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Ingiliz tarihci, diplomat, gazeteci ve uluslararasi iliskiler teorisyeni Edward Hallett Carr'in olum yildonumu (3 Kasim 1982)
"Marx'in bir yerde dedigi gibi egitimcinin kendisinin de egitilmesi gerektigi unutulmamalidir; cagdas dille soylemek gerekirse, beyin yikayan kimsenin kendi beyni de yikanmistir. Tarihci, tarih yazmaya baslamadan once, tarihin urunudur."
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"Do not forget that, as Marx once said, the educator himself has to be educated; in modern jargon, the brain of the brain-washer has itself been washed. The historian, before he begins to write history, is the product of history."
“Yeterince genc hissediyorum. Goethe'nin Faust'unun ‘sadece oyun oynayamayacak kadar yasli, arzusuz kalamayacak kadar gencim’, dedigi yastayim. Siyasi hayattan on uc yil koparildigim icin eyleme susamis haldeyim. Ve unutma ki asktan sonra mutlulugun en yuksek hali eylemdir.”
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“I feel young enough. My age is the same as that of Goethe's Faust when he said that he was ‘too old only to play, too young, to be without desire.’ Cut off from political life for thirteen years, I am thirsting for action, and consider that, next to love, action is the highest form of happiness.”
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Bon Jovi, 5.studyo albumu Keep the Faith’i 3 Kasim 1992’de Mercury Record etiketiyle piyasaya surdu.
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Whitney Houston, I Will Always Love You sarkisini 3 Kasim 1992 tarihinde Arista Record etiketiyle yayinladi.
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Umarim hayat sana nazik davranir
Ve hayal ettigin her seye sahip olursun
Ve sana neseyle mutluluk diliyorum
Ama hepsinden ote sana ask diliyorum
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1999 yilinda En Iyi Film Akademi Odulu alacak olan, John Madden’in yonettigi, Gwyneth Paltrow ve Joseph Fiennes’in basrollerini ustlendigi Asik Shakespeare (Shakespeare in Love), 3 Kasim 1998 tarihinde vizyona girdi.
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“Ask ne unvan tanir ne zenginlik. Bir kraliceyle krali oynayan bir soytari arasinda da alevlenebilir. Her ask kendi icinde degerlenir. Cunku reddedilen ask Tanri’dan aldigimiz ruhu koreltir!”
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“L'amore non sa niente di ranghi o di rive di fiumi, può scoccare tra una regina e un povero vagabondo che interpreta il re ed entrambi dovrebbero badare solo al loro amore. Perchè un amore negato rattrista l'anima dobbiamo rendere a Dio./ Love knows nothing of rank or riverbank ! It will spark between a queen and the poor vagabond who plays the king, and their love should be minded by each, for love denied blights the soul we owe to God!”
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Avar asilli Rus sair Resul Gamzatovic Hamzatov’un olum yildonumu (3 Kasim 2003)
Bazen dusunurum: kanli savasa
Giden askerler donmediler geri,
Onlar donustu beyaz turnalara,
Gormeyecekler artik karayeri.
Uçuyor goklerde elcilerimiz,
Sesleri duyuluyor uzaklardan.
SIK SIK huzunle dolar gozlerimiz,
Susarak, goge baktigimiz zaman.
Baktim, aksamustu sise burunup
Ucuyor turnalar suru halinde.
Ucgen saflarini SIKI tutturup,
Sanki insanlardir, dolasan yerde.
Yola cikti turnalarimiz bizim,
Cigliklari bizi gokten cagirdi,
Bundandir derim, Avar dilimizin,
Turnalarin sesine benzerligi.
Sislerin icinde, gunbatiminda,
Yorgun turna surusune, baksana,
Kucucuk bir bosluk var saflarinda,
Benim yerim degil mi o, acaba?
Gun gelecek boyle bir suruyle ben,
Suzulecegim mavi sis icinde.
Kus gibi seslenecegim goklerden,
Yeryuzunde biraktigim sizlere.
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It seems to me at times that the soldiers,
Do not come from the bloody fields,
Not in this earth have lie once,
But have turned to the white cranes.
They till this day since those distant times
Flying and give voices to our.
Not therefore either so frequent and so sad
We become silent, looking in the heavens?
Today, at the before evening times,
I see, how in the fog the cranes
Flying by their same guard,
As on the fields by the people they went.
They flies, makes their long way
And calls someone's names.
Whether not therefore with the crane call
From the century the Avarian speech is similar?
Flies, the tired wedge fly on the sky -
Flies in the fog on the outcome of the day,
And in that guard there is an interval small -
Perhaps, this place is for me!
Become the day, and with the crane flight
I will float in the same grey haze,
From under the heavens as the bird's calling
All of you whom has left on the earth
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“Genellikle basarili bir insan ve basarisizlik arasindaki fark, kisinin daha iyi yetenekleri veya fikirleri degil, kisinin fikirlerine bahis yapmak, hesaplanmis bir risk almak ve harekete gecmek icin sahip oldugu cesarettir. / Souvent, la différence entre une personne qui réussit et un échec n’est pas que l’on a de meilleures capacités ou idées, mais le courage de parier sur ses idées, de prendre un risque calculé — et d’agir.”
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Italyan ressam Maso da San Friano’nun dogum yildonumu (4 Kasim 1531)
Madonna col Bambino, XVI secolo (Museo dell'Opera del Duomo, Prato)
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Ritratto di Francesco I de 'Medici, 1570
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