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Fransiz ressam Jean Antoine Watteau'nun dogum yildonumu (10 Ekim 1684)
Pellegrinaggio a Citera (L'Embarquement pour Cythère - The Embarkation for Cythera, 1717)
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Fête galante in a Wooded Landscape, c.1719 - 1721
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Ingiliz - Amerikali ressam Benjamin West'in dogum yildonumu (10 Ekim 1738)
The Damsel and Orlando, 1793
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[IMG]Thetis Bringing the Armor to Achilles, 1804[/IMG]
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Fransiz ressam François-Edouard Picot'nun dogum yildonumu (10 Ekim 1786)
L'Amour et Psyché, 1817
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Léda, 1832
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19. yuzyil Italyan Operasi ekolunden gelen en unlu Italyan besteci Giuseppe Fortunino Francesco Verdi'nin dogum yildonumu (10 Ekim 1813)
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Ispanyol ressam Juan de Barroeta y Anguisolea'nin dogum yildonumu (10 Ekim 1835)
La resurrección de Lázaro (The Raising of Lazarus, 1855)
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View of El Abra, Bilbao, from Algorta, 1886
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Fransiz utopik sosyalist ve filozof Charles Fourier’in olum yildonumu (10 Ekim 1837)
“Cakil taslarini toplayip bir kutuya koyun ve sallayin, hic bir sanatcinin beceremeyecegi kadar uyumlu bir mozaik elde edersiniz.”
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“Take pebbles, Put them into a box and shake them, and they will arrange themselves in a mosaic that you could never get by entrusting to anyone the work of arranging them harmoniously.”
Fransiz ressam Léon-François Comerre'in dogum yildonumu (10 Ekim 1850)
La captivité des juifs à Babylone, 1872
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Étude pour Le Manteau légendaire
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Amerikali ressam Maurice Brazil Prendergast'in dogum yildonumu (10 Ekim 1858)
Street Scene, 1891 – 1894
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Franklin Park Boston, 1895 - 1898
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Hollandali ressam Han van Meegeren'in dogum yildonumu (10 Ekim 1889)
The foot washing, 1935 - 1943
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The Supper at Emmaus, 1937
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Italyan asilli Isvicreli heykeltiras, ressam Alberto Giacometti'nin dogum yildonumu (10 Ekim 1901)
Donna con la gola tagliata (Woman with her Throat Cut,1932)
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Hollandali ressam Dick Ket'in dogum yildonumu (10 Ekim 1902)
Self-portrait
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Still Life with Pietà
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Ingiliz kadin haklari savunucusu ve sufrajet Emmeline Pankhurst, 10 Ekim 1903’te 62 Nelson Street, Manchester, Ingiltere adresinde Kadinlarin Sosyal ve Siyasi Birligi'ni (WSPU) kurdu. (Orgutun ilk hedefi isci sinifi kadinlarini siyasi haklar konusunda bilinclendirmek ve toplu harekete cagirmakti.)
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“Kadinlarin basarili olamayacagini dusunen sizlere sunu soylemek isterim: Ingiliz hukumetini bu pozisyona getirmeyi basardik. Hukumet artik su alternatifle yuzlesmek zorunda: Kadinlar artik ya oldurulecek, ya da oy kullanacak.”
Ispanyol (Katalan) yazar Mercè Rodoreda’nin dogum yildonumu (10 Ekim 1908)
"Senyora Enriqueta bana pek cok hayatimiz oldugunu soylemisti, birbirlerine baglanmis hayatlar, fakat bir olum ya da evlilik, bazen, her zaman degil, bunlari ayiriyordu, fakat hakiki hayat, kucuk hayati kendisine baglayan butun iplerden her sekilde bagimsiz olan hayat, kucuk ve kotu hayatlar onu yalniz biraksa daima yasamasi gerektigi gibi yasayabilirdi. Ve diyordu ki, birbirlerine baglanmis hayatlar karisirlar ve bize aci cektirirler ve biz kalbin atisini ya da bagirsaklarin buyuk hareketini bilmedigimiz gibi hicbir sey bilmeyiz..."
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“Y la señora Enriqueta me había dicho que teníamos muchas vidas, entrelazadas unas con otras, pero que una muerte o una boda, a veces, no siempre, las separaba, y la vida de verdad, libre de todos los lazos de la vida pequeña que la habían atado, podía vivir como habría tenido que vivir siempre si las vidas pequeñas y malas la hubieran dejado sola. Y -decía- las vidas entrelazadas se pelean y nos martirizan, y nosotros no sabemos nada, como no sabemos del trabajo del corazón ni del desasosiego de los intestinos."
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“Mrs Enriqueta once told me we live many lives and they all get entangled, and a death or a wedding couldn’t always untangle them, and that real life, free from the threads of petty lives that had twisted round it, could be lived as it should be lived providing petty and ne’er-do-well lives left it alone. And she went on, these entangled lives quarrel and torment us and we don’t know it’s happening, just as we don’t know how our heart works or how our intestines cope…”
“Bir kedinin yasadigi gibi yasiyordum: Bir asagi bir yukari, kah kuyruk asagida kah kuyruk dimdik, simdi yemek vakti, simdi uyku vakti; tek farkla, kedilerin yasamak icin calismasi gerekmez.”
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“I felt the way a cat must feel, running around with his tail between his legs or sticking out. Now it's time to eat, now it's time to sleep. With the difference that a cat doesn't have to work for a living.”
Ispanyol ressam Ramón Gaya'nin dogum yildonumu (10 Ekim 1910)
El Buen Pastor Niño 1932
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Los baños del Tevere, 1971
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10 Ekim 1911
"Dun aksam Graben'de Prova donusu karsidan gelen uc oyuncu bayan. Her ucunun guzelliginin bir anda tek tek ayrimina varabilmek, beri yandan alabildigine esnek ve keyifli oyuncu adimlariyla arkadan kendilerine yaklasmaya calisan iki erkek oyuncuyu gozden kacirmamak oyle zor ki! Guclu bedeninde acilip kapanan pardosuyle genc ve tombul yuzu ikisi icin de yeterince karakteristik olan soldaki bayanlari geciyor; o yaya kaldiriminda, sagdaki ise asagida, yolda. Soldaki pek yukaridan kavriyor sapkasini, bes parmaginin besiyle icine el atip havaya kaldiriyor (ancak o anda animsiyor sagdaki): 'Hosca kal! Iyi geceler!' Ama bayanlara yetisip selam vermeleri ve sonra onlari geride birakip one gecmeleri baylari birbirinden ayirmasina karsin selamlanan bayanlar, kaldirimin yola en yakin yerinde yuruyor, en celimsiz ve en uzunlari, beri yandan en taze ve guzelleri gibi gorunen arkadaslarinin adeta kilavuzlugunda ilerliyorlar; uyum icindeki konusmalarini pek sekteye ugratmayan bir selamla baylarin selamina karsilik veriyor, istiflerini hic bozmayarak yollarina devam ediyorlar. Butun bunlar ansizin bana, kentimizdeki tiyatronun durumuna diyecek olmadiginin ve iyi yoneltildiginin kaniti gibi gorundu..."
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10. October 1911
"Gestern abend auf dem Graben. Mir entgegen drei Schauspielerinnen, die aus der Probe kamen. Es ist so schwer, sich in der Schönheit von 3 Frauen rasch auszukennen, wenn man auch noch 2 Schauspieler ansehn will, die hinter ihnen in dem allzu schwingenden und auch noch beschwingten Schauspielerschritt herankommen. Die zwei, von denen der linke mit seinem jugendlich fetten Gesicht, dem offenen um die starke Gestalt schlagenden Überzieher genug charakteristisch für beide ist, überholen die Damen, der linke auf dem Trottoir, der rechte in der Fahrbahn unten. Der linke faßt seinen Hut hoch oben, greift mit allen 5 Fingern hinein, hebt ihn hoch und ruft (jetzt erst erinnert sich der rechte): Auf Wiedersehn! Gute Nacht! Während aber dieses Überholen und Grüßen die Herren auseinandergebracht hat, gehn die gegrüßten Frauen, wie geführt von der zur Fahrbahn nächsten, die die schwächste und längste, aber auch jüngste und schönste zu sein scheint, ganz unbeirrt mit leichtem ihr abgestimmtes Gespräch kaum unterbrechendem Gruß ihren Weg weiter. Das Ganze schien mir im Augenblick ein starker Beweis dafür zu sein, daß die hiesigen Teaterverhältnisse geordnet und gut geführt sind."
1 Eylul 1939'da Hitler'in Alman birliklerinin Polonya'ya girdigini ve 2. Dunya Savasi'nin basladigini dunyaya ilk bildiren gazeteci olan Ingiliz Clare Hollingworth'un dogum yildonumu (10 Ekim 1911)
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1985 yilinda Nobel Edebiyat Odulu'nu kazanan Madagaskar dogumlu Fransiz yazar Claude Simon’un dogum yildonumu (10 Ekim 1913)
“…bense, herhangi bir nedenle kente indigimde, gidiste ya da donuste tramvayi yakalamak icin kosmak zorunda degildim artik, sakin bir bicimde dut agacli yolun ucunda bekliyordum onu ve vatmanin kulubesinde durmuyordum, yalnizca geciyordum oradan, gidip icerideki siralardan birine oturuyordum…”
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“…and now on leaving or coming back I didn't have to run to catch the tram when for any reason I went into town, quietly waiting for it at the end of drive of mulberry trees but I no longer stayed in the driver's cabin, just making my way through it to go and sit down inside on one of the benches…”
Fransiz yazar ve Ortacag arastirmacisi Jean Gimpel'in dogum yildonumu (10 Ekim 1918)
“Ortacag insanoglunun yasadigi, yaraticiliga en elverisli caglardan biri olmustur: Ilk endustriyel devrim bu cagda gerceklesmistir. (…) 10. ve 13. yuzyillarda Avrupa teknolojik bir patlamaya tanik olmustur. (…) Enerji tuketiminde onemli artislar olurken, teknolojik yenilikler ve buluslar var olan yontemlerin daha da gelistirilmesini saglamanin yani sira, yeni enerji kaynaklarinin bulunmasina yonelik calismalara da onayak olmustu. Onceleri el becerisi gerektiren islerin cogu, artik makineyle yapilir hale gelmisti. (…) Hepsinden onemlisi, genel yasam duzeyinde bir iyilesme saglanmisti. Bir yandan butun bunlar olurken, ote yandan, sanayilesme nedeniyle, su havzalarinda ilerde cok olumsuz cevresel sorunlar dogurabilecek buyuk capta kirlenmeler baslamisti...”
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"The Middle Ages was one of the great inventive eras of mankind. It should be known as the first industrial revolution in Europe. (…) Between the tenth and thethirteenth centuries, western Europe experienced a technological boom. (…) Energy consumption increased considerably. Technolocal innovations brought about improvements in the efficiencyof existing methods and also led to a successful search for newsources of energy. Many of the tasks formerly done by handwere now carried out by machines. (…) There was a marked increase in the generalstandard of living. The growth of industry and the search fornew sources of raw materials led to extensive industrial pollution of waterways and, on a wider scale, posed a severe threatto the environment, with grave long-term consequence..."
Italyan sair Andrea Zanzotto'nun dogum yildonumu (10 Ekim 1921)
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"90 yil sonra yasamdan ne anliyoruz ki. Hicbir sey. Ise yarar kelimeler kullanmak icin en az 900 yil yasamak gerek! / Che cosa si capisce della vita dopo 90 anni? Niente. Per dire parole che valgano la pena bisognerebbe almeno averne 900 di anni!"
Amerikali roman ve senaryo yazari ve film yonetmeni James Clavell’in dogum yildonumu (10 Ekim 1921)
“Firtinanin siddetini hissediyordu adam. Uc gun icinde karaya erisemezlerse olup gideceklerini de biliyordu. Bu seferde cok insan kaybettik, diye dusundu. Olu bir filonun bas kilavuzuyum ben. Bea gemiden sadece biri kaldi.. Bu geminin yuz yedi kisilik personelinden de sadece yirmi sekiz kisi. Iclerinden de yalniz onu yuruyebilecek halde. Digerleri olmek uzere. Kaptanimiz da bunlarin arasinda. Yiyecek bitti. Su da oyle sayilir.Kalan su aci ve pis.”
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“The gale tore at him and he felt its bite deep within and he knew that if they did not make landfall in three days they would all be dead. Too many deaths on this voyage, he thought, I’m Pilot-Major of a dead fleet. One ship left out of five—eight and twenty men from a crew of one hundred and seven and now only ten can walk and the rest near death and our Captain-General one of them. No food, almost no water and what there is, brackish and foul.”
Turk soprano Leyla Gencer'in dogum yildonumu (10 Ekim 1928)
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2005 yilinda Nobel Edebiyat Odulunu kazanan Ingiliz oyun yazari Harold Pinter’in dogum yildonumu (10 Ekim 1930)
“Her sey komik. En sahane ciddiyet bile komik, hatta trajedi bile komik. Galiba benim oyunlarimda yapmaya calistigim da butun yaptiklarimizda ,davranislarimizda , konusmalarimizda var olan o tanidik abukluklarin gercekligini yakalamak.”
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“Everything is funny; the greatest earnestness is funny; even tragedy is funny. And I think what I try and do in my plays is to get this recognizable reality of the absurdity of what we do and how we behave and how we speak.”
Amerikali ask ve macera romanlari yazari (Eleanor Marie Robertson) Nora Roberts’in dogum gunu (10 Ekim 1950)
"Guzelligi, dogrulugu ve cesareti aramalisin. Sadece bir tanesi asla yetmez. Ucuncusu olmadan ilk ikisi yeterli olmaz. Bilmen gerekeni kendi icinde ara ve ogren. Karanligin en cok sakladigi seyi bul. Isigin golgeleri, askin aciyi yenilgiye ugrattigi yerlerde ara onu. Onun orada soyledigi sarkidan gumus gozyaslari akiyor, cunku o sarki ruhtan kaynaklanmakta. Ileriye ve arkaya bak, guzelligin nerede yeserdigini ve tanricanin nerede sarki soyledigini gor. Orada korku ve keder olabilir, ama dogru bir yurek ikisini de yener. Aradigini buldugun zaman, ask buyuyu bozacak ve yurek anahtari yaratip isiga cikaracaktir." Isigin Anahtari
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“You must seek beauty, and truth and courage. One alone will never stand. Two without the third is incomplete. Search within and know what you have yet to know. Find what the dark covets most. Search without, where the light conquers shadows, as love conquers sorrow. Silver tears fall for the song she makes there, for it springs from souls. Look beyond and between, see where beauty blooms and the goddess sings. There may be fear, there may be grief, but the true heart vanquishes both. When you find what you seek, love will break the spell, and the heart will forge the key and bring it to light.”
Elizabeth Taylor, Rock Hudson ve James Dean'in rol aldigi Devlerin Aski (Giant - Il gigante), 10 Ekim 1956 tarihinde Amerika'da vizyona girdi.
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Leslie Benedict: Para her sey degildir, degil mi?
Jett Rink: Haklisin. Para her sey degildir, tabii paran oldugu muddetce.
Yasadigi donemde Fransa'da cok sevilen Fransiz sarkici (Édith Giovanna Gassion) Édith Piaf'in olum yildonumu (10 Ekim 1963)
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...ben onun kollarindayken
kulagima fisildadiginda
hayati pembe goruyorum
bana ask sozcukleri soyluyor
her gunku gibi
bana bir seyler oluyor
kalbime girdi
sebebini bildigim
mutlulugum...
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2.James Bond filmi olan, Sean Connery ve Daniela Bianchi'nin oynadigi Rusya'dan Sevgilerle (From Russia With Love - A 007, dalla Russia con amore), 10 Ekim 1963 tarihinde Ingiltere’de vizyona girdi.
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Italyan komedyen, aktor, yonetmen ve yazar Antonio Albanese’nin dogum gunu (10 Ekim 1964)
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Irlandali yazar Brendan Behan'in Uc yil kaldigi Borstal Islahevi'ndeki yasantisini 1958'de yayimladigi Borstal'daki Cocuk (Borstal Boy - Ragazzo del Borstal) romanindan uyarlanan oyun ilk promiyerini 10 Ekim 1967 tarihinde Dublin, Abbey Theatre'da yapti.
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Frank Zappa, 2.solo albumu Hot Rats'i 10 Ekim 1969 tarihinde Bizarre Records etiketiyle piyasaya surdu.
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Ingiliz rock grubu Deep Purple, 10.studyo albumu Come Taste the Band'i 10 Ekim 1975'te Purple (Avrupa, Guney Amerika) ve Warner Bros. (Amerila, Kanada, Japonya) etiketleriyle piyasaya surdu.
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Amerikali aktor, yonetmen, yazar, yapimci (George) Orson Welles'in olum yildonumu (10 Ekim 1985)
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Rus asilli Amerikali Akademi odullu aktor Yul (Borisovich) Brynner'in olum yildonumu (10 Ekim 1985)
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Macar yazar Imre Kertesz, 10 Ekim 2002 tarihinde ‘Insanligin birikimlerini humanist dusunce etrafinda somutlamasi’ gerekcesiyle kazandigi Nobel Edebiyat Odulunu aldi.
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"Onlar da istasyondan banyoya gitmislerdi.Bizim gibi onlara da elbise askilari,numaralar ve banyo da nasil davranilacagina iliskin bilgi verilmisti.Iddialara gore berberler de oradaydi ve onlara da sabun verilmisti. Sonra onlar da borularin ve vanalarin bulundug banyo bolumune girmislerdi. Yalniz onlara yukaridan su degil gaz vermislerdi."
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"They too had proceeded from the station to the baths. They too had been informed about the hooks, the numbers, and the washing procedure, just the same as us. The barbers were also there, so it was alleged, and the bars of soap were handed out in just the same way. Then they too had entered the bathroom itself, with the same pipes and showerheads, so I heard, only out of these came, not water, but gas."
Superman'in Clark Kent'i, Emmy ve BAFTA Odullu Amerikali akror, yonetmen, film yapimcisi ve yazar Christopher (D'Olier) Reeve'in olum yildonumu (10 Ekim 2004)
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Turk sair, romanci, dusunur, deneme yazari, gazeteci, senarist ve elestirmen Attila Ilhan’in olum yildonumu (10 Ekim 2005)
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You are indispensable; how can you not know
that you’re like nails riveting my brain?
I see your eyes as ever-expanding dimensions.
You are indispensable; how can you not know
that I burn within, at the thought of you?
Trees prepare themselves for autumn;
can this city be our lost Istanbul?
Now clouds disintegrate in the darkness
as the street lights flicker
and the streets reek with rain.
You are indispensable, and yet you are absent ...
Love sometimes is akin to terror:
a man tires suddenly at nightfall,
of living enslaved to the razor at his neck.
Sometimes he wrings his hands,
expunging other lives from his existence.
Sometimes whichever door he knocks
echoes back only heartache.
A screechy phonograph is playing in Fatih ...
a song about some Friday long ago.
I stop to listen from a vacant corner,
longing to bring you an untouched sky,
but time disintegrates in my hands.
Whatever I do, wherever I go,
you are indispensable, and yet you are absent ...
Are you the blue child of June?
Ah, no one knows you, no one knows!
Your deserted eyes are like distant freighters ...
perhaps you are boarding in Yesilköy?
Are you drenched there, shivering with the rain
that leaves you blind, beset, ravished,
with wind-disheveled hair?
Whenever I think of life
seated at the wolves’ table,
shameless, yet without soiling our hands ...
Yes, whenever I think of life,
I begin with your name, defying the silence,
and your secret tides surge within me
making this voyage inevitable.
You are indispensable; how can you not know?
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Quando i tuoi occhi toccavano i miei
Era la mia catastrofe, e piangevo
Sapevo che non mi amavi
Sentivo che amavi qualcun altro
Un ragazzo magro come una paglia
Una persona inutile a mio parere
E quando lo vedevo davanti a me
Temevo che lo uccidessi
Era la mia catastrofe, e piangevo
Quando passavo da Macka
C’erano sempre delle navi al porto
Gli alberi sorridevano come gli uccelli
Un vento mi rubava la coscienza
E tu fumavi tranquillamente
Bruciavi le punte delle mie dita
Mi raffreddavo, tremando
Era la mia catastrofe, e piangevo
Le sere finivano come i romanzi
Gezabele giaceva nel sangue
Una nave partiva dal porto
E tu partivi con essa
Partivi per lui
Partivi come le candele nella benzina
Ci rimanevi, fino alla mattina
Un ragazzo magro come una paglia
Quando sorrideva assomigliava ad un cadavere
E quando ti abbracciava…
Era la mia catastrofe, e piangevo
Irlandali roman yazari (William) John Banville, 10 Ekim 2005 tarihinde Deniz ((The Sea - Il Mare) romaniyla Man Booker Odulu aldi.
https://cdn-01.independent.ie/entert...bedded22630674
“Rose kapida duruyordu. Uzerinde mayosu vardi ama ayagina siyah ayakkabilarini gecirmisti, bu da uzun soluk siska bacaklarini daha da uzun, daha da soluk, daha da siska gosteriyordu. Bir eli kapida, digeri de esigin uzerinde, sanki biri kabinden yuzune dogru, digeri disaridan gelip de arkasindan bastiran iki guclu ruzgarin arasinda dengede tutuluyormus gibiydi, bana ne oldugunu bilemedigim bir seyi hatirlatiyordu.”
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“Rose was standing in the doorway. She was in her bathing suit but was wearing her black pumps, which made her long pale skinny legs seem even longer and plaer and skinner. She reminded me of something, I could not think what, one hand on the door and the other on the door-jamb, seeming to be held suspended there between two strong gusts, one from inside the hut driving against her and another from outside pressing at her back.”
Kanadali kisa oyku yazari Alice Munro, 10 Ekim 2013 tarihinde ‘Gunumuz oykuculugunun ustasi’ gerekcesiyle kazandigi Nobel Edebiyat Odulu’nu aldi.
“Eger bir cocuksan her yil farkli bir insan olursun. Genellikle sonbaharlari, okulda egitim yeniden basladiginda, yaz tatili kesmekesini ve uyusuklugunu uzerinden atip bir ust sinifta yerini aldiginda boyle hissedersin. Degisikligi en kesin haliyle kaydettigin zamandir bu. Sonrasinda hangi yilda ya da ayda oldugunu bilmezsin; ama degisim eskisi gibi devam eder. Uzun bir sure boyunca gecmis senden kolayca ve sanki otomatige baglamis gibi duzenli bir sekilde akip gider. Gecmisin sahneleri yok olmazlar da, gundem disi kalirlar. Sonra keskin bir donemece cika gelirsin ve ardinda biraktigin olan bitenler taptaze yeni surgunler verip ilgini, hatta bir seyler yapmani ister, elden bir sey gelmedigi asikar olmasina ragmen.”
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“Every year, when you're a child, you become a different person. Generally it's in the fall, when you reenter school, take your place in a higher grade, leave behind the muddle and lethargy of the summer vacation. That's when you register the change most sharply. Afterwards you are not sure of the month or year but the changes go on, just the same. For a long while the past drops away from you easily and it would seem automatically, properly. Its scenes don't vanish so much as become irrelevant. And then there's a switchback, what's been all over and done with sprouting up fresh, wanting attention, even wanting you to do something about it, though it's plain there is not on this earth a thing to be done.”
Gaumont ve Legende, Roman Polanski’nin 76. Venedik Film Festivali’nden odulle donen yeni filmi J’accuse'un fragmanini yayinladi.
https://youtu.be/QfyPV4h9zG4?t=2
Yarin Netflix Turkiye'de izleyici ile bulusacak El Camino: A Breaking Bad Movie’den hem filmden hem de kamera arkasindan goruntuler barindiran yeni bir tanitim fragmani yayinlandi.
https://youtu.be/MGi3NoHpAcs?t=2
Disney ve Pixar, Chris Pratt, Tom Holland, Octavia Spencer'in seslendirdigi ve babalarini cok kucuk yasta kaybeden iki genc elf kardesin hatirlamakta zorlandiklari ve cok ozledikleri babalari ile son bir gun gecirme firsatlarinin oldugunu ogrenmelerinin hikayesini konu edinen animasyon filmi Onward'in yeni fragmanini yayinladi.
https://youtu.be/K4EmUn9ph-c?t=1