Sanat Mozaik

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Bati dunyasinin en taninmis ressamlarindan Hollandali izlenimci Vincent van Gogh'un dogum yildonumu (30 Mart 1853)





"Theo, sen de asik misin acaba? Keske olsan. Cunku, inan ki, yasamin kucuk eziyetlerinin bile bir degeri var. Insan kimi kez korkunc umutsuzluga kapiliyor, sanki cehennemdeymis gibi hissediyor kendini ama baska, cok daha iyi seylerde var isin icinde. Uc asama var: Birincisi: Sevmemek ve sevilmemek, ikincisi: sevmek ve sevilmemek (benim durumum), Ucuncusu: Sevmek ve sevilmek.

Bana sorarsan ikinci asama birinciden daha iyi, ama ucuncusu! Evet harikasi orasi!" Theo'ya Mektuplar



"Theo, aren’t you in love too, at times? I wish you were, for believe me, the ‘petty miseries’ of it are also of some value. Sometimes one is desolate, there are moments when one is in hell, as it were, but — it also brings with it other and better things. There are three stages: First not loving and not being loved, second loving and not being loved. (the case in question), third loving and being loved.

I’d say that the second stage is better than the first, but the third! That’s it.!"

https://www.youtube.com/watch?v=wmj3AEjilPg

Bazi film uyarlamalari:

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Alman-Yahudi sosyolog ve politik ekonomist Franz Oppenheimer'in dogum yildonumu (30 Mart 1864)

"Avrupa'nin koylu ulkeleri muazzam akintiya birkac kucuk dereyle, toplam sayinin kucuk bir oraniyla, katkida bulundu.Ya Meksika'nin konumu nedir? Meksika, topragin gorulmemis olcude kapatildigi, cok buyuk toprak mulklerinin ulkesidir. Bunun bir sonucu olarak, Meksika halki, Meksika'nin devasa buyuklugune ve oldukca yetersiz nufusuna ragmen, ulkelerinde gecim yollari tikandigi icin goc etmeye zorlanir. Bunun bir baska sonucu ise, Meksikali gundelikcilerin peons buyuk toprak mulkiyetinin hâkim olduuu ulkelerdeki butun tarim iscileri gibi,' ruhu olmayan hayvanlar' sayilmalaridir. Isaya'nin sozleri Meksika’yi da kapsar: 'Yer kalmayincaya kadar, evi eve katanlarin, ve tarlayi tarlaya birlestirenlerin vay haline! ve memleket icinde oturan yalniz siz kaldiniz!' ”



"The peasant countries of Europe only contributed a few small tributaries to the immense stream, only a small percentage of the total number. And what is the position in Mexico? Mexico is a land of the most enormous estates, where the land is enclosed to an unprecedented extent. The consequence is that in spite of its immense size and extremely scanty population its people are forced to emigrate because the way to a livelihood at home is blocked. A further consequence is that the peons are 'animals without souls', like the agricultural workers in all countries where the large estate prevails. The words of Isaiah apply to Mexico: 'Woe unto them that **** house to house, that lay field to field, till there be no place, that they may be placed alone in the midst of the earth!' "

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Avusturyali ressam Koloman Moser'in dogum yildonumu (30 Mart 1868)

Garten mit Springbrunnen, 1911




Blühender Kastanienbaum , ca.1912

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Belcikali ressam Charles de Groux'nun olum yildonumu (30 Mart 1870)

The coffee grinder, 1857




The blessing before supper, 1861

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Italyan ressam Daniele de Strobel'in dogum yildonumu (30 Mart 1873)

Parma sotto gli Sforza 1907




Il mercante di stoviglie, 1908

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Fransiz ressam Thomas Couture'un olum yildonumu (30 Mart 1879)

The Romans in their Decadence, 1847




A Lawyer Going to Court, 1860s

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Irlandali oyun ve ani yazari Seán O'Casey'in dogum yildonumu (30 Mart 1880)

"Onlar ucurumun dibinde yasiyorlar, sairse dagin tepesinde; halk icin rengin hicbir gizemi yoktur. Onlar renk diye yalnizca askerlerin kirmizi ceketini, rahiplerin erguvani elbisesini, bir partinin yesil sancagini, sanayinin kahverengi ya da mavi is tulumun bilirler. Onlar icin her seyi yaratan guc uc odali bir ev ya da genis bir karyoladir. Onlar icin guzellik kasap dukkaninda satilan seydir. Halkin hayati onune hazir gelen hayattir, sairin hayati ise kendisinin kendisi icin yarattigi hayattir; hayat halkin bogazini SIKAN bir eldir, sair icinse muzik. Sair, oldum olasi halki kurtarmak icin calismistir. Halksa hep bogazlamak istemistir onu. Halk hayata dinlerin, geleneklerin, zorunluluklarin gozluguyle bakar, sairse dinlere, geleneklere, zorunluluklara hayatin gozluguyle..." Silahsorun Golgesi



"The People! They live in the abyss, the poet lives onthe mountain-top; to the people there is no mystery of color: it is simplythe scarlet coat of the soldier; the purple vestments of a priest; the greenbanner of a party; the brown or blue overalls of industry.To them the might of design is a three-roomed house or a capacious bed.To them beauty is for sale in a butcher’s shop. To the people the end of life is the life created for them; to the poet the end of life is the life that hecreates for himself; life has a stifling grip upon the people’s throat---it isthe poet’s musician. The poet ever strives to save the people; the peopleever strive to destroy the poet. The people view life through creeds,through customs, and through necessities; the poet views creeds,customs, and necessities through life..."

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Almanya dogumlu Fransiz ressam Henri Lehmann'in olum yildonumu (30 Mart 1882)

Study of a Female Nude, 1840 (The Metropolitan Museum of Art)




Portrait of Léonide (ou Monna Belcolore) (1848). Musée d’arts de Nantes, France