Sanat Mozaik

[Terraluna]

Turk sinema ve tiyatro oyuncusu, sair, yazar ve yonetmen Yilmaz Erdogan'in dogum gunu (4 Kasim 1967





Almost combined with the floor, wet haired, evil eyed
Crying since the tribes immigration
And without a stop
Melodies like burning of a cognac
plays, makes you play, makes you catch
Was a woman Istanbul, her name is secret in me

It rained to the city
I cried

Getting seperated while you love remained from Byzantium?
There was no lie in the eyes, only sound
The promises given was one, the swears said zero
The things gathered, the photos were ripped out from their places
a new love, which will erase the traces of love
ordered again

It rained to a city
I cried

Who put out much lies in tea glasses
Which of those bloody kisses were pillaged
And whose name it was lost on the vapors
How many hours it was taking from a love to another
Does cover of life can be taken?
Or all the vitamin of its was on the cover?

How it rained to the city
I cried

The most i took you while going
It was the moving of my mind which was really tiring the carriers
I had fallen from the beloved, my scars were a present from the beloved
I couldnt manage to love, maybe to be loved
I had domestic sorrows block to love

I cried a rain, rained to a city
I cried to the city, rain rained
I once cried, rain rained to the city

I...
Rain...
Cried...

[Terraluna]

Akademi ve Golden Globe Odullu Amerikali aktor Matthew McConaughey’in dogum gunu (4 Kasim 1969)

[Terraluna]

Ingiliz sarkici, soz yazari, aktor ve produktor David Bowie, 3.studyo albumu The Man Who Sold the World'u 4 Kasim 1970'de Mercury etiketiyle piyasaya surdu.

[Terraluna]

Amerikali punk rock grubu Ramones, 3.studyo albumu Rocket to Russia'yi 4 Kasim 1977 tarihinde Sire (Amerika & Ingiltere) ve Philips (Avrupa)etiketleriyle piyasaya surdu.

[Terraluna]

Ingiliz heavy metal grubu Black Sabbath, 10.studyo albumu Mob Rules'i 4 Kasim 1981'de Vertigo ve Warner Bros. (Amerika ve Kanada) etiketleriyle piyasaya surdu.

[Terraluna]

Fransiz yonetmen ve aktor (Jacques Tatischeff) Jacques Tati'nin olum yildonumu (4 Kasim 1982)

[Terraluna]

Turk sair Umit Yasar Oguzcan’in olum yildonumu (4 Kasim 1984)

Ben senin en cok sesini sevdim
Bugulu cogu zaman, taze bir ekmek gibi
Once aska cagiran, sonra dinlendiren
Bana her zaman dost, her zaman sevgili

Ben senin en cok ellerini sevdim
Bir pinar serinliginde, kucucuk ve ak pak
Nice guzellikler gordum yeryuzunde
En guzeli bir sabah ellerinle uyanmak

Ben senin en cok gozlerini sevdim
Kah cocukca mavi, kah inadina yesil
Aydinliklar, esenlikler, mutluluklar
Hicbiri gozlerin kadar anlamli degil

Ben senin en cok gulusunu sevdim
Sevindiren, icimde umut cicekleri actiran
Unutturur bana birden acilari, guclukleri
Dunyam aydinlanir sen guldugun zaman

Ben senin en cok davranislarini sevdim
Gucsuze merhametini, zalime direnisini
Haksizliklar, zorbaliklar karsisinda
Vahsi ve magrur bir disi kaplan kesilisini

Ben senin en cok sevgi dolu yuregini sevdim
Tum cocuklara kanat geren anneligini
Nice sevgilerin bir pula satildigi bir dunyada
Sensin, her seyin ustunde tutan sevdigini

Ben senin en cok bana yansimani sevdim
Bende yeniden var olmani, benimle butunlesmeni
Mertligini, yalansizligini, dupdurulugunu sevdim
Ben seni sevdim, ben seni sevdim, ben seni...



What I love most about you -

Your voice
it is like fresh bread
when you call me 'love'
I want to eat you then

Your hands
cool as spring water, small and white
in my hands when I wake up in the morning

Your eyes
sometimes sky blue, sometimes greenish
shining, mischievous, mirthful, flirting
their glances melt my heart

Your smiles
they grow fresh flowers inside me
they ease my pains, give me hope

Your attitude
merciful to the weak, you stand for justice
in your heart you are a tigress

Your heart
always full of love
brimming with motherhood
others sell love for a penny
you hold it above everything

Your thoughts
you live in me, you merge with me
you are honest, pure, faithful, loveful
I love you, love you, love you
always I love you...

[Terraluna]

Fransiz yazar ve filozof Gilles Deleuze'un olum yildonumu (4 Kasim 1995)

"Modern toplumlara ozgu olan sey seksi golgede kalmaya itmis olmalari degil, onu bir sir haline getirerek kendilerini surekli ondan bahsetmeye adamis olmalaridir.”



"Ce qui est propre aux sociétés modernes, ce n'est pas qu'elles aient voué le sexe à rester dans l'ombre, c'est qu'elles se soient vouées à en parler toujours, en le faisant valoir comme le secret. / What is peculiar to modern societies, in fact, is not that they consigned sex to a shadow existence, but that they dedicated themselves to speaking of it ad infinitum, while explaining it as the secret."



"Asik olmak, tasidigi ya da yaydigi gostergelerle birisini bireysellestirmektir. Bu gostergelere duyarli olmak, bunlarin cirakligini yapmaktir (ornegin genc kizlar grubundan Albertine'in yavas yavas bireysellesmesi). Dostlugun gozlemlerle ve sohbetlerle beslenmesi mumkundur, fakat ask sessiz yorumlardan dogar ve onlarla beslenir. Sevilen kisi bir gosterge, bir 'ruh' gibi gorunur: Bizim bilmedigimiz olasi bir dunyayi ifade eder. Sevilen kisi desifre edilmesi, yani yorumlanmasi gereken bir dunyayi sart kosar, kusatir, hapseder."



"Devenir amoureux, c'est individualiser quelqu'un par les signes qu'il porte ou qu'il émet. C'est devenir sensible à ces signes, en faire l'apprentissage (ainsi la lente individualisation d'Albertine dans le groupe des jeunes filles). Il se peut que l'amitié se nourrisse d'observation et de conversation, mais l'amour naît et se nourrit d'interprétation silencieuse. L'être aimé apparaît comme un signe, une « âme » : il exprime un monde possible inconnu de nous."



"To fall in love is to individualize someone by the signs he bears or emits. It is to become sensitive to these signs, to undergo an apprenticeship to them (thus the slow individualization of Albertine in the group of young girls). It may be that friendship is nourished on observation and conversation, but love is born from and nourished on silent interpretation. The beloved appears as a sign, a “soul”; the beloved expresses a possible world unknown to us, implying, enveloping, imprisoning a world that must be deciphered, that is, interpreted."