Sanat Mozaik

[Terraluna]

Avusturyali ressam Maria Johanna 'Irma' Komlosy'nin dogum yildonumu ( 15 Agustos 1850 )




Peacock, 19th century




Rose Twig, 19th century

[Terraluna]

Arjantinli - Fransiz ressam Albert-Émile Artigue’nin dogum yildonumu ( 15 Agustos 1850 )

Filles sur une terrasse, circa 1900




La chasse aux papillons, circa 1900

[Terraluna]

Italyan ressam Silvio Giulio Rotta’nin dogum yildonumu ( 15 Agustos 1853 )

Nosocomio, 1895




Colpo di vento, entro il 1890

[Terraluna]

Danimarkali ressam Laurits Andersen Ring’in dogum yildonumu ( 15 Agustos 1854 )

In the Garden Doorway, The Artist's Wife, 1897




Workers at a water main at Søndersø, 1901

[Terraluna]

Italyan ressam Roberto Guastalla’nin dogum yildonumu ( 15 Agustos 1855 )

Paesaggio roccioso con colonna di cammellieri, 1898




Santone davanti alla porta di una Moschea, 1901

[Terraluna]

Ingiliz yazar ve sair Edith Nesbit’in dogum yildonumu ( 15 Agustos 1858 )



“ Onlar baslangicta demiryolu cocuklari degillerdi. Hatta hayvanat bahcesine ya da Madame Tussaud Muzesi'ne gittikleri gunler disinda, demiryolunu akillarina bile getirdiklerini sanmam. Anne babalariyla banliyode oturan siradan cocuklardi iste. Kirmizi tugladan yapilmis evlerinin on kapisi camli, koridoru parke doseliydi. Banyolarinda sicak ve soguk su tesisati vardi. Elektrikli zili, Fransiz usulu pencereleri ve beyaza boyali duvarlariyla emlak komisyoncularinin ‘modern’ sifatiyla nitelendirecekleri bir evdi bu. Uc kardestiler. Roberta en buyukleriydi. Anneler genellikle cocuklari arasinda secim yapamazlar, ama onlarin annesinin gozdesi kim diye sorulsaydi cevap Roberta olabilirdi. Sonra buyudugu zaman muhendis olmak isteyen Peter vardi. En kucukleri ise Phyllis'ti. ” Demiryolu Cocuklari



“ They were not railway children to begin with. I don't suppose they had ever thought about railways except as a means of getting to Maskelyne and Cook's, the Pantomime, Zoological Gardens, and Madame Tussaud's. They were just ordinary suburban children, and they lived with their Father and Mother in an ordinary red-brick-fronted villa, with coloured glass in the front door, a tiled passage that was called a hall, a bath-room with hot and cold water, electric bells, French windows, and a good deal of white paint, and 'every modern convenience', as the house-agents say. There were three of them. Roberta was the eldest. Of course, Mothers never have favourites, but if their Mother had had a favourite, it might have been Roberta. Next came Peter, who wished to be an Engineer when he grew up; and the youngest was Phyllis. ”

[Terraluna]

Arnavut ressam Kolë Idromeno’nun dogum yildonumu ( 15 Agustos 1860 )

Motra Tone, 1883 ( called also The Albanian Mona Lisa )




Courtyard of a Shkodra House, circa 1900

[Terraluna]

Italyan ressam Flavio Bertelli’nin dogum yildonumu ( 15 Agustos 1865 )

Viale Soleggiato, Circa 1935




Casa al sole, 1938