Sanat Mozaik

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Amerikali roman yazari Jonathan Safran Foer’in dogum gunu (21 Subat 1977)

“…cehalet tam mutluluk mudur, bilmiyorum ama dusunmek cok aci verici ve soyleyin bana, dusunmek bana ne verdi, beni hangi ustun mertebeye getirdi? Dusunuyor, dusunuyor ve dusunuyorum, kendimi milyon kere mutlulugun disinda dusundum ama bir kere bile icinde dusunmedim.” Asiri Gurultulu ve Inanilmaz Yakin



“...is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.”



"KFC, 'tavuklarin refahina ve insani muameleye buyuk onem verdigi konusunda israrci. Bu iddia ne denli guvenilir? Batı Virginia'da KFC'ye tavuk saglayan mezbahada, iscilerin canli tavuklarin kafalarini kopardiklari, gozlerinin icine tutun tukurdukleri, suratlarina boya puskurttukleri ve hayvanlarin uzerlerine ayaklariyla bastiklari belgelenmisti.” Hayvan Yemek



“KFC insists it is “committed to the well-being and humane treatment of chickens.” How trustworthy are these words? At a slaughterhouse in West Virginia that supplies KFC, workers were documented tearing the heads off live birds, spitting tobacco into their eyes, spray-painting their faces, and violently stomping on them. These acts were witnessed dozens of times.”

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Italyan pop muzik sarkicisi Tiziano Ferro'nun dogum gunu (21 Subat 1980)



"Gulumsemeni aya kadar hediye etmek istiyorum. Ki her kim geceleri bakarsa, seni dusunebilsin diye. Iste bu, sana askimin onemli oldugunu hatirlatsin..."

https://www.youtube.com/watch?v=d3MvacAiXqM

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Rus yazar Mihail Solohov’un olum yildonumu (21 Subat 1984)

"Cocukken kislari ocagin ustune cikardim , ninem de (o zamanlar yuzu askindi) parmaklariyla basimda bit arar, benimle konusurdu ‘benim kucuk Maksimim’ derdi, a canim benim! Eskiden insanlar simdiki gibi yasamiyorlardi, dirlik duzen icinde yasiyorlardi, gam, kasvet cekmiyorlardi. Ama sen benim minik yavrum yasayip goreceksin. Bir gun gelecek yeryuzu hep tellerle ortulecek, havalarda demirden gagali kuslar ucacak, kargalar karpuzlari nasil gagalarsa onlarda insanları oyle gagalayacak. Insanlar acliklan, vebadan kiriaca, kardes agabeyine, ogul atasina bas kaldiracak, yangindan cikmis yonca tarlasi gibi tek insan kalmayacak ..."



“When I was a lad I used to climb up on the stove in winter time, and my grandmother (she was a hundred years old then) would search for lice in my head with her fingers, and tell me : ‘My little Maksim, my darling I In the old days the people didn't live like they do now ; they lived well, lawfully, and nobody dared attack them. But you, my little child, will live to see a time when all the earth is covered with wire, and birds with iron noses will fly through the air and peck at the people like a rook pecks at a water-melon. And there will be hunger and plague among men, brother will rise against brother, and son against father. The people will be left like grass after a fire… "

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“Hicbir zaman bir kadini gercekten tanimak istemedim. Hicbiriyle kalmak istemedim. Bir kadinin cekiciligini tutkulu bir iliski icin degil, bir erkekle uzun sureli bir iliskiye girmek icin evlilik gibi ornegin ya da en azindan birliktelik sonucta bir cesit huzur, sahiplik elde etmek icin kullandigimi dusunuyordum. Beni korkutan buydu grande amoureuse'un arkasina gizlenen, askta guvenlik arayan bir kucuk burjuva. Beni sana ceken sey, senin hep metres olarak kalman. Arzuyu ve yogunlugu devamli kiliyorsun. Butun ask savasindan kendini esit hissetmeyince cekiliyorsun. Ayrica, beni sana baglayan sey sana verebilecegim zevk degil. Duygusal olarak tatmin olmadigin zaman bunu reddediyorsun. Oysa sen her şeye yatkinsin, her seye. Bunu hissediyorum. Yasama aciksin. Seni actim. Ilk kez kadinlari yasama, aska acma gucum oldugu için uzgunum. Vucutla iletisime gecmeyi reddedip, tum varliga ulasmanin diger yollarini aradiginda seni oyle seviyorum ki. Zevke olan direnisimi kirmak icin her seyi yaptin. Evet, ilk basta bu gucu benden cekmene dayanamiyordum. Gucumu kaybediyormusum gibi geliyordu...” Anaïs Nin, Venus Ucgeni



“I never wanted to really know a woman. I never wanted to stay with one. My feeling was always that a woman used her charms not for the sake of a passionate relationship but to win from a man some durable relationship – marriage, for instance, or at least companionship – to win, finally, some kind of peace, possession. It was this that frightened me – the sense that behind the grande amoureuse lay concealed a little bourgeoise who wanted security in love. What attracts me to you is that you have remained the mistress. You maintain the fervor and the intensity. When you feel unequal to the great battle of love, you stay away. Another thing, it is not the pleasure I can give you which attaches you to me. You repudiate it when you are not emotionally satisfied. But you are capable of all things, of anything. I feel that. You are open to life. I opened you. For the first time I regret my power to open women to life, to love. How I love you when you refuse to communicate with the body, seeking other means to reach into the entire being. You did everything to break down my resistance to pleasure. Yes, at first, I could not bear this power you had to withdraw. It seemed to me that I was losing my power…”

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“Ben hep 'Ya yapamazsam? diye dusunurum. Sonra da hep,'Of, kahretsin, boyle dusunme,'diye dusunurum. Cunku bir şeyi dusunmek o seyin gerceklesmesine yol acabilir. Bu, cok SIK olmuyor belki. Ama olmasindan korkuyorum. Hepimiz korkariz. Korkmadigini soyleyene inanmayin. Olabilir diye korkarlar aslinda. Sonra ben hep ' Bu kiz burada olmasaydi bu konuda kaygilanmazdim bile,' diye dusunurum. Sonra da sinirlenirim. Sanki benden bir sey bekleniyormus gibi gelir. Orada oyle beklentiyle yatmasa , meraklanmasa ve beni degerlendirir gibi olmasa, hic farkina varmam sanirim. Sonra neredeyse ofkelenirim. Oyle ofkelenirim ki , yapip yapamayacagima aldirmayi birakirim. Ona gununu gostermek istermisim gibi. '' Tamam o zaman, surtuk bunu sen istedin.' gibisinden. Sonrasinda her sey yolunda gider.'' David Foster Wallace, Igrenc Adamlarla Kisa Gorusmeler



“Sometimes it's like, I think, "Hey, what if I can't?' And then I think, "Oh, shit, don't think that," you know, 'cause thinking can make it happen. Not that it happens that often, but I get scared about it. We all do. Anybody tells you different is full of shit. You can tell 'em I said so. It's like, I always think, you know, "I wouldn't even be worried about it if she wasn't here." It's like she's expecting something. You know, that if she wasn't lying there, expecting it, wondering, like, evaluating, it wouldn't even occur to me. You know, and then I get kind of pissed off. I get so pissed off, I don't give a shit anymore, "Can l, or can I not?' I just want to show her up. You know, and then it's like, "All right. "You asked for it. "Here we go, bitch. Here we go!" What does today's woman want? That's the big one.”

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"Politikacilar,eski binalar ve fahiseler ne kadar uzun dayanirlarsa o kadar saygi gorurler. / Politicians, ugly buildings, and whores all get respectable if they last long enough"



John Huston ve Jack Nicholson Cin Mahallesi (Chinatown, 1974) filminde. Yonetmen: Roman Polanski

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Javier Bardem ve Penelope Cruz, Jambon, Jambon (Jamón jamón, 1992), Yonetmen: Bigas Luna