Sanat Mozaik

[Terraluna]

Hollandali ressam Rembrandt Harmenszoon van Rijn'in dogum yildonumu (15 Temmuz 1606)



“Atmosfer olmadan bir tablo hicbir sey degildir. / Without atmosphere a painting is nothing”


Lezione di anatomia del dottor Tulp (The Anatomy Lesson of Dr. Nicolaes Tulp, 1632)




Il pittore nello studio (The Artist in his Studio,1629)

[Terraluna]

Italyan ressam Annibale Carracci'nin olum yil donumu (15 Temmuz 1609)

Il Mangiafagioli (The Beaneater, 1584 - 1585)




Ercole al Bivio (The Choice of Hercules, 1596)

[Terraluna]

Almanya dogumlu Italyan ressam (Giacomo Francesco Cipper) Il Todeschini’nin dogum yildonumu (15 Temmuz 1664)

Suonatore di mandolino, 1736




Interno con figure, XVIII secolo

[Terraluna]

Isvicreli portre ressami Alexander Roslin’in dogum yildonumu (15 Temmuz 1718)

Double portrait of Roslin and his wife, 1767




Flora or Hebe, 18th century

[Terraluna]

Italyan ressam Giambattista Crosato’nun olum yildonumu (15 Temmuz 1758)

Ritrovamento di Mosè, XVIII secolo (Museo Puškin delle belle arti, Mosca)




Il carro di Apollo e i Quattro Continentti, 1754 circa

[Terraluna]

Fransiz ressam Charles-André van Loo'nun olum yildonumu (15 Temmuz 1765)

Persée et Andromède (Perseus and Andromeda, 1735 - 1740)




Le Grand Turc donnant un concert à sa maîtresse (The Grand Turk Giving a Concert to his Mistress, 1737)

[Terraluna]

Kolombiya Universitesi eski edebiyat profesoru, Yunan ve Dogu edebiyatı alanlarinda uzman Amerikali sair Clement Clarke Moore’in dogum yildonumu (15 Temmuz 1779)


…Gozleri nasil da parildar gamzeleri ne kadar sen,
Yanakları gule benzer, burnu ise kiraza
Genis yuzuyle kahkaha attiginda
Hop Hop oynar yuvarlacik gobegi tombul ve tiknazdir
Yasli neseli bir Cin gibi
Ve ben onu gordugumde gulmekten alamam kendimi…



…His eyes—how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
He had a broad face and a little round belly,
That shook when he laughed, like a bowlful of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself…

[Terraluna]

Bulfinch Mitolojisi kitabiyla taninan Amerikali yazar Thomas Bulfinch'in dogum yildonumu (15 Temmuz 1796)

"Gunun birinde kutunun kapagini kaldirdi ve icine bakti. Hemen o anda kutudan, talihsiz insanoglunun basina gelebilecek, bedeni icin gut, romatizma, kolik ve zihni icin kıskanclik, kin, intikam gibi cok sayida felaket disari kacti ve uzaklara dagilarak gozden kayboldular. Pandora telas icinde kapgi kapamaya ugrasti ama ne yazik ki kutunun icindekilerin tumu kacmisti, biri disinda: UMUT. Iste bu yuzden gunumuzde etrafimiz ne kadar kotulukle dolu olursa olsun umut bizi asla birakmaz ve bizler ona sahip oldukca hicbir hastalik bizi perisan edemez."



"One day she slipped off the cover and looked in. Forthwith there escaped a multitude of plagues for hapless man,-- such as gout, rheumatism, and colic for his body, and envy, spite, and revenge for his mind,-- and scattered themselves far and wide. Pandora hastened to replace the lid; but, alas! The whole contents of the jar had escaped, one thing only excepted, which lay at the bottom, and that was HOPE. So we see at this day, whatever evils are abroad, hope never entirely leaves us; and while we have THAT, no amount of other ills can make us completely wretched.



"Ask ki, yeryuzunde yasayan herkes uzerinde gucu olan bir tanridir ve eger eski gelenekler dogruyu soyluyorsa burada da hukmu olmali onun."



"Love, a god all powerful with us who dwell on the earth, and, if old traditions say true, not less so here."



"Oyalama yollarindan biri de kocasinin babasi Laertes’in cenaze cadiri icin bez dokudugunu soylemesiydi. Bu kumas ne zaman hazir olursa o zaman taliplerinden birini sececegine soz verdi. Gunduzleri bezi dokuyor, geceleri ise yaptigini sokuyordu. Surekli yapildigi halde bir turlu bitmeyen isler icin kullanilan Penelope dokumasi lafi da buradan gelir."



"One of her arts of delay was engaging in the preparation of a robe for the funeral canopy of Laertes, her husband's father. She pledged herself to make her choice among the suitors when the robe was finished. During the day she worked at the robe, but in the night she undid the work of the day. This is the famous Penelope's web, which is used as a proverbial expression for anything which is perpetually doing but never done."