl in Holland, 1888
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The Flight into Egypt, 1892
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Amerikali ressam George Hitchcock'in dogum yildonumu (29 Eylul 1850)
Flower Girl in Holland, 1888
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The Flight into Egypt, 1892
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Ispanyol filozof ve yazar Miguel De Unamuno’nun dogum yildonumu (29 Eylul 1864)
-Karim piyano calacak,- dedi.
-Piyano! Ne ise yarar bu piyano?
-Ne ise mi yarar? En hos yani, is denen o lanet seye yaramamasi. Is denen seyden biktim artik...” Sis
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- Mi mujer tocará el piano - dijo Augusto sacudiendo sus recuerdos y añoranzas.
- ¡El piano! Y eso ¿para qué sirve? -preguntó Liduvina.
- ¿Para qué sirve? Pues ahí estriba su mayor encanto, en que no sirve para maldita de Dios la cosa, lo que se llama servir. Estoy harto de servicios
“Ve her insan, icinde temel yedi erdemi ve karsiti yedi erdemsizligi tasir: Kendini begenmistir ve alcakgonulludur, obur ve kanaatkardir, kosnul ve edeplidir, kiskanc ve iyilikseverdir, cimri ve eli aciktir, tembel ve caliskandir, ofkeli ve aci cekendir. Ve kendisinden diktator ve kole de, katil de aziz de, Kabil de Habil de yaratir.” Uc Ornek Oyku ve Bir Onsoz
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“Y es que todo hombre humano lleva dentro de sí las siete virtudes y sus siete opuestos vicios capitales: es orgulloso y humilde, glotón y sobrio, rijoso y casto, envidioso y caritativo, avaro y liberal, perezoso y diligente, iracundo y sufrido. Y saca de sí mismo lo mismo al tirano que al esclavo, al criminal que al santo, a Caín que a Abel.”
Avustralyali ressam Rupert Charles Wulsten Bunny'nin dogum yildonumu (29 Eylul 1864)
Summer time, 1907
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The Nymph of Salmacis, 1919
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Avusturya asilli Amerikali ekonomist, tarihci, filozof ve yazar Ludwig Heinrich Edler von Mises’in dogum yildonumu (29 Eylul 1881)
“Asya ve Afrika'da yuz binlerce insani yoksul hale getiren seyin, onlarin ilkel uretim yontemlerine bagli olmalarinin ve daha iyi aletlerin kullanilmasinin faydalarindan istifade edememelerinin ve onlara hediye edilen teknolojik tasarimlari yenileyememelerinin oldugunu hic kimse tartismamaktadir. Ama onlarin acisini gidermenin tek bir yolu vardir, o da, laissez-faire (serbest piyasa) kapitalizmini butunuyle kabul edilmesidir. Ihtiyac duyduklari sey, ozel girisim ve yeni sermaye birikimi, kapitalistler ile mutesebbislerdir. Bu insanlarin hayatlarini idame ettirdikleri kotu sartlardan dolayi kapitalizmi ve Batinin kapitalist ulkelerini suclamak mantiki degildir. Isaret edilen cozum, ‘adalet’ degildir; aksine, laissez-faire politikalarinin guvenilir olmayan politikalarin yerine ikamesidir.”
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“No one contests that what makes hundreds of millions in Asia and Africa destitute is that they cling to primitive methods of production and miss the benefits which the employment of better tools and up-to-date technological designs could bestow upon them. But there is only one means to relieve their distress — namely, the full adoption of laissez-faire capitalism. What they need is private enterprise and the accumulation of new capital, capitalists and entrepreneurs. It is nonsensical to blame capitalism and the capitalistic nations of the West for the plight the backward peoples have brought upon themselves. The remedy indicated is not ‘justice’ but the substitution of sound, i.e., laissez-faire, policies for unsound policies.”
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“Devlet harcamalari ilave istihdam yaratmaz. Eger devlet, halktan borclanarak ve vergi alarak harcama yaparsa, bir tarafta yaratacagi istihdamdan daha fazlasini yok eder.”
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“Evrende aklimizin kavrayamayacagi ve duygularimizla sezemeyebilecegimiz seyler vardir. / There are in the universe things that our senses cannot perceive and relations that our minds cannot comprehend.”
Alman ressam Alexander Kanoldt'un dogum yildonumu (29 Eylul 1881)
Still Life XII, 1920
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Der rote Guertel,1929
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Turk sair, yazar, yayinci ve politikaci Celâl Sahir Erozan'in dogum yildonumu (29 Eylul 1883)
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It is 1919,
May the nineteenth.
He raises his head from the reddening horizon,
He who gives soul to the land
And passion to the soul.
The flame faced divine sun!
The prow of his boat tears the Black Sea:
You too must awake,
Awake, O people of Samsun!
The flame faced divine sun
Will dry the tears of despair in all eyes!
The smiling, rising sun over Calti cape.
It is 1919,
May the nineteenth.
Awake, O people of Samsun!
Sleep is death.
Hoist your souls,
There is a ship on the horizon!
But why does it approach so slowly?
Is it moving slowly? Has it a heavy load?
This ship is loaded with hope, belief and passion:
In it is the suffering bosom of the nation,
He who thinks of its tomorrows is coming.
A leader like the stars in the sky!
That is why the ship is approaching slowly.
It is 1919,
May the nineteenth,
The ship on the horizon is drawing closer.
It is as if a wild flame
Is scorching our souls.
All hearts are suffering from waiting.
Is it possible not to be saddened?
This ship is loaded with hope, belief and passion.
As that hope spread souls are warmed,
As the passion spreads the veins are filled with blood,
Every heart that secretly suffers will come alive,
Like a stirring volcano spitting forth fire!
Our eyes were darkened from standing
Under your ever-growing shadow.
Run, speed, o ship. Do not let
The sea hold you back!
Plough through the white waves and come!
Fly like the birds, blow like the wind, and come!
Fransiz gazeteci, roman yazari ve elestirmen Alphonse Karr’in olum yildonumu (29 Eylul 1890)
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“Herkesin uc kisiligi vardir; Ortaya cikardigi, sahip oldugu, sahip oldugunu sandigi. / Every man has three characters - that which he exhibits, that which he has, and that which he thinks he has.”
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“Bazi kimseler gullerin dikeni oldugundan yakinirlar. Ben dikenlerin gulu olduguna sukrederim. / Some people are always grumbling because roses have thorns; I am thankful that thorns have roses.”
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“Erkekler kadinlarin dusundugunu her seyi bilselerdi, yirmi kat daha fazla cesaret gosterirlerdi. / Si les hommes savaient tout ce que pensent les femmes, ils seraient vingt fois plus audacieux.”
Fransiz yazar Émile (Édouard Charles Antoine) Zola'nin olum yildonumu (29 Eylul 1902)
"Étienne ve Catherine, zavalli atin onlarin yanlarina gelmeye calisirken, kayalarin arasinda SIKISIP kaldigini gorduler. Carparak iki on ayagini kirmisti. Son bir gayretle birkac metre daha surulmustu, ama kalcalari gecmiyordu, toprak her yerini sarmalamis, onu birakmiyordu. Kanayan basini uzatti, kocaman actigi saskin gozleriyle, yeni bir cikis yolu aradi.
Su hizla onu kapliyordu, ahirda olen diger atlar gibi, acikli bir hiriltiyla kisnemeye basladi. Gun isigindan uzakta debelenirken, bacaklari kirilip, hareketsiz kalan bu ihtiyar atin can verisi korkunc oldu. Kederli cigligi susmak bilmiyor, yelesi sulara gomuluyor, alabildigince acip, ileri dogru uzattigi agzindan daha boguk bir inleme yukseliyordu. Dolan bir ficinin boguk gurultusunu andiran son bir hirilti isitildi. Sonra buyuk bir sessizlik oldu."
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"Alors, Étienne et Catherine, comme il arrivait près d’eux, l’aperçurent qui s’étranglait entre les roches. Il avait buté, il s’était cassé les deux jambes de devant. D’un dernier effort, il se traîna quelques mètres ; mais ses flancs ne passaient plus, il restait enveloppé, garrotté par la terre. Et sa tête saignante s’allongea, chercha encore une fente, de ses gros yeux troubles.
L’eau le recouvrait rapidement, il se mit à hennir, du râle prolongé, atroce, dont les autres chevaux étaient morts déjà, dans l’écurie. Ce fut une agonie effroyable, cette vieille bête, fracassée, immobilisée, se débattant à cette profondeur, loin du jour. Son cri de détresse ne cessait pas, le flot noyait sa crinière, qu’il le poussait plus rauque, de sa bouche tendue et grande ouverte. Il y eut un dernier ronflement, le bruit sourd d’un tonneau qui s’emplit. Puis un grand silence tomba."