Sanat Mozaik

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Floransa dogumlu Ingiliz sosyal reformcu, istatistikci, hemsire ve modern hemsireligin kurucusu Lambali Kadin (The Lady with the Lamp) Florence Nightingale’in olum yildonumu ( 13 Agustos 1910 )

“ Ilerleyen bir dunyada iki cesit insan bulunmasi gerekir ki bunlar; orada bulunan en iyiyi benimseyen ve bundan hoslanan ile daha iyiyi dileyen ve onu yaratmayi deneyenlerdir. ”



“ The progressive world is necessarily divided into two classes--those who take the best of what there is and enjoy it--those who wish for something better and try to create it. / Hay dos clases de personas, los que toman lo mejor y lo disfrutan y los que desean algo mejor e intentan crearlo. El mundo necesita la apreciación de los primeros y el descontento de los segundo. ”

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Italyan ressam Quinto Cenni’nin olum yildonumu ( 13 Agustos 1917 )

Uniformi della Marina ( Uniforms of the Italian Royal Navy, 1873 )




Ufficiali italiani in Africa, 1885

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Mustafa Kemal Ataturk, 13 Agustos 1923’te yeniden Turkiye Buyuk Millet Meclisi baskani secildi. / Turkish National Congress selects Mustafa Kemal Ataturk as President. Ataturk was a hero in Turkey and during World War I he led Turkey to victory in Battle of Gallipoli.

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( Fidel Alejandro Castro Ruz ) Fidel Castro'nun dogum yildonumu ( 13 Agustos 1926 )

" SIK SIK insan haklarindan soz edilir. Ancak insanligin haklarindan da soz etmeliyiz. Bazilari, digerleri pahali arabalara binsin diye, neden yalin ayak yurumeli ? Bazilari, digerleri 70 yasina kadar yasasin diye, neden ancak 35 yil yasamali ? Bazilari, digerleri abartili bicimde zengin olsun diye, neden sefalet icinde olmali ? Dunyanin bir lokma ekmek bile bulamayan cocuklari adina konusuyorum. Ilaci olmayan hastalar adina konusuyorum. "



" Se habla con frecuencia de los derechos humanos, pero hay que hablar también de los derechos de la humanidad. ¿ Por qué unos pueblos han de andar descalzos para que otros viajen en lujosos automóviles ? ¿ Por qué unos han de vivir 35 años para que otros vivan 70 ? ¿ Por qué unos han de ser míseramente pobres para que otros sean exageradamente ricos ? Hablo en nombre de los niños que en el mundo no tienen un pedazo de pan; hablo en nombre de los enfermos que no tienen medicinas. / There is often talk of human rights, but it is also necessary to talk of the rights of humanity. Why should some people walk barefoot, so that others can travel in luxurious cars ? Why should some live for thirty-five years, so that others can live for seventy years ? Why should some be miserably poor, so that others can be hugely rich ? I speak on behalf of the children in the world who do not have a piece of bread. I speak on the behalf of the sick who have no medicine, of those whose rights to life and human dignity have been denied. "

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Ingiliz roman yazari ( Herbert George Wells ) H. G. Wells’in olum yildonumu ( 13 Agustos 1946 )



“ Zihinsel cok yonlulugun degisim, tehlike ve belanin telafisi olusu, gozden kacirdigimiz bir doga yasasidir. Cevresiyle kusursuz bir ahenk icinde yasayan bir hayvan, mukemmel bir mekanizmadir. Aliskanlik ve icgudu caresiz kalmadikca doga zekaya asla basvurmaz. Degisimin ve degisime gereksinimin olmadigi yerde akil da yoktur. Yalnizca cok cesitli ihtiyaclari ve tehlikeleri karsilamak zorunda olan hayvanlar zekadan paylarini alirlar. ”



“ It is a law of nature we overlook, that intellectual versatility is the compensation for change, danger, and trouble. An animal perfectly in harmony with its environment is a perfect mechanism. Nature never appeals to intelligence until habit and instinct are useless. There is no intelligence where there is no change and no need of change. Only those animals partake of intelligence that have a huge variety of needs and dangers. ”



“ Sonra makineyi durdurdum ve cevremde tekrar eski tanidik laboratuari gordum, takimlarimi, aletlerimi; ayni biraktigim gibiydiler. Sarsilarak makineden indim ve koltuguma coktum. Birkac dakika boyunca siddetle titredim. Sonra sakinlestim. Cevremde eski atolyem vardi yine, aynen eski haliyle. Orada uyumus olabilirdim, her sey bir ruya olabilirdi. Ama kesinlikle oyle degildi! Her sey laboratuarin guneydogu kosesinde baslamis, kuzeybatida son bulmustu, onu gormus oldugunuz duvarda. Bu size benim kucuk cimenlikten, Morlocklarin makineyi tasidiklari Beyaz Sfenks'in kaidesine olan tam uzakligi verir. ”



“ Then I stopped the machine, and saw about me again the old familiar laboratory, my tools, my appliances just as I had left them. I got off the thing very shaky, and sat down upon my bench. For several minutes I trembled violently. Then I became calmer. Around me was my old workshop again, exactly as it had been. I might have slept there, and the whole thing have been a dream. And yet, not exactly! The thing had started from the south-east corner of the laboratory. It had come to rest again in the north-west, against the wall where you saw it. That gives you the exact distance from my little lawn to the pedestal of the White Sphinx, into which the Morlocks had carried my machine. ”

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Ingiliz senaryo yazari, yonetmen ve yapimci Paul Greengrass'in dogum gunu ( 13 Agustos 1955 )

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Italyan kokenli Amerikali roman yazari ve senarist Thomas R. ‘ Tom ’ Perrotta’nin dogum gunu ( 13 Agustos 1961 )



" Biliyorum, beni tanimak istiyordun, en buyuk hakkindi bu senin. Zaten insanlarla iliskiye girme sebebimiz bu degil midir ? Pesinde oldugumuz sey yalnizca bedenleri degil, geriye kalan seylerdir ayni zamanda: hayalleri, yaralari,hikayeleri. " Kalanlar



“ I know you wanted to know me, and that you every right to try. That’s why we get involved with other people, right ? Not just for their bodies, but for everything else, too – their dreams and their scars and their stories. ”


“ Uzun bir yolculuktu ve Eve cogu zaman agladi, cunku buyuk gun umdugu gibi gitmedi, o kadar buyuk gunler degildi. Dogum gunleri, tatiller, dugunler, mezuniyetler, cenazeler - hepsi beklentilerle doluydu ve hayatindaki onemli insanlar nadiren olmasi gerektigi gibi davraniyorlardi. Bircogu eskisi gibi ayni senaryodan bile calismiyor gibiydi, ama belki de hayatindaki onemli insanlar hakkinda genel olarak buyuk gunlerden daha fazla oldugunu soyledi. ” Bayan Fletcher



“ It was a long drive. And Eve cried most of the way home because the big day hadn't gone the way she'd hoped - not that big days ever did. Birthdays, holidays, weddings, graduations, funerals - they were all too loaded with expectations. And the important people in her life rarely acted the way they were supposed to. Most of them didn't even seem to be working from the same script as she was, though maybe that said more about the important people in her life than it did about big days in general. ”

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Dogu Almanya yonetimi, 13 Agustos 1961'de batiya kacislari onlemek icin Berlin sinirini dikenli tellerle kapatmaya basladi. ( 20 Agustos'ta bu tellerin yerine, daha sonra Utanc Duvari denilecek beton duvar orulmeye baslanacak. )



" Berlin Duvari her gunun haberiydi. Sabahtan aksama okuyor, izliyor, dinliyorduk: Utanc Duvari, Kotuluk Duvari, Demir Perde... / El Muro de Berlín era la noticia de cada día. De la mañana a la noche leíamos, veíamos, escuchábamos: el Muro de la Vergüenza, el Muro de la Infamia, la Cortina de Hierro.../ Il Muro di Berlino era la notizia di ogni giorno. Dal mattino alla sera leggevamo, vedevamo, ascoltavamo: il Muro della Vergogna, il Muro dell'Infamia, la Cortina di Ferro... " Eduardo Galeano, Aynalar



" Die Berliner Mauer wurde praktisch täglich in den Nachrichten erwähnt. Von morgens bis abends konnten wir lesen, hören und sehen: die Mauer der Schande, die Mauer der Infamie, der Eiserne Vorhang... / The Berlin Wall made the news every day. From morning till night we read, saw, heard: the Wall of Shame, the Wall of Infamy, the Iron Curtain... / Le mur de Berlin faisait l’actualité ch**ue jour. Du matin au soir, nous lisions, regardions, écoutions : le Mur de la Honte, le Mur de l’Infamie, le Rideau de Fer... "