Sanat Mozaik

[Terraluna]

Alman ressam Carl Morgenstern'in dogum yildonumu (25 Ekim 1811)

Prospekt von Frankfurt, von der neuen Brueckenmuehle aus gesehen, 1828




Blick auf Frankfurt am Main von Westen, 1850




At the Italian Coast, 1851

[Terraluna]

Isvicreli ressam Antonio Ciseri'nin dogum yildonumu (25 Ekim 1821)

Ecce Homo (Behold the Man! 1860s)




Il martirio dei sette fratelli Maccabei (The Martyrdom of the Seven Maccabees, 1863)

[Terraluna]

Avusturyali klasik bati muzigi bestecisi ve Vals Krali (The Waltz King) Johann Strauss II’nun dogum yildonumu (25 Ekim 1825)



https://www.youtube.com/watch?v=_CTYymbbEL4

[Terraluna]

Iskoc manzara ve deniz ressami William McTaggart'in dogum yildonumu (25 Ekim 1835)

Spring, 1864




Dawn at Sea. Homewards, 1891

[Terraluna]

Fransiz besteci (Georges Alexandre-Cesar-Leopold Bizet) Georges Bizet'nin dogum yildonumu (25 Ekim 1838)





https://www.youtube.com/watch?v=cCrKncOpE7Q

[Terraluna]

20. yuzyil sanatinin en taninmis sanatcisi, Ispanyol ressam, heykeltras, baski yapimcisi, seramik sanatcisi, sahne tasarimcisi, sair ve oyun yazari Pablo Diego José Ruiz Picasso'nun dogum yildonumu (25 Ekim 1881)






"On iki yasindayken Raphael gibi resim cizerdim, ama bir cocuk gibi resim yapabilmek icin bir omur gecirdim."


Coppia spagnola davanti all'osteria (A spanish couple in front of inn, 1900)




Zingara davanti a Musca (Gypsy in front of Musca, 1900)




Guernica 1937





"Hayal edebildiginiz her sey gercektir. / Todo lo que puedas imaginar es real."



“Kucuk bir cocukken annem bana soyle demisti: 'Eger asker olursan general olacaksin, rahip olursan Papaliga yukseleceksin.’ Ama ben ressam oldum ve Picasso olarak kaldim.”




“Her cocuk bir sanatcidir, sorun buyudugumuzde nasil sanatci kalabilecegimizdir. / Todo niño es un artista. El problema es cómo seguir siendo artista una vez que crecemos."


https://www.youtube.com/watch?v=-3RRzUV0xDM

[Terraluna]

Amerikali amiral ve kutup kasifi Richard Evelyn Byrd'in dogum yildonumu (25 Ekim 1888)

"Bundan sonra olanlari hafizama guvenerek yazdim. Hayal gucumu zorlamam gerekiyor, butun bunlar cilginca ve olmamasi gereken seyler. Telsizcimle beraber ucaktan ciktik, icten ve samimi bir karsilama bu. Tekerlekleri olmayan kucuk bir platformun ustune bindik. Simdi hizla parlayan kente dogru gidiyoruz, kent sanki kristalden yapilmis gibi, iceri girerken daha once hic gormedigim buyuklukte binalar goruyorum. Bu yapilar Frank Lloyd Wright cizimlerinin otesinde. Ya da bir Buck Rogers filminin setindeyim. Daha once hic tatmadigim sicak icecekler ikram ediliyor, cok lezzetliler. On dakika kadar sonra iki hostes geliyor, cok guzeller ve kendileriyle beraber gelmemi soyluyorlar. Yapacak birsey yok, gidiyorum ama telsizcim kaliyor. Kisa bir yuruyusten sonra asansore benzer bir yere giriyor, asagiya dogru inmeye basliyoruz, arac duruyor ve kapi yukariya dogru sessizce aciliyor. Uzun bir koridorda ilerliyoruz, gulkurusu renkte bir isik heryerden yayiliyor, sanki duvarlarin icinden geliyor. Buyuk bir kapinin onunde duruyoruz. Kapinin uzerinde okuyamadigim bir yazi var, kapi ses cikarmadan aciliyor, girmem icin isaret ediliyor. Hosteslerden bir tanesi; 'Korkacak birsey yok Amiral, Ustad´in huzuruna kabul edileceksiniz...' " diyor.



"From this point I write all the following events here from memory. It defies the imagination and would seem all but madness if it had not happened.The radioman and I are taken from the aircraft and we are received in a most cordial manner. We were then boarded on a small platform-like conveyance with no wheels! It moves us toward the glowing city with great swiftness. As we approach, the city seems to be made of a crystal material. Soon we arrive at a large building that is a type I have never seen before. It appears to be right out of the design board of Frank Lloyd Wright, or perhaps more correctly, out of a Buck Rogers setting!! We are given some type of warm beverage which tasted like nothing I have ever savored before. It is delicious. After about ten minutes, two of our wondrous appearing hosts come to our quarters and announce that I am to accompany them. I have no choice but to comply. I leave my radioman behind and we walk a short distance and enter into what seems to be an elevator. We descend downward for some moments, the machine stops, and the door lifts silently upward! We then proceed down a long hallway that is lit by a rose-colored light that seems to be emanating from the very walls themselves! One of the beings motions for us to stop before a great door. Over the door is an inscription that I cannot read. The great door slides noiselessly open and I am beckoned to enter. One of my hosts speaks. 'Have no fear, Admiral, you are to have an audience with the Master...'

[Terraluna]

Turk halk ozani (Asik) Veysel Satiroglu'nun dogum yildonumu (25 Ekim 1894)

Guzelligin on para etmez
Bu bendeki ask olmasa
Eglenecek yer bulaman
Gonlumdeki kosk olmasa.

Kim okurdu kim yazardi
Bu dugumu kim cozerdi
Koyun kurt ile gezerdi
Fikir baska bask'olmasa.

Guzel yuzun gorulmezdi
Bu ask bende dirilmezdi
Gule kiymet verilmezdi
Asik ve masuk olmasa.

Senden aldim bu feryadi
Bu imis dunyanin tadi
Anilmazdi Veysel adi
O sana asik olmasa.



Your beauty wouldn't worth a dime
If I didn't have this love
You wouldn't find a place to have fun
If it wasn't for my welcoming heart

Who would read and who would write
Who would untie this knot
Sheep would wander with the wolf
If the idea wouldn't be different

Your beautiful face wouldn't be seen
This love wouldn't rise in me
The rose wouldn't be valued
If there weren't a lover and the beloved

I got this shriek from you
That was the flavor of the world
Nobody would call the name of Veysel
If he weren't in love with you