Sanat Mozaik

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Alman ressam Eduard Julius Friedrich Bendemann’in dogum yildonumu (3 Aralik 1811)

Der Schadow-Kreis (Die Familie Bendemann und ihre Freunde), 1830 – 1831




Die trauernden Juden im Exil, 1832

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Italyan ressam Cesare Masini’nin dogum yildonumu (3 Aralik 1812)

L'abboccamento del sommo pontefice Leone X in Bologna col Re di Francia Francesco I nel dicembre dell'anno 1515. (1836)




Polistrate disseta Dario morente, 1837

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Ingiliz mimar ve Ingiltere'deki altigen posta kutularinin mucidi John (Wornham) Penfold'un dogum yildonumu (3 Aralik 1828)

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Ingiliz ressam Frederic Leighton’in dogum yildonumu (3 Aralik 1830)

Cimabue's Celebrated Madonna is carried in Procession through the Streets of Florence, 1853 – 1855




Flaming June, 1895 (Museo de Arte de Ponce)

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Italyan ressam Daniele Ranzoni'nin dogum yildonumu (3 Aralik 1843)

Veduta del lago maggiore dalla villa di ada troubetzkoy, 1872 – 1873




Giovinetta inglese, 1886

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Ispanyol ressam Federico Olaria’nin dogum yildonumu (3 Aralik 1848)

The Carnival in Nice, 20th century




Alegoría del Amor, XX siglo

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Polonya asilli Ingiliz yazar (Józef Teodor Konrad Korzeniowski) Joseph Conrad’in dogum yildonumu (3 Aralik 1857)

“Zihnimi, dusuncelerimi bos yere isgal ediyorlardi. Bana gore bu insanlar, hayat bilgilerini sinir bozucu yalan ve hileler uzerine kurulu isgalcilerdi; cunku benim bildigim seyleri onlarin bilmelerinin mumkun olmadigindan son derece emindim. Kendilerini kusursuzca emniyette hissederek gundelik yasamlarini surduren siradan insanlarin davranislarindan farksiz olan davranis ve duruslari bana gore, idrak edemedigi bir tehlikenin karsisinda olcusuzce ve abes bir bicimde gosteris yapan bir delinin davranislari kadar iticiydi. Onlari aydinlatmak gibi belli bir hirsim yoktu, fakat kendilerine verdikleri o aptalca onemi yansitan yuzlerine bakip kendimi gulmemek icin tuttugum zamanlar oluyordu. O donemde pek de iyi olmadigimi soyleyebilirim. Son derece saygideger insanlara aci aci siritarak, sokaklarda yalpalayarak dolasiyordum; halletmem gereken cesitli meseleler vardi. Davranisimin affedilmez oldugunu kabul ediyorum fakat o gunlerde atesim nadiren normal seviyelerde seyrediyordu. Sevgili yengemin ‘gucumu toparlama’ cabalari tumuyle bosuna gorunuyordu. Toparlanmasi gereken fiziksel gucum degildi. Hayal gucumun yatistirilmaya ihtiyaci vardi.” Karanligin Yuregi



“No, they did not bury me, though there is a period of time which I remember mistily, with a shuddering wonder, like a passage through some inconceivable world that had no hope in it and no desire. I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretence, because I felt so sure they could not possibly known the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flaunting of folly in the face of a danger it is unable to comprehend. I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces so full of stupid importance. I dareway I was not very well at that time. I tottered about the streets—there were various affairs to settle—grinning bitterly at perfectly respectable persons. I admit my behaviour was inexcusable, but then my temperature was seldom normal in these days. My dear aunt’s endeavours to `nurse up my strength´ seemed altogether beside the mark. It was not my strength that wanted nursing, it was my imagination that wanted soothing.”



“Kimse bana Arsimet'in kaldiracindan bahsetmesin. Arsimet, matematiksel imgeleme sahip dalgin bir adamdi. Matematige olan saygim sonsuz ama bu noktada formullere ihtiyacim yok. Bana dogru vurguyu ve dogru sozcugu verin, sizin icin dunyayi yerinden oynatayim.”

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Iskoc asilli Avustralyali ressam Duncan Max Meldrum'un dogum yildonumu (3 Aralik 1875)

The lane, Pacé, 1908




Pont Neuf, 1929