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Fransiz - Italyan ressam (Jacques Courtois) Giacomo Cortese’nin olum yildonumu (14 Kasim 1675)
Battle scene, second half of 17th century
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Alexander the Great, victorious over Darius, second half of 17th century
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Alman matematikci ve filozof Gottfried Wilhelm Leibniz’in olum yildonumu (14 Kasim 1716)
“Evren'de nadasa birakilmis, kisir, olu hicbir sey yoktur, gorunusun disinda ne kargasa ne de bulaniklik vardir; uzaktan biraz bir golcuk gibi gorunebilir, insan onda bulanik bir devinim, sanki bir balik surusu gorebilir, ancak baliklarin kendisini ayirt edemez.”
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"Es gibt nichts Ödes, nichts Unfruchtbares, nichts Totes in der Welt, kein Chaos, keine Verwirrung, außer einer scheinbaren, ungefähr wie sie in einem Teiche zu herrschen schiene, wenn man aus einiger Entfernung eine verworrene Bewegung und sozusagen ein Gewimmel von Fischen sähe, ohne die Fische selbst zu unterscheiden."
Isvicreli ressam Johann Ludwig Aberli'nin dogum yildonumu (14 Kasim 1723)
Niklaus Emanuel Tscharner auf seinem Gut Blumenhof bei Kehrsatz im Gespräch mit einem Landmann, 1775
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Vue du Chateau de Wimmisburg et des environs, Canton Berne, 1780
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Alman ressam ve mimar Januarius Zick’in olum yildonumu (14 Kasim 1797)
Familie Remy, 1776 (Germanisches Nationalmuseum, Nürnberg)
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Pfingstwunder, 1780 (Pfarrkirche Zell, Riedlingen)
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Amerikali cocuk kitaplari yazari Jacob Abbott’in dogum yildonumu (14 Kasim 1803)
“Tarihteki guzel kadinlardan hicbiri Kleopatra kadar cazibesiyle iz birakmamistir. Cunku, Roma'nin ve buna bagli olarak da dunyanin gelgitlerle dolu kaderi onun guzelligiyle degismistir. Ordulari Kanopus'tan Thames'e kadar her yeri ele geciren Jul Sezar onun guzelligine teslim olmus, Mark Anthony onun guzelligine sahip olabilmek icin donanmasini, imparatorlugunu ve kendi gururunu hice saymistir.”
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“Of all the beautiful women of history, none has left us such convincing proofs of her charms as Cleopatra, for the tide of Rome's destiny, and, therefore, that of the world, turned aside because of her beauty. Julius Caesar, whose legions trampled the conquered world from Canopus to the Thames, capitulated to her, and Mark Antony threw a fleet, an empire and his own honor to the winds to follow her to his destruction.”
“Vahsi hayvanlar bir kere kiskirtildiginda bir aslan, bir kaplan ya da bir panter, korkuyu kesinlikle hissetmez. Dusmanlarin sayisi ne denli cok olursa olsun ve dusmanlar ne denli iyi silahlanmis olursa olsunlar bir hayvan, dusmanlarina karsi gozu kapali harekete gececektir. Dogru, kendi yok olusunu da hazirlar; fakat ayni zamanda dusmanlarindan birini yada daha fazlasini da yok eder.”
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“But it is not so with wild beasts. A lion, a tiger, or a panther, once aroused, is wholly insensible to fear. He will rush headlong upon his foes, however numerous they may be, and however formidably armed. He makes his own destruction sure, it is true, but, at the same time, he renders almost inevitable the destruction of some one or more of his enemies, and, in going out to attack him, no one can be sure of not being himself one of the victims of his fury.”
Fransiz ressam Joseph Benoît Guichard’in dogum yildonumu (14 Kasim 1806)
Vénus portée par les amours, 1853 (Bar-le-Duc, musée barrois)
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Louisa Sieffert aux Ormes, 1869, (musée des beaux-arts de Lyon)
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Fransiz ressam Jean-Pierre-Louis-Laurent Houël’in olum yildonumu (14 Kasim 1813)
Vue du château de Chanteloup prise de la cascade, 1768
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Prise de la Bastille, 1789
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Italyanca librettosu Felice Romani tarafindan yazilan, Giacomo Meyerbeer’in besteledigi 2 perdelik opera semiseria promiyerini 14 Kasim 1820 tarihinde Milano, La Scala’da yapti.
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