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Ludwig van Beethoven’in 9.senfonisi (The Symphony No. 9 in D minor, Op. 125), ilk performansini 7 Mayis 1824’de Viyana, Kärntnertortheater’da gerceklestirdi.
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https://www.youtube.com/watch?v=Iq-3B6xfNpY
Fransiz ressam Jean-Jacques-François Le Barbier'in olum yildonumu (7 Mayis 1826)
A Female Turkish Bath or Hammam, 1785
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Europe from a set of The Four Continents, ca. 1786
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Italyan anne Fransiz babadan olup, Firenze'de dogan Fransiz ressam Stanislao Pointeau'nun dogum yildonumu (7 Mayis 1833)
Scorcio toscano, 1855 - 1865)
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A cavallo del somarello, 1863
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Alman besteci, piyanist ve orkestra sefi Johannes Brahms’in dogum yildonumu (7 Mayis 1833)
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“Zanaat olmadan ilham, ruzgarda savrulan sazlardan baska bir sey degildir. / Ohne Handwerk, Inspiration ist nur ein Schilfrohr durch Wind geschüttelt.”
https://www.youtube.com/watch?v=3X9LvC9WkkQ
Italyan ressam Luigi Busi'nin dogum yildonumu (7 Mayis 1837)
Torquato Tasso e il Cardinale Cinzio Aldobrandini nel convento di Sant'Onofrio a Roma, 1863 - 1864 (Pinacoteca Nazionale di Bologna)
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Gioie materne, 1884
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Rus besteci Pyotr Ilyic Caykovski'nin dogum yildonumu (7 Mayis 1840)
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Alman Romantik ressam Caspar David Friedrich'in dogum yildonumu (7 Mayis 1840)
Chalk Cliffs on Rügen, 1818
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Two Men Contemplating the Moon, c. 1825–1830 (Metropolitan Museum of Art, New York)
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Fransiz portre ressami Philippe-Gustave de Galard'in olum yildonumu (7 Mayis 1841)
M. et Mme Marandon de Montyel, 1800
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Marie-Caroline Merman, 1800
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Hintli yazar ve sair Rabindranath Tagor'un dogum yildonumu (7 Mayis 1861)
Sana soylemem lazim gelen en derin sozleri konusmak istiyorum; fakat gulersin korkusuyla cesaretim kirik.
Kendime gulmem ve saka ile karisik, sirrimi yaralamam bundandir.
Istirabimi hafife aliyorum, sen de alirsin diye.
Sana soylemem gereken en gercek sozleri, anlatmayi diliyorum; fakat onlara inanmazsin korkusuyla cesaretim kirik.
Iste bundan dolayidir ki, demek istedigimin tersini soyleyerek, onlari hakikat degilmis gibi gosteriyorum.
Sen de gulersin korkusuyla, istirabimi gulunecek bir seymis gibi gosteriyorum.
Senin hakkinda en nadide kelimeleri kullanmayi diliyorum; fakat ayni degerde karsilik alamam korkusuyla cesaretim kirik.
Iste sana zalimane isimler takmamin ve duygusuz kuvvetimle ovunmemin sebebi bundandir.
Istirap nedir, hic bilmezsin diye, seni incitiyorum.
Senin yaninda sessiz oturmayi diliyorum; fakat kalbim dudaklarimdan tasar korkusuyla cesaretim kirik.
Iste gevezelik edip, havadan sudan bahsetmemin ve kalbimi kelimelerin ardina saklamamin sebebi bundandir.
Sen de oynarsin korkusuyla, istirabimla insafsizca oynarim.
Senin yanindan ayrilmayi dilerim; fakat korkakligimi anlarsin endisesiyle, cesaretim kirik.
Iste basimi dik tutup, senin yanina boyle lakayt gelmemin sebebi bundandir.
Gozlerinin devamli darbeleri, istirabimi ebediyen taptaze muhafaza eder.
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I long to speak the deepest words I have to say to you; but I dare not, for fear you should laugh.
That is why I laugh at myself and shatter my secret in jest. I make light of my pain, afraid you should do so.
I long to tell you the truest words I have to say to you; but I dare not, being afraid that you would not believe them.
That is why I disguise them in untruth, saying the contrary of what I mean.
I make my pain appear absurd, afraid that you should do so.
I long to use the most precious words I have for you; but I dare not, fearing I should not be paid with like value.
That is why I gave you hard names and boast of my callous strength.
I hurt you, for fear you should never know any pain.
I long to sit silent by you; but I dare not lest my heart come out at my lips.
That is why I prattle and chatter lightly and hide my heart behind words.
I rudely handle my pain, for fear you should do so.
I long to go away from your side; but I dare not, for fear my
cowardice should become known to you.
That is why I hold my head high and carelessly come into your presence.
Constant thrusts from your eyes keep my pain fresh for ever.
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Oldugun gibi gel, suslenmek icin ugrasma!
Sacinin orguleri cozulduyse
Ayimi duzgun degilse
Korsenin kurdeleleri baglanmamissa, aldirma!
Oldugun gibi gel, suslenmek icin ugrasma!
Ispanya dogumlu Fransiz ressam Jean-Bertrand Pégot-Ogier'nin dogum yildonumu (7 Mayis 1877)
Chasse-marée au Pouldu, 1899
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La femme saoule, 1907 Clohars-Carnoët
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Belcikali yazar ve sair (Alphonsus Josephus de Ridder) Willem Elsschot'un dogum yildonumu (7 Mayis 1882)
“Katipler mutevazidirlar, isyankarliklariyla zorla bir nebze saygi edinen iscilerden cok daha mutevazi. Katipler genel olarak fazla uzmanlasmis kimseler de degillerdir ve birbirlerinin yerini oyle guzel tutarlar ki, uzun yillar deneyimi olan biri bile ilk firsatta elli yasinda kicina tekmeyi yiyebilir, yeri de en az onun kadar iyi ve daha ucuza calisan biri tarafindan doldurulabilir.
Bunu bildigimden, ayrica cocuklarim oldugu icin yabancilarla tartismaya girmekten itinayla kacinirim; zira bunlar patronumun arkadaslari olabilir. Bu yuzden tramvayda beni itip kakmalarina izin veririm, ayagima basan olursa sert tepki vermem. Ama o aksam artik hicbir sey umurumda degildi. Nasil olsa peynir ruyasi gerceklesmeyecek miydi?” Peynir
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"Clerks are humble people, much humbler than labourers, who have earned a measure of respect through their rebelliousness and solidarity with one another. Clerks, however, aren't generally very specialized and are interchangeable to the point that a highly experienced employee can be booted out at the first opportunity after fifty years of service – with a kick up his loyal backside – to be replaced by someone equally qualified but cheaper.
Because I know this and because I have kids, I take great care not to argue with strangers, as they could be my boss's friends. So I let myself be jostled a bit on the tram and don't make a fuss when someone tramples on my toes. But that evening I couldn't have cared less. Wasn't I going to make that cheese dream come true?"
Amerikali sair, deneme ve kisa oyku yazari, editor, egitimci Fenton Johnson’in dogum yildonumu (7 Mayis 1888)
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Zamaninda ben de
Meryem Ana gibi bakire
Papazin karisi gibi namusluydum
Bizim rahmetli peder
Yatakli vagonlarda calisirdi
Ak adamlarin bahsisi ugruna
Hayat sigortasi yaptirdigindan
Tam iki gun sonra
Sizlere omur
Derken Koca Lizze cikageldi
Ak adamlar icin
Bir ev isletiyordu
Kisaca rezaletin karsisinda
Basimi egdim gitti
Simdi cevremdeki adamlardan
Daha cok cin iciyorum
Hani mitolojide bir irmak vardir
Her seyi unutturur ya
Cin o Lethe irmaginin suyundan daha iyi
Amerikali sair ve yazar Archibald MacLeish’in dogum yildonumu (7 Mayis 1892)
Bunun hesabi sorulmadi
Gozyaslarinin hesabi sorulmadi ama sorulacak
Madrid'in, Barcelona'nin, Valencia'nin gozyaslari
Bu gozyaslarinin hesabi sorulmadi.
Almeria'nin, Badajoz'un, Guernica'nin doktugu kan
Bu kanin hesabi sorulmadi.
Gozyaslari yuzlerde kurumus
Kum ustunde kurumus kan.
Gozyaslarinin hesabi sorulmadi, kanin hesabi sorulmadi
Sorulacak bunlarin hesabi.
Cunku Guernica'nin adamlari konusmaz.
Almeria'nin cocuklari sessizdir
Badajoz'un kadinlari dilsiz
Dilsizdir onlar, sesleri cikmaz, sesleri cikmaz
Bogazlarini tikamistir oranin kumu
Konusmazlar, konusmayacaklar da ve cocuklar
Almeria'nin cocuklari usludur
Kipirdamazlar, kipirdamayacaklar da
Vucutlari kirik, kemikleri kirik, agizlari
Cunku oludur onlar, dilsizdir hepsi.
Yanilmayin
Hesap sorulmayacak sanmayin.
Yanilmayin
Dokulen kanin hesabi sorulmamissa
Yalanin hesabi sorulmayacak sanmayin
Yanilmayin
Bunun hesabi sorulacak
Sorulacak ama
Vakit var
Vakit var daha.
Bu yerlerde olulerin vakti boldur
Badajoz'da, Guernica'da, Almeria'da
Bekliyebilirler vakitleri var daha.
Vakit var
Bekleyebilirler daha.
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This will be answered.
The tears were not answered but this will be answered.
The tears of Madrid, of Barcelona, Valencia –
The tears were not answered.
The blood of Guernica, Badajoz, Almería –
The blood was not answered.
The tears are dry on the faces.
The blood is dry on the sand.
The tears were not answered: the blood was not answered.
This will be answered.
Because the men of Guernica do not speak,
Because the children of Almería arc silent,
Because the women of Badajoz are dumb,
Are dumb, they have no voices, no voices,
Their throats arc stopped with the sand of that place,
They do not speak, they will never speak, and the children,
The children of Almería, they are still,
They do not move, they will never move, those children:
Their bodies are broken, their bones are broken, their mouths are –
Because they are dead, are dumb, because they are speechless,
Do not believe
Do not believe the answer will not come.
Do not believe
Because the blood has not been answered
The lie will not be answered.
Do not believe
Because the tears have not been answered
The lie will not be answered.
Do not believe it.
This will he answered.
This will be answered with
Time.
There is time.
The dead have time in those cities
In Badajoz, In Guernica, Almería.
They can wait: they have much time.
There is time.
They can wait.
Fransiz ressam Charles-Émile Jacque'in olum yildonumu (7 Mayis 1894)
La Vieille foręt, 1860 - 1870 (New York, Brooklyn Museum)
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Sheep in stall, 1894
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Ispanyol ressam Rafael Argelés Escriche'nin dogum yildonumu (7 Mayis 1894)
Joven con canasto y paraguas (Young with Basket and Umbrella, 1920)
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Joven cosiendo (Lady Sewing, 1921)
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2 Akademi ve 1 Golden Globe Odullu Amerikali aktor Gary Cooper'in dogum yildonumu (7 Mayis 1901)
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Italyan ressam Gianfilippo Usellini'nin dogum yildonumu (7 Mayis 1903)
Il carnevale dei poveri , 1941
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Carnevale con pretini, senza data
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Turk roman ve oyun yazari, sair Rifat Ilgaz’in dogum yildonumu (7 Mayis 1911)
Siniýf'in ozaniyim mimli
Hababam Siniýf'nin yazariyim unlu
Kim ne derse desin cocuklar icin yazdim hep
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I’m the poet of the class, marked, / Soy el poeta de la clase,
I’m the writer of the Chaos Class, reputed, / Soy el escritor de la Clase del Caos,
No matter what they say, I’ve always written for kid. / No importa lo que digan, siempre he escrito para nińos
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A woman who lit the way for centuries
Is ready to cry on the shore.
Anger on her cheeks,
Blood on her skirt,
Fallen off her waist
Her rainbow.
In a sunny clime
Skyscraper has closed its curtains.
A flag is fluttering
In a timeless tempest
That sweeps the Asian shores.
The tempest began
Even before the Books foretold;
Stars would fall
On a hopeless flag fold.
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This feet will judge me,
I let them walk about,behind a thought
Street to street.
This head, this inflexible head too...
Sometimes tired
Always yearing for a pillow!
This lungs too, will judge me,
I,unfortunately refused the sun,the air from them.
This mouth, these theeth, this stomach...
What could I offer loosely!
These wrists, too, will judge me,
I tolerated there suffer.
Only if I know, nobody is in charge
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In what language do children cry,
In what language do they smile
Crying has one meaning in every language
Chinese, English, Turkish…
Sniffling
Maybe a little child-like.
Crying your heart out,
And sobbing
Humanlike!
Amerikali bilim kurgu ve fantastik yazari Gene Rodman Wolfe'un dogum yildonumu (7 Mayis 1931)
" 'Ama oldum," demis melek, 'ne dersen de. Bak, nasil da kan kaybediyorum, gormez misin artik damarlarimda can kalmadigini, fiskirmayip da usul usul sizdigini? Baksana, cehremde renk kalmadi. Melegin temasi ilik degil midir, isildamaz mi halbuki? Tut elimi de gor, durgun bir golden yeni akmis bir irkintiye degmis gibi olursun. Hele bir kokla su nefesimi, cirkin degil mi, les gibi, murdar?' Cebrail hicbir sey soylememis. En sonunda melek demis ki, 'Canim kardesim, seni kanitlarimla ikna edememis olsam bile yalvaririm kenara cekil. Kainati varligimdan kurtarayim.'
'Aslinda ikna oldum,' demis Cebrail, yana cekilip. 'Dusuncelere gark oldum da ondan durakladim, bizim de zeval buldugumuzu en basindan bilseydim bunca zaman o kadar acar davranmazdim.' "
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“ 'But I am dead,' said the angel, 'nevertheless. You have observed the wasting of my blood—do you not observe also that it no longer issues in straining spurtings, but only seeps sluggishly? Note the pallor of my countenance. Is not the touch of an angel warm and bright? Take my hand and you will imagine you hold a horror new dragged from some stagnant pool. Taste my breath—is it not fetid, foul, and nidorous?' Gabriel answered nothing, and at last the angel said, 'Brother and better, even if I have not convinced you with all my proofs, I pray you stand aside. I would rid the universe of my presence.'
'I am convinced indeed,' Gabriel said, stepping ftom the other’s way. 'It is only that I was thinking that had I known we might perish, I would not at all times have been so bold.' ”
"Her gun emir kulu oldugumuz halde, kendi kendimizin efendisi oldugumuzu varsayarak 'Yapacagim' veya 'Yapmayacagim' deriz, gercekte efendilerimiz uykudadir. Derken biri icimizde uyanir, hayvan gibi guder bizi, halbuki dizginleri tutan, biraz da benligimizin o vakte kadar varligindan bihaber oldugumuz bir parcasidir."
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“We say, 'I will,' and 'I will not,' and imagine ourselves (though we obey the orders of some prosaic person every day) our own masters, when the truth is that our masters are sleeping. One wakes within us and we are ridden like beasts, though the rider is but some hitherto unguessed part of ourselves.”
Ingiliz roman ve oyku yazari Angela Olive Carter’in dogum yildonumu (7 Mayis 1940)
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"Koyluler Walser'in bilmedikleri bir dilde soylediklerini saygiyla dinlemisler, soylediklerini anlamayinca da bunu Walser'in gercek bir ermis olduhunun kaniti saymislardi." Sirk Geceleri
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"They listened respectfully to Walser's babblings and, when they did not understand him, took it as proof he was in a holy trance."
"Palyacolar eninde sonunda kendilerini oldururler. Hani ya Mesih yeniden dunyaya dondugunde bu kez bir erkek tarafindan dogurulacak olursa diye entari giyenlerin etekleri kadar bol olan su palyaco pantolonlarimiz var ya, iste onlarla asariz kendimizi cogu kez ya da aslan terbiyecisinin tabancasini asirip yapariz bu isi. Daann! SIK beynine bir kursun!"
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"We kill ourselves. Often we hang ourselves with the gaudy braces from which we suspend those trousers loose as the skirts that Muslims wear lest the Messiah be born to a man. Or, sometimes, a pistol may be sneaked from the lion-tamer, his blanks replaced with live bullets. Bang! a bullet through the brain."
Iskoc antropolog, insanbilimci, yazar ve halk bilimci James George Frazer’in olum yildonumu (7 Mayis 1941)
“Caglar boyu insanlarin umut ve hayallerinin, tipki saglam bir kuleymiscesine hayatin sikintki ve firtinasindan kacip sigindiklari inanclarin temellerine saldirmak hakikaten hazin ve takdir edilmeyen bir ugrastir. Fakat er ya da gec, karsilastirmali yontemin saldirisi, sarmasiklarla, yosunlarla ve binlerce hassas, kutsal kurumun cicekleriyle kapli bu muhterem kurumu asmasi kacinilmazdir. Gunumuzde bizler yalnizca silahlari cepheye tasiyoruz: henuz ateslenmediler. Boyle kaba bir bicimde parcalanan eski yapilari daha zarif ve dayanikli sekillere sokmak baska ellere, belki de farkli ve daha mutlu devirlere kalmistir.”
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“In some respects a thankless task to strike at the foundations of beliefs in which, as in a strong tower, the hopes and aspirations of humanity through long ages have sought a refuge from the storm and stress of life. Yet sooner or later it is inevitable that the battery of the comparative method should breach these venerable walls, mantled over with the ivy and mosses and wild flowers of a thousand tender and sacred associations. At present we are only dragging the guns into position :they have hardly yet begun to speak. The task of building up into fairer and more enduring forms the old structures so rudely shattered is reserved for other hands, perhaps for other and happier ages.”
Avustralyali roman yazari Peter Carey’in dogum gunu (7 Mayis 1943)
“Ne benim esrari, ruhlarla aciklayacak vaktim vardi ne de Matthew’nun. Cunku bizler merak duygusunu ve Vermeer ile Monet’ye hayranligini yitirmeyen karmasik, kimyasal makinelerdik. Bedeni tuzlu suda yuzen, batan gunesin karsisinda cosku duyan makineler. Fakat simdi isigim gitmisti. Bir saat icinde topraga gomulecekti. Bense sanki bir farenin gazeteden yuvasini eseliyordum.” Gozyasinin Kimyasi
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“Neither I nor Matthew had time for souls. That we were intricate chemical machines never diminished our sense of wonder, our reverence for Vermeer and for Monet, our floating bodies in the salty water, our evanescent joy before the dying of the light. But now the light was gone. In one hour it would be suffocated in the earth. I dug into the rat's nest of newspaper.”
“O kucuk bir burjuva maceraperestiydi. Iste simdi de bu tanrinin cezasi veledi getirmisti buraya. Pervasizca yapivermisti bunu. Devrimin yari zamanli bir is oldugunu saniyordu.”
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“She was a petit bourgeois adventurist. And she brings this fucking brat here, now. She just went and did it. She thinks the revolution is a part-time job.”
Italyan ressam Antonino Sartini'nin olum yildonumu (7 Mayis 1954)
Donna in riva al fiume, 1946
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Spiagge di Rimini, 1950 circa
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Ispanyol yazar Almudena Grandes’in dogum gunu (7 Mayis 1960)
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“ 'Bana soz vermeni istiyorum.' Basimi olur anlaminda salladim. 'Ne olursa olsun daima iki seyi hatirlayacagina soz vermeni istiyorum. Bunu hatirlayacagini soyle bana.' Basimi tekrar salladim. 'Birincisi, seks ve ask birbirinden tamamen farklidir. Ikincisi, dun gece yaptigimiz bir ask eylemiydi.' Gozlerine dikkatle baktim, 'Soz veriyorum.' Gulumseyip alnimdan optu ve benimle vedalasti.’ ‘Gule gule Lulu. Cici ol ve buyume!’ “
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“ ’Quiero que me prometas algo ’. Asentí con la cabeza. ‘Quiero que me prometas que, pase lo que pase, recordarás siempre dos cosas. Dime que lo harás!.’ Asentí nuevamente. ‘La primera es que el sexo y el amor no tienen nada que ver.’ ‘Eso ya me lo dijiste anoche.’ ‘Bien. La segunda es que lo de anoche fue un acto de amor –me miró a los ojos con una intensidad especial. Me sonrió, me dio un beso en la frente, me abrió la puerta y se despidió de mí. ‘Adiós Lulú, sé buena, y no crezcas.!’ “
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Gelir esitsizligi konularinda arastirmalariyla unlu Fransiz ekonomist Thomas Piketty’nin dogum gunu (7 Mayis 1971)
“Gelirin her zaman iki bilesenden olustugunu hatirlatmakta yarar var: Bir yanda emek geliri (yevmiye, ucret, ikramiye, ucret disi emek gelirleri vs. ve emekle iliskilendirilen, hukuki bicimi ne olursa olsun her turlu hakedis); diger yanda sermaye geliri (kira, kar payi, faiz, kar, arti deger, gayrimaddi hak odemeleri –telif ucretleri- vs. ve toprak, gayrimenkul, finansal urunler, endustriyel donanim vs. cinsinden ve yine hukuki bicimi ne olursa olsun sahip olunan sermayeden elde edilen gelirler).” Yirmi Birinci Yuzyilda Kapital
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“Rappelons en effet que le revenu comprend toujours deux composantes : les revenus du travail (salaires, traitements, primes, bonus, revenus du travail salarié, etc., et autres revenus rémunérant le travail, quelle que soit leur forme juridique précise), les revenus du capital (loyers, dividendes, intéręts, bénéfices, plus-values et autres revenus obtenus du simple fait de détention d’un capital terrien, immobilier, financier, industriel etc., quelle que soit lŕ aussi leur forme légale).
Johnny Depp, Penélope Cruz ve Ian McShane’nin basrollerini paylastigi aksiyon-macera-fantezi Karayip Korsanlari: Gizemli Denizlerde (Pirates of the Caribbean: On Stranger Tides - Pirati dei Caraibi: Oltre i confini del mare ), 7 Mayis 2011’de Anaheim, California’da gosterime girdi.
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IFC, kanser hastasi olan genc kýz Milla'nin asik olma surecini konu edinen Babyteeth'in iţk fragmaninin yayinladi.
https://youtu.be/xkAmiZmG9BU
Netflix'in Alfredo Tavares, Charlize Theron, KiKi Layne'nin basrollerini paylastigi ve yillardir parali asker olarak gýrev yapan bir grup olumsuz askerin hikayesine odaklanan yeni filmi The Old Guard'dan ilk goruntuler geldi.
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Italyan ressam Andrea Vaccaro'nun dogum yildonumu (8 Mayis 1604)
Il trionfo di Davide (The Triumph of David, 1645)
https://upload.wikimedia.org/wikiped...h_of_David.jpg
L'Adorazione dei Magi (Adoration of the Magi,1650s)
https://upload.wikimedia.org/wikiped...f_the_Magi.jpg
Barok ve Rococo stillerinde eserler yaratan Italyan ressam (Giovanni Battista Gaulli) Il Baciccio'nun dogum yildonumu (8 Mayis 1639)
L'Ascensione della Madonna (The Ascension of Our Lady, 1660)
https://upload.wikimedia.org/wikiped...Senhora_01.jpg
Baco e Ariadne (Bacchus and Ariadne, 1675)
https://upload.wikimedia.org/wikiped..._e_Ariadne.jpg
Fransiz ressam Sébastien Bourdon'un olum yildonumu (8 Mayis 1671)
The Finding of Moses, c. 1650 (National Gallery of Art, Washington)
https://upload.wikimedia.org/wikiped...ca_1650%29.jpg
Le Camp de Bohémiens, 17th century (Musée Fabre)
https://upload.wikimedia.org/wikiped...C3%A9miens.jpg
Hollandali ressam Johannes Verkolje'nin olum yildonumu (8 Mayis 1693)
The messenger, 1674
https://upload.wikimedia.org/wikiped...28I%29_002.jpg
Portrait of two sisters and their brother playing with a dog, between 1665 and 1693
https://upload.wikimedia.org/wikiped...with_a_dog.jpg
Ingiliz portre ressami Sir Nathaniel Dance-Holland'in dogum yildonumu (8 Mayis 1735)
The Meeting of Dido and Aeneas, 1766
https://upload.wikimedia.org/wikiped...rt_Project.jpg
The Pybus family, circa 1769
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Ingiliz tarihci Edward Gibbon’in dogum yildonumu (8 Mayis 1737)
https://izquotes.com/quotes-pictures...bbon-70620.jpg
“Konusmak, ogrenmeye yol acar; ama dehanin okulu yalnizliktir.”
https://quotefancy.com/media/wallpap...-reading-I.jpg
“Okuma zevkini, Hindistan'in hazinelerine degismem.”
http://www.azquotes.com/picture-quot...n-10-94-14.jpg
“Ruzgarlar ve dalgalar, daima en yetenekli denizciden tarafindadir.”
Italyan ressam Bernardino Nocchi'nin dogum yildonumu (8 Mayis 1741)
Isacco Benedice Giacobbe, data sconosciuta
https://www.pandolfini.it/photos/auc...4220119100.jpg
Mosč calpesta la corona del faraone (Moses tramples on the crown of the pharaoh, unknown date)
https://auctions.bertolamifinearts.c...gBig/53/48.jpg
Hayatin cagdas sahnelerini resimleyen Venedikli ressam (Pietro Falca) Pietro Longhi’nin olum yildonumu (8 Mayis 1785)
La lezione di danza (The Dancing Lesson, ca 1741) Venezia, Gallerie dell'Accademia
https://upload.wikimedia.org/wikiped...tro_Longhi.jpg
Il cavadenti (The cavadents, 1750)
https://upload.wikimedia.org/wikiped...Longhi_020.jpg
Hollandali ressam Anton Sminck van Pitloo'nun dogum yildonumu (8 Mayis 1790)
Castel dell'Ovo, Napoli, c.1820
https://upload.wikimedia.org/wikiped...4px-Pitloo.jpg
La Lanterna del Molo, data sconosciuta
https://upload.wikimedia.org/wikiped...a_del_Molo.jpg
Polonyali ressam Tadeusz Kuntz'nin olum yildonumu (8 Mayis 1793)
Fortune, 1754 (National Museum, Warsaw)
https://upload.wikimedia.org/wikiped...cz_Fortune.jpg
Death of Priam, 1756
https://upload.wikimedia.org/wikiped...h_of_Priam.jpg
Danimarkali ressam Christian August Lorentzen'in olum yildonumu (8 Mayis 1828)
Battle of Copenhagen, 2 April 1801 (1801 - 1802)
https://upload.wikimedia.org/wikiped...ainting%29.jpg
Dannebrog falling from heaven during the Battle of Lindanise, 15 June 1219 (1809)
https://upload.wikimedia.org/wikiped..._Lorentzen.jpg
Macar tarihi sahneler ve portre ressami Bertalan Székely'in dogum yildonumu (8 Mayis 1835)
Discovering the Body of King Louis II, 1860
https://upload.wikimedia.org/wikiped...%C3%A9kely.jpg
The Women of Eger, 1867
https://upload.wikimedia.org/wikiped...ce/Egri_no.jpg