Sanat Mozaik

[Terraluna]

Robert Louis Stevenson’in Define Adasinin ilk baskisi 14 Kasim 1883 tarihinde Cassell & Co. tarafindan Londra’da yapildi.

“Cok uzaklardan aramaya geldigimiz ve o zamana kadar HISPANIOLA’daki on yedi insanin hayatina mal olan Flint'in definesiydi bu. Bunu bir araya getirmenin ne kadar cana, ne kadar kan ve huzne, batirilmis kac guzel gemiye, gozleri bagli kalas ustunde yuruyen kac cesur adama, kac top atisina, ne kadar ayiba, yalana ve acimasizliga mal oldugunu ise belki yasayan hic kimse anlatamayacak.”



“That was Flint's treasure that we had come so far to seek and that had cost already the lives of seventeen men from the HISPANIOLA. How many it had cost in the amassing, what blood and sorrow, what good ships scuttled on the deep, what brave men walking the plank blindfold, what shot of cannon, what shame and lies and cruelty, perhaps no man alive could tell.”

[Terraluna]

New York World gazetesinde muhabir olan Nellie Bly (Elizabeth Cochrane), Jules Verne’nin Seksen Gunde Devr-i alem romaninin kurgusal kahramani olan Phileas Fogg'u alt etmek icin Dunya etrafinda yolculuga cikip 72 gun 6 saat 11 dakikada tamamlayacagi seyehatine 14 Kasim 1889 tarihinde basladi.

(Nellie Bly, New York’taki evini tek bir bavulla terk edip, Augusta Victoria isimli gemiyle New Jersey, Hoboken’dan Londra’ya dogru hareket etti.)

[Terraluna]

Gerhart Hauptmann’in Hanneles Himmetfahrt (Hannele'nin Goge Cikisi - L'ascesa al cielo di Hannele - The Ascension of Little Hannele) oyunu ilk kez 14 Kasim1893'te Berlin, Konigliches Schauspielhaus’da sahnelendi.

[Terraluna]

Isvecli cocuk kitaplari yazari Astrid Lindgren’in dogum yil donumu (14 Kasim 1907)

“Ben okul diye Arjantin’dekilere derim,” dedi etrafindaki cocuklari gururla suzerek. “Asil orada okula gitmeliydiniz. Noel tatilinden uc gun sonra, Paskalya tatili baslar. Paskalya tatili bittikten uc gun sonra da yaz tatili baslar. Yaz tatili 1 Kasim’da biter. Tabii 11 Kasim’da baslayan Noel tatiline kadar biraz zorlanirsiniz. Ama hic degilse ev odevi diye bir sey yok. Arjantin’de ev odevi yapmak kesinlikle yasak! Tamam, bazen gardiroba saklanip da ev odevi yapan bir ya da iki Arjantinli cocuk cikar ama anneleri onlari bir yakalarsa, vay hallerine. Hele toplama islemi, oradaki okullarda adi bile anilmaz. Eger bir cocuk 7 arti 5’in kac ettigini bilir de, bir de ogretmene soyleyecek kadar budala olursa, butun bir gun utanc kosesinde tek ayak uzerinde dikilmek zorunda kalir. Yalnizca Cuma gunleri ders yaparlar, tabii ders yapacak kitap bulabilirlerse. Ama neyse ki orada hic kitap yok.” Pippi Uzuncorap



"You ought to know about the schools in Argentina," said Pippi, looking down at the children. "That's where you should go. Easter vacation begins three days after Christmas vacation ends, and when Easter vacation is over there are three days and then it's summer vacation. Summer vacation ends on the first of November, and then you have a tough time until Christmas vacation begins on November 11. But you can stand that because there are at least no lessons. It is strictly against the law to have lessons in Argentina. Once in a while it happens that some Argentine kid sneaks into a closet and sits they're studying a lesson, but it's just too bad for him if his mother finds him. Arithmetic they don't have at all in the schools, and if there is any kid who knows what seven and five are he has to stand in the corner all day— that is, if he's foolish enough to let the teacher know that he knows. They have reading on Friday, and then only if they have some books, which they never have."

[Terraluna]

Amerikali yazar Hector Hugh Munro’nun (Saki) olum yil donumu (14 Kasim 1916)

Sicak bir aksamustuydu, bu nedenle vagon fazlasiyla bunalticiydi ve siradaki istasyon Templecombe'a neredeyse bir saat vardi. Vagonda biri digerinden daha buyuk iki kiz, bir de oglan vardi. Cocuklarin teyzesi, kosedeki koltuga yerlesmisti, diger kosedeki koltukta da onlara yabanci olan yalniz bir adam oturuyordu, ama kucuk kizlarla kucuk oglan, kompartimani kesinlikle ele gecirmislerdi. Hem teyze hem de cocuklarin sohbeti sinirli, israrci bir sekilde suruyor, pes etmeyi reddeden bir karasinegin tacizleri misali, bitmek bilmiyordu. Teyzenin iki lafindan biri “Yapma”yla basliyor gibiydi, cocuklarin laflari da “Neden?”le. Adam bir sey soylemiyordu. Kucuk oglan, koltugun minderlerine vurmaya, her vurdugunda da bir toz bulutu olusmaya baslayinca teyze, “Yapma Cyril, yapma!” diye bagirdi.

“Gel de pencereden disari bak,” diye ekledi.

Cocuk, pencereye isteksizce yanasti. “O koyunlari neden tarladan disari cikariyorlar?” diye sordu.

“Daha fazla ot olan baska bir tarlaya goturulduklerini zannediyorum,” dedi teyze belirsizce.

“Ama o tarlada bir suru ot var,” diye diretti cocuk; “orada ottan baska bir şey yok ki. Teyze, o tarlada bir suru ot var.”

“Muhtemelen diğer arazideki ot daha iyi,” diye one surdu teyze caresizce.

“Neden daha iyi?” diye ani, kaçınılmaz soru geldi.

“Ah, su ineklere bakin!” diye bagirdi teyze. Yol boyunca neredeyse her tarlada inek veya okuz vardi ama teyze, ender bir seye dikkat cekiyormuscasina konusmustu.

“Neden diger tarladaki ot daha iyi?” diye usteledi Cyril.



It was a hot afternoon, and the railway carriage was correspondingly sultry, and the next stop was at Templecombe, nearly an hour ahead. The occupants of the carriage were a small girl, and a smaller girl, and a small boy. An aunt belonging to the children occupied one corner seat, and the further corner seat on the opposite side was occupied by a bachelor who was a stranger to their party, but the small girls and the small boy emphatically occupied the compartment. Both the aunt and the children were conversational in a limited, persistent way, reminding one of the attentions of a housefly that refuses to be discouraged. Most of the aunt's remarks seemed to begin with "Don't," and nearly all of the children's remarks began with "Why?" The bachelor said nothing out loud. "Don't, Cyril, don't," exclaimed the aunt, as the small boy began smacking the cushions of the seat, producing a cloud of dust at each blow.

"Come and look out of the window," she added.

The child moved reluctantly to the window. "Why are those sheep being driven out of that field?" he asked.

"I expect they are being driven to another field where there is more grass," said the aunt weakly.

"But there is lots of grass in that field," protested the boy; "there's nothing else but grass there. Aunt, there's lots of grass in that field."

"Perhaps the grass in the other field is better," suggested the aunt fatuously.

"Why is it better?" came the swift, inevitable question.

"Oh, look at those cows!" exclaimed the aunt. Nearly every field along the line had contained cows or bullocks, but she spoke as though she were drawing attention to a rarity.

"Why is the grass in the other field better?" persisted Cyril.

[Terraluna]

Faye Dunaway, William Holden ve Peter Finch’in oynadigi drama Sebeke (Network), 14 Kasim 1976 tarihinde Los Angeles’ta gosterime girdi.

[Terraluna]

J.K. Rowling'in ayni isimli romanindan uyarlanan, Daniel Radcliffe, Rupert Grint ve Richard Harris’in oynadigi Harry Potter ve Felsefe Tasi (Harry Potter and the Sorcerer's Stone / Harry Potter and the Philosopher's Stone), 14 Kasim 2001 tarihinde vizyona girdi.

[Terraluna]

J.K. Rowling'in ayni isimli romanindan uyarlanan, Daniel Radcliffe, Rupert Grint, Emma Watson’in oynadigi Harry Potter ve Sirlar Odasi (Harry Potter and the Chamber of Secrets), 14 Kasim 2002 tarihinde vizyona girdi.