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“Ask bobreklerden gecer, mideye vurur, kalbi kirar, gogsu SIKISTIRIR ve aklini bozar. Ama birincisi; bunlar gecer, ikincisi, durum hic de sana gorundugu gibi umutsuz degil ve ucuncusu kalbin camdan degil.” Kerstin Gier, Zumrut Yesil
https://i1.wp.com/www.tor.com/wp-con...vertical&ssl=1
“Love: it goes to your kidneys, it punches you in the stomach, it breaks your heart and… er… it scurries over your liver like a louse. But first, that will all pass off; second, it’s not as hopeless as it looks to you; and third, your heart isn’t made of glass.”
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Jack elinde kadehiyle tekrar yakinina gelmisti. O saatte genellikle yaptiginin aksine, Fiona'ya bir kadeh Sancerre teklif etmiyordu.
''Ne istiyorsun Jack?''
"Bu iliskiyi yasayacagim."
"Bosanmak istiyorsun."
"Hayir. Her sey ayni kalsin istiyorum. Aldatmaca olmasin."
"Anlamadim."
"Evet, anladin. Sen degil miydin bana uzun evliliklerde kari kocalarin hedefi kardes durumuna gelmektir diyen? Biz geldik o duruma Fiona. Ben senin agabeyin oldum. Cok rahat, cok hos, seni de seviyorum, ama olmeden once dolu dolu, tutkulu bir iliski yasamak istiyorum." Ian McEwan, Cocuk Yasasi
https://www.washingtonpost.com/rf/im...jpg?t=20170517
He had come back toward her with his glass. He wasn't offering her a Sancerre the way he usually did around this time.
"What do you want, Jack?"
"I'm going to have this affair."
"You want a divorce."
"No. I want everything the same. No deception."
"I don't understand."
"Yes you do. Didn't you once tell me that couples in long marriages aspire to the condition of siblings? We've arrived, Fiona. I've become your brother. It's cozy and sweet and I love you, but before I drop dead, I want one big passionate affair."
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“Gustave Eiffel, Amelie adinda bir kadina cilgin gibi asikti. Paris’e yuz senedir tepeden bakan A harfine olan saplantisi buradan kaynaklaniyor.” – Bu dogru mu? – Tabii ki dogru. O kadinin ismi Olga olsaydi, Paris bambaska bir sembole kavusacakti.” Amélie Nothomb, Kis Yolculugu
https://www.babelio.com/couv/bm_2401_495751.jpg
“Gustave Eiffel was madly in love with a woman named Amelie. Hence his obsession was to create a giant letter “A”, and there it is already for more than a century overlooking Paris. – Is that really true? – Of course. If this woman had been called Olga, the symbol of Paris would have had a very different shape.”
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"Nicin, gercek asklarda geride kalan, kendini oldurup de pesinden gitmiyordu o sevilenin? Yalnizca, yasayanin oleni gommesi gerektigi icin mi? Bir olumden sonra yerine getirilmesi gereken belli birtakim torenler oldugu icin mi? Geride kalan, bir sahnede bir sure gorunup her an sonsuz bir zamana dogru uzuyormus ve bir suru goz kendisini seyrediyormus gibi oldugu icin mi? Ya da kim bilir, arada ask olunca, dul kalanin, sevilen kisinin yeniden dirilmesini beklemesi gerekiyordu. Yani gitmis olan gercekten olmus olmuyordu da buyumeye devam ediyordu, yasayanin ruhunda ikinci bir yasam nicin yaratiliyordu? Nicin?" Carson McCullers, Yalniz Bir Avcidir Yurek
http://t3.gstatic.com/images?q=tbn:A...8bd7F0S21OwiSG
“Why was it that in cases of real love the one who is left behind does not more often follow the beloved by suicide? Only because the living must bury the dead? Because of the measured rites that must be fulfilled after a death? Because it is as though the one who is left steps for a time upon a stage and each second swells to an unlimited amount of time and he is watched by many eyes? Because there is a function he must carry out? Or, perhaps when there is love, the widowed must stay for the resurrection of the beloved – so the one who has gone is not really dead, but grows and is created for a second time in the soul of the living? Why?”
https://bosilawhat.files.wordpress.c..._mccullers.jpg
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