Sanat Mozaik

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BAFTA Odullu Ingiliz senarist, yonetmen, animator, oyuncu ve Monty Python tiyatro grubu uyesi Terrence Vance ‘Terry’ Gilliam ‘in dogum gunu (22 Kasim 1940)

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Ingiliz ressam George Clausen'in olum yildonumu (22 Kasim 1944)

Bird scaring, 1887




The Gleaners Returning, 1908

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RCA Records, 22 Kasim 1955 tarihinde Elvis Presley'in sozlesmesi icin Sun Records'a 35.000 dolar odeyerek en iyi yatirimi yapti.

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2 Golden Globe ve 1 BAFTA Odulu sahibi Amerikali aktris Jamie Lee Curtis’in dogum gunu (22 Kasim 1958)

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Film yapimcilari Albert Broccoli ve Harry Saltzman, 22 Kasim 1961’de Sean Connery'yi (James Bond) yildizi yapmak icin en pahali tanitim kampanyasi yapacaklarini acikladilar.

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Amerikali yazar Ernest Hemingway’in torunu Amerikali aktris Mariel Hadley Hemingway’in dogum gunu (22 Kasim 1961)

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Rus roman yazari Victor Olegovich Pelevin’in dogum gunu (22 Kasim 1962)

“Hatirliyorum da, kum saatini seyrederken kum taneciklerinin o daracik cam bogazdan ne kadarda yavas yuvarlandiklarina hayret etmistim, ta ki her kum taneciginin kendi oz iradesine sahip oldugunu, hicbirinin dusmek istemedigini, cunku onlar icin bunun olum manasina geldigini fark edene kadar. Ama ayni zamanda baska careleri de yoktu, bu son kacinilmazdi. Sonraki dunya ve bu dunya, tipki bu kum saati gibi, diye dusundum: Hayatta olan herkes ayni yonde oldukten sonra, gerceklik bas asagi cevrilir ve onlar yeniden hayata donerler; neticede, ters yonde olmeye baslarlar.”



“I remember myself looking at the hourglass, amazed at how slowly the grains of sand roll down through the glass neck, until I realized that this was happening because each grain possessed free will and did not want to fall down, for this was tantamount to death for them. And at the same time their eventual fall was inescapable, and both our and "other" world, I thought, were very similar to this hourglass – when all who lived die in one direction, the reality turns upside down and they become alive again, that is, begin to die in the other direction.”



“ ‘Cocukken nasil guvercin yakaladigimi hatirlayıverdim birden. Bilirsin, o buyuk sandigi alır, altina ekmek kirintilari serpistirirdik. Diklemesine yerlestirdigimiz sandigin ust kenarini, ucuna yaklasik on metrelik ip bagladigimiz bir cubuga yaslardik. Sonra da calilarin arasina ya da bir bankin arkasina saklanir ve guvercinin teki sandigin altina girince ipi cekiverirdik. Sandik guvercinin ustune duserdi.’

‘Dogru,’ dedim. ‘Biz de aynisini yapardik.’ ”



" ‘I just remembered my childhood. How we were catching pigeons. We would take this crate, you know, a small wooden one, like they ship tomatoes in from Bulgaria, we'd spread some breadcrumbs under and position it on the edge, and one side we'd prop up with a stick, and tie a rope to it, like ten yards or so. We hid in the bushes, or behind a bench, and as soon as pigeon walked in, we'd yank the rope. And the crate fell over.’

‘Right,’ I said, ‘so did we.’ “

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Ingiliz roman yazari ve filozof Aldous Huxley'in olum yildonumu (22 Kasim 1963)



“Tarihten alinmasi gereken en onemli ders, insanlarin tarihten pek fazla ders almadiklaridir. / That men do not learn very much from the lessons of history is the most important of all the lessons of history.”


"Anne, tek eslilik, romantizm. Fiskiye yuksege fiskirtirsa, vahsi ve kopuklu olur tazyigi. Durtunun tek cikis yeri var. Askim, bebegim. O zavalli, modernlik oncesi insanlarin cildirmis, kotu ve sefil durumda oluslarina sasirmamak gerek. Dunyalari; rahat yasamalarina, akilli, erdemli ve mutlu olmalarina izin vermiyordu. Anneler ve asiklar, uymak uzere sartlandirilmadiklari yasaklamalar, bastan cikaran ihtiraslar ve yalniz pismanliklar, salgin hastaliklar ve sonsuz yalnizlastiran acilar, belirsizlik ve yoksulluk; iste butun bunlar onlari guclu hislere zorluyordu. Boyle guclu hislerle (guclu ama tek basina; umutsuz, bireysel bir yalnizlik icinde) nasil istikrarli olabilirlerdi?" Cesur Yeni Dunya



"Mother, monogamy, romance. High spurts the fountain; fierce and foamy the wild jet. The urge has but a single outlet. My love, my baby. No wonder these poor pre-moderns were mad and wicked and miserable. Their world didn't allow them to take things easily, didn't allow them to be sane, virtuous, happy. What with mothers and lovers, what with the prohibitions they were not conditioned to obey, what with the temptations and the lonely remorses, what with all the diseases and the endless isolating pain, what with the uncertainties and the poverty - they were forced to feel strongly. And feeling strongly (and strongly, what was more, in solitude, in hopelessly individual isolation), how could they be stable?"




"Orumceklerin yapisini dusunecek olursak, orumcek aglari kacinilmazdir. Insan yapisini goz onune alinca, din olgusu da kacinilmazdir. Orumcekler nasil ki sinek tuzaklari yapmadan edemezlerse, insanlar da simgeler yaratmadan duramazlar. " Ada



“Given the nature of spiders, webs are inevitable. And given the nature of human beings, so are religions. Spiders can't help making fly-traps, and men can't help making symbols.”




“Birlikte yasariz hepimiz, bir digerimize etki ve tepki yapariz; ama her zaman ve her sartta kendi basimizayizdir. Sehitler el ele girerler savas alanina; tek baslarina carmiha gerilirler. Birbirlerine sarilmis asiklar umutsuzca yalitilmis sevinclerini tek bir benlikustuluk halinde kaynastirmaya calisirlar; bosuna. Dogasi geregi her vucut bulmus ruh yalniz olarak aci cekmeye ve zevk almaya mahkumdur.” Algi Kapilari



“We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude.”