Ben Johnson, Jamie Lee Curtis, Hart Bochner'in basrollerini paylastigi korku-gerilim Dehset Treni (Terror Train), 3 Ekim 1980'de Amerika'da vizyona girdi. (Turkiye: 23 Subat 1981)
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Ben Johnson, Jamie Lee Curtis, Hart Bochner'in basrollerini paylastigi korku-gerilim Dehset Treni (Terror Train), 3 Ekim 1980'de Amerika'da vizyona girdi. (Turkiye: 23 Subat 1981)
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Paul McCartney ve Michael Jackson, birlikte yaptiklari Say, Say, Say single'ni 3 Ekim 1983 tarihinde Ingiltere'de Parlophone etiketiyle yayinladilar.
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Italyan ressam Amos Nattini’nin olum yildonumu (3 Ekim 1985)
Lucifero re dell'Inferno 1923 (Dante Alighieri, Cehennem, canto XXXIV)
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Lago di nemi, 1940 – 1943
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Fransiz oyun yazari Jean Anouilh’nin olum yildonumu (3 Ekim 1987)
“Kil gomleklerin, oruclarin, geceleri buz gibi taslar ustunde, icimizdeki zavalli hayvandan tiksine tiksine uykulari bolup sana dogru gelme cabalarinin zayif kisilerin buldugu onlemlerden baska birsey olabilecegini sanmam. Simdi bana oyle geliyor ki, gucluluk ve luks icinde, hatta sehvet icinde bile, seninle konusmama hic ara vermeyecegim. Sen zenginin ve mutlunun da tanrisisin. Senin derin adaletin de burada. Herseye dogustan sahip olanlara yuz cevirmedin. Kolayligin tuzaginda yapayalniz birakmadin onlari. Yolunu sasirmis koyunlarin onlardir belki de. Yoksullar ve sakatlar baslangicta sok daha ustun bir durumdadir. Seninle dolup tasarlar. Buyuk bir guvenle sariliverirler sana, duskunlukleri de bunun bedelidir. Ama, bazi bazi, buyuk yargi gununde, onlarin magrur baslarini zenginlerinkinden de fazla egilecegini tasarladigim oluyor. Cunku senin duzeninde, bizim yanlis olarak ‘adalet’ dedigimiz sey gizli ve derindir ve sen onlarin icini de krallarinki kadar ozenle incelersin. Ve bizim gozlerimizi kamastiran, ama senin icin goze bile carpmayan farklar altinda; tac ya da kabuk altinda sen ayni gururu, ayni ovungenligi, ayni kendinden hosnut cabayi bulursun.” Becket Ya Da Tanrinin Onuru
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“Their hair shirts, their fasting, their bells in the small hours summoning one to meet you, on the icy paving stones, in the sick misery of the poor ill?treated human animal—I cannot believe that all these are anything but safeguards for the weak. In power and in luxury, and even in the pleasures of the flesh, I shall not cease to speak to You, I feel this now. You are the God of the rich man and the happy man too, Lord, and therein lies Your profound justice. You do not turn away Your eyes from the man who was given everything from birth. You have not abandoned him, alone in his ensnaring facility. And he may be Your true lost sheep. For Your scheme of things, which we mistakenly call justice, is secret and profound and You plumb the hidden depths of poor men’s puny frames as carefully as those of Kings. And beneath those outward differences, which blind us, but which to You are barely noticeable; beneath the diadem or the grime, You discern the same pride, the same vanity, the same petty, complacent preoccupation with oneself.”
Isvecli aktris, yapimci ve dans sanatcisi Alicia Amanda Vikander’in dogum gunu (3 Ekim 1988)
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Jean Rochefort, Anna Galiena, Maurice Chevit’in basrollerini paylastigi Berberin Kocasi (Le Mari de la coiffeuse), 3 Ekim 1990 tarihinde Fransa’da vizyona girdi.
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“Bulmacalar tipki kadinlara benzer… cozulmek icin tatli bir direnc gosterirler. Sunu aklindan cikarma: ne kadar direniyorlarsa... o kadar istiyorlar demektir. / Les grilles de mots croisés c’est comme les femmes. Plus elles résistent et meilleur c’est quand elles se donnent! / Remember that crosswords are like women… resistance makes surrender sweeter. Repeat this: the more they resist... the sweeter the surrender.”
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Yunan sair, yazar ve aktris Katerina Gogou'nun olum yildonumu (3 Ekim 1993)
Bir sabah acacagim kapiyi
ve cikacagim sokaklara
dunku gibi tipki.
Ve dusunmeyecegim hicbir sey
Bir parca babami dusunurum sade
bir parca da denizi – ikisi de terk etmisti beni –
ve sehri. Su tukettikleri sehri.
Ve dostlarimizi, kaybettikleri.
Bir sabah acacagim kapiyi
dogru dosdogru atesin ustune
ve cikacagim dunku gibi tipki
“fasistler!” diye bagirarak
barikat kurarak ve tas atarak
elimde bir kizil bayrak
yuksek tutarak parlasin diye guneste.
Acacagim kapiyi
ve – korktugumdan degil –
ama sana, soylemek istiyorum sana basaramadigimi
ve ogrenmen gerekiyor senin
ki sokaga inmeyesin
silahsiz, benim gibi
cunku basaramadim ben
cunku o zaman kaybolursun benim gibi sen de
“oyle” “mechul”
ayrilmis kucucuk parcalarina
deniz, cocukluk yillari
ve kizil bayrak.
Bir sabah
acacagim kapiyi
ve kaybolacagim
devrim ruyasiyla
sonsuz yalnizliginin ortasinda
yanip kul olacak sokaklarin
sonsuz yalnizliginin ortasinda
kagittan barikatlarin
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One morning I will open the door
and I will go out in the streets
as I did yesterday.
And I won’t be thinking about anything other than
just one piece of the father
and one piece of the sea
-those two pieces they didn’t deprive me of-
and the city. The city which they transformed into a rotting corpse.
And our friends that are no more.
One morning I will open the door
straight into the fire
and I will enter as I did yesterday
shouting “fascists!!”
constructing barricades and throwing rocks
with a red banner
held high, shining in the sunbeams.
I will open the door
and it’s time to tell you
-not that I am afraid-
but, see, I want to tell you that I didn’t make it in time
and that you have to learn
not to be going out in the streets without weapons as I did
-because I didn’t make it in time-
because then you will disappear as I disappeared
“like that” “in the void”
cracked into little pieces made
of sea, childhood years
and red banners.
One morning I will open the door
and I will be gone
carrying the dream of the revolution
within the infinite loneliness
of the paper-made barricades
Polonyali sair Wislawa Szymborska 'Siirin Mozarti’ (Mozart of poetry - Mozart della poesia) sifatiyla kazandigi Nobel Edebiyat Odulu'nu 3 Ekim 1996'da Isvec’te aldi.
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