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Fransiz Lumiere kardesler icadini yaptiklari sinematografi ile ilk gosterilerini halka acik ve ucretli olarak 28 Aralik 1895’de Paris, Salon Indian Du Grand Café'’nin bodrum katinda yaptilar.
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Edmond Rostand’in Cyrano de Bergerac oyunu, promiyerini 28 Aralik 1897’de Paris, Théâtre de la Porte Saint-Martin’de yapti.
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Amerikali filozof, egitimci ve populer yazar Mortimer Jerome Adler’in dogum yildonumu (28 Aralik 1902)
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“Iyi bir hayat yasamak icin gereken en basit arac okumaktir.”
Ingiliz roman yazari George Gissing’in olum yildonumu (28 Aralik 1903)
“Yirmi sekiz yaslarinda, kahverengi sade bir sapka takmis, terzi elinden cikan bir elbise giymis, elinde mukemmel bir semsiyeyle genc kadin, Wattleborough’daki herkesten daha hizli yurumesine ragmen acelesi varmis gibi gozukmuyordu ve camurlu caddeyi gecerken etekleri umurunda bile degildi, yine de hic camur sicratmadi, sanki evindeymis gibi, basini kaldirmis, SIK SIK kendi kendine gulumsuyordu. Onu tanimayanlar kim oldugunu sordular, yeterince ahbaplik kurmus olanlarsa lisenin bu yeni ogretmeniyle bayagi bir sohbet ettiler. Ismi Bayan Rodney’di. Sehre gelisinden bir hafta sonra, Wattleborough’lu hanimlar kadinin fikirlerinden soz etmeye ve konusmaya baslamislardi. Kadin beraberinde universitenin havasini da getirmisti, bir suru onemli kisi taniyordu, konusmalari ve tavirlari Wattleborough’nun salonlarinda oldukca etkileyici bulunmustu. Okul mudiresi de kadin hakkinda ovguyle soz etmisti ve St. Luke’li papaz kadinin ailesini taniyordu ve onun cok zeki oldugunu belirtmisti.
Sehirde bir yabanci olmasi sebebiyle bayan Rodney’e, kilise memurunun dul esi bayan Ducker’in evini tavsiye etmislerdi. Fakat kadin o evde sadece bir, iki hafta kaldi. Kadinin evin tipini, ozelliklerini begenmedigi icin ciktigi anlasilmisti. Bazilarina gore bu bayan Ducker’i tohmet altinda birakmisti ve bu yuzden sasirmislardi. Bayan Rodney’i bilenler ise kadinin ‘kaprisli’ oldugunu dusunmuslerdi. Kadinin son sectigi ev ise herkes için surpriz oldu. Evin oldugu cadde Wattleborough’un mutena bir semtinde olmasina ragmen, Bayan Rodney’in St. Luke papazindan da (ki, ev onun cemaatinin oldugu yerdeydi) ogrenebilecegi gibi evin pek çok olumsuz yanlari vardi. Her Pazar ayine katilan Bayan Turpin hakkinda kimse onemli bir iddiada bulunamazdi ama marangoz olan kocasi “Ýki Boyunlu Kugu” meyhanesine pek SIK gidiyordu. Bir de semttekilerin hakkinda cok þey duydugu, genc kiraci Bay Rawcliffe vardi. Kadinin evi kiralamasiyla ilgili bu tur yorumlar uzerine Bayan Rodney onlari aydinlatti: Odalarda tuhaf bir hosluk bulmustu ve cok begenmisti. Bayan Grundy’ye gelince, kadin onun hakkinda “je m’en fische” (hic umurumda degil)demisti ki, belli kulture sahip hanimefendilerin kibarca hakaretiydi.”
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“A young woman of about eight-and-twenty, in tailor-made costume, with unadorned hat of brown felt, and irreproachable umbrella; a young woman who walked faster than any one in Wattleborough, yet never looked hurried; who crossed a muddy street seemingly without a thought for her skirts, yet somehow was never splashed; who held up her head like one thoroughly at home in the world, and frequently smiled at her own thoughts. Those who did not know her asked who she was; those who had already made her acquaintance talked a good deal of the new mistress at the High School, by name Miss Rodney. In less than a week after her arrival in the town, her opinions were cited and discussed by Wattleborough ladies. She brought with her the air of a University; she knew a great number of important people; she had a quiet decision of speech and manner which was found very impressive in Wattleborough drawing-rooms. The headmistress spoke of her in high terms, and the incumbent of St. Luke's, who knew her family, reported that she had always been remarkably clever.
A stranger in the town, Miss Rodney was recommended to the lodgings of Mrs. Ducker, a churchwarden's widow; but there she remained only for a week or two, and it was understood that she left because the rooms 'lacked character.' Some persons understood this as an imputation on Mrs. Ducker, and were astonished; others, who caught a glimpse of Miss Rodney's meaning, thought she must be 'fanciful.' Her final choice of an abode gave general surprise, for though the street was one of those which Wattleborough opinion classed as 'respectable,' the house itself, as Miss Rodney might have learnt from the incumbent of St. Luke's, in whose parish it was situated, had objectionable features. Nothing grave could be alleged against Mrs. Turpin, who regularly attended the Sunday evening service; but her husband, a carpenter, spent far too much time at 'The Swan With Two Necks'; and then there was a lodger, young Mr. Rawcliffe, concerning whom Wattleborough had for some time been too well informed. Of such comments upon her proceeding Miss Rodney made light; in the aspect of the rooms she found a certain 'quaintness' which decidedly pleased her. 'And as for Mrs. Grundy,' she added, 'je m'en fiche? which certain ladies of culture declared to be a polite expression of contempt.”
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Spider Man, Fantastik Dortlu, X-Men, Daredevil, Hulk ve Iron Man superkahraman karakterlerini yaratan Amerikali cizgi roman yazari, editor, film yapimcisi ve yayinci Stan Lee’nin dogum gunu (28 Aralik 1922)
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George Bernard Shaw’un Jan Dark (Saint Joan - Santa Giovanna) oyunu promiyerini 28 Aralik 1923’de Broadway, Garrick Theatre’da yapti.
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Arjantinli yazar Manuel Puig’in dogum yil donumu (28 Aralik 1932)
“Bir tuhaflik, degisik bir sey; insanin dikkatini ceken ilk bu oluyor; baskalarina hic benzemeyen, siradan olmayan bir kadin. Enikonu genc oldugu belli, yirmi besinde filan, belki biraz daha buyuk; minicik bir yuz, kedi gibi, ucu yukari kalkik, ufak bir burun... Yuz bicimi tam oval degil de yuvarlacik, alni genis, elmacikkemikleri belirgin filan falan, ama ceneye dogru sivrilesiyor, tipki kedilerinki gibi.”
“Ya gozleri?”
“Dupduru, yesil olduguna kalibimi basabilirim, elindeki resme daha dikkatli bakmak icin iyice kisilmis. Resmini cizdigi seye bakiyor. Hayvanat bahcesindeki kara panter. Ilkin sakin duruyor, kafesinin icinde uzanip yatmis... Gelgelelim kizin sehpasiyla iskemlesi gicirdayinca panter onu gordu, kafesinde volta atip kizdan yana homurdanmaya basladi, kiz da zaten cizdigi resmi golgelendirmekte gucluk cekiyordu.”
“Hayvan onun kokusunu almamis miydi daha once?”
“Yok, kafesin icinde kocaman bir parca et var, hayvan ancak bunun kokusunu aliyor. Bakici, eti parmakligin hemen icine birakiyor ki disaridaki kokulari bastirsin; isin puf noktasi bu, panter heyecanlanmasin, diye. Simdi hayvanin ofkesini goren kiz daha bir heyecanla calismaya basliyor, cizgileri daha hizli hizli cekerek oyle bir hayvan yuzu ciziyor ki ayni zamanda bir seytan. Panter de onu gozluyor, erkek panter, acaba kizi paramparca edip govdeye indirmek mi istiyor, yoksa cok daha baska, cok daha cirkin bir icguduyle mi bakiyor, bunu kestirmesi guc.”
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“Something a little strange, that’s what you notice, that she’s not a woman like all the others. She looks fairly young, twenty-five, maybe a little more, petite face, a little catlike, small turned-up nose. The shape of her face, it’s . . . more roundish than oval, broad forehead, pronounced cheeks too but then they come down to a point, like with cats.”
“What about her eyes?”
“Clear, pretty sure they’re green, half-closed to focus better on the drawing. She looks at her subject: the black panther at the zoo, which was quiet at first, stretched out in its cage. But when the girl made a noise with her easel and chair, the panther spotted her and began pacing back and forth in its cage and to growl at the girl, who up to then was still having trouble with shading in the drawing.”
“Couldn’t the animal smell her before that?”
“No, there’s a big slab of meat in the case, that’s all it can smell. The keeper drops the meat near the bars, and it blocks out any smell from outside, that’s the point, so the panther won’t get excited. And noticing the anger of the wild animal the girl begins to work more feverishly, with faster and faster strokes, and she draws the face of an animal that’s also a devil. And the panther watches her, a male panther, and it’s hard to tell if he’s watching to tear her to pieces and make a meal of her, of if he’s driven by some other, still uglier instinct.”
2 Akademi, 4 Golden Globe ve 7 BAFTA Odulu sahibi Ingiliz aktris Maggie Smith’in dogum gunu (28 Aralik 1934)
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