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Italyan ressam, yazar ve fotografci Antonio Ballero’nun dogum yildonumu (16 Eylul 1864)
Ritratto in costume, XIX secolo
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Ritratto femminile, XIX secolo
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Polonyali ressam Maksymilian Gierymski'nin olum yildonumu (16 Eylul 1874)
Winter in a small town I, 1872
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Return from the hunt, 1872
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Ingiliz sair, kisa oyku ve oyun yazari Alfred Noyes’in dogum yildonumu (16 Eylul 1880)
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Carol, her meneksenin
cenneti var aynalar icin.
kucuk vadiler yalan soyler
cok bulutlu gogun altinda
kucuk kulubeler
sinirsiz toprakla cevrilir
isik sacan her kucuk golet
ardinda buyuk kiyilar oldugu iddiasinda.
kiyilar ki, hicbir denizcinin ulasmadigi
denizler ki, hicbir geminin acilmadigi
butun kiyilar gun bittiginde
batan gunese karisiyorki, bu oyku ogretmeye calisiyor:
konusurken daha fazlasi soylenebilir.
guzellik solan bir cicek
ama gercek: bir buyucu kulesi
kutsal olum canlarinin caldigi
ve cevresinde bir ormanin yuvarlandigi
tuhaf yollardan geldik
gunleri tutan isiga
korkunun ugradigi yerleri aradik
o kat kat kure icin
iste, uzak degil ama yakin
o aptal-asik burada:
kiyi ki, ardinda kiyi yok
her kalbin derininde bir yalan
askin olmayan gokyuzuyle
cennet ne icin asilir?
cennet aski olan kalpler icin?
Carol, Carol, geldik
tekrardan cennete, tekrardan eve.
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Carol, every violet has
Heaven for a looking-glass!
Every little valley lies
Under many-clouded skies;
Every little cottage stands
Girt about with boundless lands.
Every little glimmering pond
Claims the mighty shores beyond—
Shores no seamen ever hailed,
Seas no ship has ever sailed.
All the shores when day is done
Fade into the setting sun,
So the story tries to teach
More than can be told in speech.
Beauty is a fading flower,
Truth is but a wizard's tower,
Where a solemn death-bell tolls,
And a forest round it rolls.
We have come by curious ways
To the light that holds the days;
We have sought in haunts of fear
For that all-enfolding sphere:
And lo! it was not far, but near.
We have found, O foolish-fond,
The shore that has no shore beyond.
Deep in every heart it lies
With its untranscended skies;
For what heaven should bend above
Hearts that own the heaven of love?
Carol, Carol, we have come
Back to heaven, back to home
Ingiliz sair Thomas Ernest Hulme’nin dogum yildonumu (16 Eylul 1883)
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Hafif bir ayaz guz gecesinde
Dolastim disarda
Ve bir cite yaslanan kirmizi ayi gordum
Yanaklari kizarmis bir ciftciyi andiran.
Durup konusmadan basimla selamladim,
Istekli yildizlar sarmisti dort bir yani
Bembeyaz yuzleriyle sehir cocuklarinin.
Yurudum vadideki koruya yuregim sevinc icinde
Sumbuller mevsiminde,
Guzellik kokulu bir ortu gibi
Sarip boguncaya kadar beni.
Oylece kalakaldim, kiskivrak, kollari bagli
Kendi kendinin hadimi olan o guzellikle.
Simdi karisiyorum o son irmaga
Ilencli, bir cuvalda, cit cikarmadan,
Bogazi seyre dalan herhangi bir Turk gibi.
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Lighthearted I walked into the valley wood
In the time of hyacinths,
Till beauty like a scented cloth
Cast over, stifled me. I was bound
Motionless and faint of breath
By loveliness that is her own eunuch.
Now pass I to the final river
Ignominiously, in a sack, without sound,
As any peeping Turk to the Bosphorus.
Sessiz rihtimin ustunde gece yarisi,
Geminin direginin iplerine takilmis
Asili duruyor ay. O kadar uzakmis gibi gorunen
Bir cocugun balonu yalniz, oyundan sonra unutulmus.
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Above the quiet dock in mid night,
Tangled in the tall mast’s corded height,
Hangs the moon. What seemed so far away
Is but a child’s balloon, forgotten after play.
Alman – Amerikali psikanalist Karen Horney’in dogum yildonumu (16 Eylul 1885)
“…biyolojik bakis acisindan kadin, annelik ya da annelik yetisinde tartisma goturmez ve gozardi edilemez fizyolojik bir ustunluge sahiptir. Bu ustunluk en acik anlatimiyla, erkek bilincaltinda- ki oglan cocugun annelige karsi duydugu yogun imrenmede dile gelir. Hepimiz bu tur bir imrenmeyi cok iyi taniriz, yine de bu imrenmeye etkin bir etken olarak yeterli ilgi pek gosterilmez. Benim yaptigim gibi bir analist uzun sure kadin hastalari analiz ettikten sonra erkekleri analiz etmeye baslayinca, erkeklerdeki kadinlarin goguslerine ve emzirme edimine oldugu kadar gebelige, doguma ve annelige karsi duyulan bu yogun imrenmeyle karsilasip, saskinliga duserler…”
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“…biological point of view woman has in mother-hood, or in the capacity for motherhood, a quite indisputableand by no means negligible physiological superiority. This is mostclearly reflected in the unconscious of the male psyche in the boy'sintense envy of motherhood. We are familiar with this envy assuch, but it has hardly received due consideration as a dynamicfactor. When one begins, as I did, to analyze men only after afairly long experience of analyzing women, one receives a mostsurprising impression of the intensity of this envy of pregnancy, childbirth, and motherhood, as well as of the breasts and of the mately less than that of the woman…”
Italyan ressam Mario Delitala’nin dogum yildonumu (16 Eylul 1887)
Volto di vecchio, 1924 (Pinacoteca nazionale di Sassari)
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Villaggio in Sardegna, 1926
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Fransiz besteci, orkestra sefi ve muzik ogretmeni Nadia Juliette Boulanger'nin dogum yildnumu (16 Eylul 1887)
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"Muzik calismak icin kurallari ogrenmeli, yapmak icin ise onlari cignemeliyiz."
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1939 yilinda Nobel Eddebiyat Odulunu kazanan Finli yazar Frans Eemil Sillanpää'nin dogum yildonumu (16 Eylul 1888)
"Oluler bile kalkarlar, nicin ayri ayri mezarlara gomulduklerini hayretle sorarlar; bu ayriligin nedenini hatirlamalari onlar icin imkansizdir."
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"Even the dead arise and wonder why they have been buried like this, in separate graves, for they cannot possibly remember what that was supposed to mean."