Sanat Mozaik

[Terraluna]

7 yil once Avusturya isgalinde kapanan Venedik La Fenice tiyatrosu, 31 Ekim 1866'da Giuseppe Verdi'nin Maskaeli Balo (Un ballo in maschera) operasiyla yeniden acilis yapti.

[Terraluna]

Amerikali cocuk kitaplari yazari Jacob Abbott’in olum yildonumu (31 Ekim 1879)

“Tarihteki guzel kadinlardan hicbiri Kleopatra kadar cazibesiyle iz birakmamistir. Cunku, Roma'nin ve buna bagli olarak da dunyanin gelgitlerle dolu kaderi onun guzelligiyle degismistir. Ordulari Kanopus'tan Thames'e kadar her yeri ele geciren Jul Sezar onun guzelligine teslim olmus, Mark Anthony onun guzelligine sahip olabilmek icin donanmasini, imparatorlugunu ve kendi gururunu hice saymistir.”



“Of all the beautiful women of history, none has left us such convincing proofs of her charms as Cleopatra, for the tide of Rome's destiny, and, therefore, that of the world, turned aside because of her beauty. Julius Caesar, whose legions trampled the conquered world from Canopus to the Thames, capitulated to her, and Mark Antony threw a fleet, an empire and his own honor to the winds to follow her to his destruction.”



“Vahsi hayvanlar bir kere kiskirtildiginda bir aslan, bir kaplan ya da bir panter, korkuyu kesinlikle hissetmez. Dusmanlarin sayisi ne denli cok olursa olsun ve dusmanlar ne denli iyi silahlanmis olursa olsunlar bir hayvan, dusmanlarina karsi gozu kapali harekete gececektir. Dogru, kendi yok olusunu da hazirlar; fakat ayni zamanda dusmanlarindan birini yada daha fazlasini da yok eder.”



“But it is not so with wild beasts. A lion, a tiger, or a panther, once aroused, is wholly insensible to fear. He will rush headlong upon his foes, however numerous they may be, and however formidably armed. He makes his own destruction sure, it is true, but, at the same time, he renders almost inevitable the destruction of some one or more of his enemies, and, in going out to attack him, no one can be sure of not being himself one of the victims of his fury.”

[Terraluna]

Fransiz ressam Marie Laurencin'in dogum yildonumu (31 Ekim 1883)

Réunion à la campagne (Apollinaire et ses amis), 1909




Les jeunes filles (Young Girls), 1910 - 1911

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Rus ressam Marie Bashkirtseff'in olum yildonumu (31 Ekim 1884)

In the Studio, 1881




The Meeting, 1884

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Yunan sair Napoleon Lapathiotis’in dogum yildonumu (31 Ekim 1888)

Sonbahar, sevdim seni duserken yapraklarin
ve birakirken dallari cirilciplak, kisin soguk dislerine,
ucusurken aksamlar, dallar elma gibi kirmizi,
ve yapayalniz geceler...

ve ben yalniz soruyorum simdi : hangi kader ve hangi firtina
suzulurken dipsiz sonsuzlugunda olumun,
garip bir sekilde umitsizce getirdi beni sahipsiz
bir dilenci gibi senin avluna....

Aksam yemegi bittiginde, dustugunde gece,
sessizce, kitaplar gibi, isik olu gokyuzunde
Yukseklerden verilen bir sadakaymis gibi...

Sevdim seni sonbahar, duserken yapraklarin ve
terk ederken dallari, yapayalniz her bir gece.
Gercekten sevdim mi seni? Yoksa sadece titreyisi miydi
yaklasan soguk kisin dislerinin...



Autumn, I loved you when the leaves fall
And leave the branches naked for winter's icy bites,
When the evenings flee, the poms are apple red,
And lonely are the nights....

And stand I now and ask: what fate and what storm,
While alone sailing the abysmal depths of mort,
Strangely and hopelessly has brought me now forlorn
A beggar in your court....

And when the dinner ends and night falls,
And quietly, like books, the light dies in the sky
I come back looking for my lost peace of old,
Like a charity from up high....

I loved you fall, when the leaves fall and
Leave the branches, and lonely is each night.
But did I really love you - or is just the shiver
Of the coming winter's icy bite....

[Terraluna]

Belcikali ressam Jan Frans Verhas'in olum yildonumu (31 Ekim 1896)

Children blowing bubbles, 1855




The Nap, 1879

[Terraluna]

Brezilyali sair ve yazar Carlos Drummond de Andrade’nin olum yildonumu (31 Ekim 1902)

Sarhostu sair, tramvaya binmisti.
Bahceler arkasindan sokuyordu safak.
Neseli pansiyonlar huzurla uyuyordu.
Gecen evler de sarhostu, ne olacak!

Ne varsa ortalikta, onarilmazdi.
Kimseler bilmiyordu ama yikilacakti dunya
(bir tek cocuk biliyordu bunu, soylemiyordu) ,
yikilacakti dunya sekize ceyrek kala.

Son dusunceler! Son telgraflar!
Zamirleri ustalikla kullanan José,
erkeklere bayilan Helena,
iflas bayragini ceken Sebastiao,
agzini bile acmayan Artur,
cekip gideceklerdi sonsuzluga.

Sair korkutuk sarhos gerci
ama bir ciglik duyuyor safakta:
Dansa var misiniz hadi
tramvayla agaclar arasinda?

Tramvayla agaclar arasinda
dansedin kardeslerim!
Muzik olmasa da ne cikar
dansedin kardeslerim!

Sanki kendi kendilerine
sira sira doguyor cocuklar.
Dunyanin en guzel seyidir ask
(ask ve askin sonuclari) .
Dansedin kardeslerim, dansedin!
Olum arkadan gelsin!



The poet rode the trolley drunk.
The sun came up behind the yards.
The small hotels slept very sadly.
The houses too were drunk.

Everything was a total wreck.
Nobody knew that the world was going to end
(only a child did but kept it quiet),
that the world was going to end at 7:45.
Last thoughts! Last telegrams!

Joe who listed pronouns,
Helen who loved men,
Sebastian who ruined himself,
Arthur who never said anything,
set off for eternity.

The poet is drunk, but
he hears a voice in the dawn:
Why don't we all go dancing
between the trolley and the tree?

Between the trolley and the tree
dance, brothers!
Even without music
dance, brothers!
Children are being born
with so much spontaneity.
Love is fantastic
(love and what it produces).
Dance, brothers!
Death will come later

[Terraluna]

Avusturyali deneme yazari (Hanns Chaim Mayer) Jean Améry’nin dogum yildonumu (31 Ekim 1912)

“Bedenimin sinirlari, benligimin sinirlaridir. Tenimin yuzeyi beni dis Dunya'ya karsi korur: Eger guven duyacaksam, o tenin uzerinde yalnizca hissetmek istedigim seyi hissedebilmem gerekir.” Suc ve Kefaretin Otesinde



“Die Grenzen meines Körpers sind die Grenzen meines Ichs. Die Hautoberfläche schließt mich ab gegen die fremde Welt: auf ihr darf ich, wenn ich Vertrauen haben soll, nur zu spüren bekommen, was ich spüren will.”