Sanat Mozaik

Ingiliz ressam William Stott of Oldham'in dogum yildonumu (20 Kasim 1857)

Prince or Shepherd (Prince ou Berger), 1880

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Autumn, 1898

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1909 yilinda Nobel Edebiyat Odulunu kazanan, efsane ve masallara dayanan yapitlarin Isvecli yazari Selma (Ottilia Lovisa) Lagerlof’un dogum yildonumu (20 Kasim 1858)

“Bir zamanlar bir cocuk vardi, adi Nils Holgersson’du. Guney Isvecli fakir bir ciftcinin ogluydu. Uzun boylu, sari sacli, iri yapiliydi. Fazla bir ise yaramayan bir cocuktu, en sevdigi seyler ise yemek yemek ve uyumakti. En cok da ortaligi karistirmaktan zevk alirdi.Bir pazar sabahi kiliseye giden anne babasi onu evde yalniz basina birakti. Onlar donene kadar bir dinsel ogut okuyup ezberlemesi gerekiyordu. Nils okumaya basladi, ancak kafasi bir sey almiyordu, zaten kisa bir sure sonra da uykuya dald,. Uyandiginda, annesinin buyuk demir sandiginin kapaginin acik oldugunu gordu, sandigin kenarinda ata biner gibi minnacik sisman bir cuce oturuyordu. Nils buldugu kucuk bir agla usulca cuceye yaklasti, ani bir hamleyle agi ustune atip onu yakaladi. Cuce kendisini serbest birakmasi icin Nils’e yalvardi, ailesine bir suru iyilik yaptigini soyleyip para teklif etti. Cocuk buna razi oldu, ancak sisman cuce agdan henuz yari yariya kurtulmusken verdigi sozden dolayi pisman olunca agi tekrar kapatti. Tam o sirada suratina korkunc bir tokat yedi, tokatin tesiriyle de adeta yerinden uctu ve basini duvara carpip oldugu yere yigilip kaldi. Bayilmisti. Kendine geldiginde, oda ona garip bir degisiklige ugramis gibi geldi: daha buyuk ve daha yuksekti, sanki butun cisimler olaganustu buyumustu. Daha once birkac adimda ulastigi masaya ulasabilmesi icin simdi eskisinden on misli daha fazla adim atmasi gerekmisti. Bir sandalyenin uzerine, ancak sandalyenin bacagina guclukle tirmanarak cikabildi. Sonunda masanin uzerine ulastiginda, orada bulunan bir aynaya gozu takildi. Birden aynanin icinden bir baska cucenin kendine baktigini gordu.”

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“Once there was a boy. He was, let us say, something like fourteen years old; long and loose articulated and towheaded. He wasn't good for much, that boy. His chief delight was to eat and sleep, and after that he liked best to make mischief.It was a Sunday morning and the boy's parents were getting ready for church.The boy read and nodded and fought against drowsiness. But somehow he fell asleep. He did not know whether he had slept a short while or a long while; but he was awakened by hearing a slight noise back of him. Now the boy saw distinctly – in the glass – that the chest-lid was open. He could not understand how this had happened, for his mother had closed the chest before she went. She never would have left that precious chest open with only him here. At the first moment the boy hadn't the least idea as to what he should do with his catch; but he was only careful to swing the snare backward and forward, to prevent the elf from getting a foothold and clambering up.The elf began to speak, and begged, oh! so pitifully, for his freedom. He had brought them good luck these many years, he said, and deserved better treatment. Now, if the boy would set him free, he would give him an old penny, a silver spoon, and a gold coin, as big as the case on his father's silver watch.The boy didn't think that this was much of an offer; but it so happened that after he had got the elf into his power, he was afraid of him. He felt that he had entered into an agreement with something weird and uncanny; something which did not belong to his world; and he was only too glad to rid himself of the horrid creature.”

Rus sair, roman ve oyun yazari Zinaida Nikolayevna Gippius'un dogum yildonumu (20 Kasim 1869)

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Solgun zambagin guzel kokusu
Duslerime bir sus gibi cokuyor.
Zambaklar kiyamet habercisi,
Bu dunyada kalmayacaksin, diyor.

Gonlum huzura kavusur benim,
Ne ki hicbir sey sevindirmez inan.
Unutma, gecince son gunlerim,
Anla beni, yok oldugum zaman.

Bilirim dostum, kisa bir yol var,
Bu zavalli vucut yorgun dusecek.
Bilirim: Ask guclu olum kadar.
Yok oldugum zaman, sen ol sevecek.

Gizli bir andi duyar gibiyim…
Bilirim, o yurek aldatmaz bir an.
Ayrilip seni unutacak kim!
Ardim sira gel, yok oldugum zaman.

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The scent of half-wilted lilies
Clouds my light reveries.
The lilies speak to me of death,
The time when I shall no longer be.

Peace to my quieted soul.
Nothing cheers me, nothing hurts me.
Do not forget my last days, Understand me,
when I shall no longer be.

I know, my friend, the road is not long,
And the poor body is quickly fatigued,
But I know: love, like death, is strong.
Love me, when I shall no longer be.

A mysterious vow appears to me…
And I know the heart shall not be deceived
In parting there is no forgetting for you!
Follow me, when I shall no longer be.

Fransiz ressam Léon Cogniet'nin olum yildonumu (20 Kasim 1880)

Hélène délivrée par Castor et Pollux, 1817

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Scène du Massacre des Innocents, 1824

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Amerikali ressam William Bliss Baker'in olum yildonumu (20 Kasim 1886)

Hiding in the Haycocks, 1881

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Fallen Monarchs, 1886

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Ingiliz ressam Helen Bradley'in dogum yildonumu (20 Kasim 1900)

Our Picnic, 1972

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The Park on May Day, 20th centıry

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Dick Tracy cizgi romaninin yaraticisi Amerikali karikaturist Chester Gould'un dogum yildonumu (20 Kasim 1900)

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Irlandali oyun yazari George Bernard Shaw’in Doktorun Hatasi (The Doctor's Dilemma - Il dilemma del dottore) oyunu ilk kez 20 Kasim 1906’da Londra, The Royal Court Theatre’da sahnelendi.

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