Sanat Mozaik

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Romantik donemin en buyuk bestecilerinden Robert Schumann'in dogum yil donumu (08 Haziran 1810)



https://www.youtube.com/watch?v=reOv-IBQi4I

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Fransiz yazar ve romanci George Sand'in (Amandine Aurore Lucile Dupin) olum yil donumu (8 Haziran 1876)

"İyi piyano caliyordum, muhtesem dans ediyordum, sulu boyayi hayranlik uyandiracak keskinlik ve durulukta kullaniyordum ama hayat veren ve hayatin anlasilmasini saglayan o kutsal atesten bir kivilcim bile yoktu icimde. Anne babami seviyordum ama az ya da cok sevmek ne demektir bilmiyordum. Genc arkadaslarimdan birine cok guzel bir mektup yazabiliyordum ama duygularin oldugu gibi ifadelerin de degerini bilmiyordum. Onlari aliskanlikla seviyordum, itaat ve tatlilikla davraniyordum ama karakterleri konusunda endise duymuyordum, hicbir seyi irdelemiyordum. Aralarinda herhangi bir ayrim gozetmiyordum. En cok sevdigim, beni en SIK gormeye gelendi."



"I performed brilliantly on the piano, I danced beautifully, I painted in water-colors with admirable precision and vigor; but there was within me no spark of that sacred fire which gives life and enables one to understand life. I loved my parents, but I did not know what it was to love in any other way than that. I was wonderfully clever in inditing a letter to one of my young friends; but I had no more idea of the value of words than of sentiments. I loved my girl friends as a matter of habit, I was good to them because I was obliging and gentle, but I did not trouble myself about their characters; I scrutinized nothing. I made no well-reasoned distinction between them; I was fondest of the one who came oftenest to see me."

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Belcika dogumlu Fransiz Roman ve deneme yazari Marguerite Yourcenar'in (Marguerite de Crayencour) dogum yil donumu (8 Haziran 1903)

"Yeter Alessandro!" dedi Marcella birden, tutkulu bir kederle. "Gecmisi rezil yatak kavgalarina indirgemeyelim.Bizi ayiran siyasetti, o kadar. Daha once ben sizi sevdigimi saniyordum."

"Hayir," dedi Alessandro, "hayir. Bir erkekle bir kadin arasinda siyaset daima kotu bir bahanedir sadece. Siz beni taniyordunuz.Deli degildim, partiye kaydolacaktim elbette. Ayrica ikiyuzluluk bir yana, ben bir halk yaratmaya calisan o eski duvarciyi takdir ediyorum.Basari dalkavuklugu kadar asagilik bir sey olamaz, ama butun basarilar gecici olduguna gore, ben sadece zamanimin ilerisindeyim; bu adam da butun galipler gibi tarihte buyuk bir maglup olarak yerini alacak sonunda.Ben de bu arada pratik sonuclara sonsuz saygi duyuyorum.Bu adamin yukselisi sizi hic etkilemiyor mu?" Dus Parasi



"Enough, Alessandro!" Marcella said sharply, with aching sadness."Let's not reduce the past to pitiful bedroom squabbles.Politics drove us apart, that's all. Before that I thought I loved you."

"No, no," Alessandro said. "Politics between a man and a woman is never more than a pretext. You knew me. I wasn't foolish enough not to enroll in the party. Besides, all hypocrisy notwithstanding, I rather admire this former mason who's trying to build up a nation. Nothing is more despicable than the adulation of success, but since success is always fleeting, I'm only anticipating that time in history when this man like all winners, will figure as a great loser. Meanwhile, I don't deny bestowing on practical results my temporary esteem. Aren't you the least bit impressed by this man who made it?"

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Carl Laemmle, 8 Hazira 1912 tarihinde Universal Pictures'in acilisini yapti.

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George Orwell, 1984 romanini Londra'da 8 Haziran 1949 tarihinde yayinladi.

"Bu uc kesimin amaclari asla uzlastirilamaz. Yuksek kesimin amaci, bulundugu yeri korumaktir. Orta kesimin amaci, yuksek kesimle yer degistirmektir. Asagi kesimin amaci ise - bir amaci varsa kuskusuz, cunku asagi kesimin temel ozelligi, agir ve SIKICI islerin altinda cogu zaman gundelik yasam disinda hicbir seyin farkina varamayacak kadar ezilmesidir - tum ayrimlari ortadan kaldirmak ve tum insanlarin esit olacagi bir toplum yaratmaktir.O yuzden, ana cizgisi degişmeyen bir savasim, tarih boyunca tekrarlanip durmaktadir. Yuksek kesimin uzun donemler boyunca iktidari güvenli bir bicimde tuttugu gorulmus, ancak onunde sonunda ya da kendine olan inancini ya da guclu bir bicimde yonetme yetenegini yitirdigi, hatta her ikisini birden yitirdigi dönemler de hep yasanmistir. Boyle donemlerde, ozgurluk ve adalet ugruna savasiyor gorunerek asagi kesimi de yanina alan orta kesim tarafindan devrilmistir. Ne var ki, orta kesim hedefine ulasir ulasmaz, asagi kesimi eski kolelik konumuna geri gonderir ve kendisi yuksek kesim konumuna gecer."



"The aims of these three groups are entirely irreconcilable. The aim of the High is to remain where they are. The aim of the Middle is to change places with the High. The aim of the Low, when they have an aim - for it is an abiding characteristic of the Low that they are too much crushed by drudgery to be more than intermittently conscious of anything outside their daily livesâ€â€�is to abolish all distinctions and create a society in which all men shall be equal. Thus throughout history a struggle which is the same in its main outlines recurs over and over again. For long periods the High seem to be securely in power, but sooner or later there always comes a moment when they lose either their belief in themselves or their capacity to govern efficiently, or both. They are then overthrown by the Middle, who enlist the Low on their side by pretending to them that they are fighting for liberty and justice. As soon as they have reached their objective, the Middle thrust the Low back into their old position of servitude, and themselves become the High."

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"Zenginligin genel yukselisinin hiyerarsik bir toplumun ortadan kaldirilmasini tehlikeye dusurdugu, ama aslinda hiyerarsik toplumun bir anlamda ortadan kaldirilmasi demek oldugu da acikti. Belli ki, herkesin daha az calistigi, yeterince yiyecek buldugu, banyosu ve buzdolabi olan bir evde yasadigi, bir arabasi, hatta ucagi oldugu bir dunyada, esitsizligin en belirgin, belki de en onemli bicimi ortadan kalkmis olacakti. Zenginlik, bir kez genellesti mi, ayrim tanimayacakti.Hic kusku yok ki, kisisel mulk ve luks anlaminda Zenginligin esit bir bicimde dagitilacagi, buna karsilik Iktidarin kucuk bir ayrıcalikli zumrenin elinde toplanacagi bir toplum dusunmek mumkundu. Ama boyle bir toplum uygulamada uzun sure ayakta kalamazdi. Cunku bos vakit ve guvenlik herkesce paylasildiginda, yoksullugun serseme cevirdigi genis kitleler okuryazar olacak, kendi basina dusunmeyi ogrenecek, o zamanda hicbir ise yaramadigini sonunda fark ettigi ayricalikli azinligi ortadan kaldiracakti. Hiyerarsik toplumun varligi, uzun surede, ancak yoksulluk ve cehalete yaslanarak surebilirdi. Yirminci yuzyilin baslarinda bazi dusunurlerin hayalini kurdukları gibi, gecmisin tarim toplumuna geri donmek de uygulanabilir bir cozum degildi. Bu, hemen hemen tum dunyada handiyse icgudusellesmis makinelesme egilimine ters dusuyordu; dahasi, sanayilesmede geri kalan her ulke askeri acidan da gucsuz dusuyor, daha gelismis rakiplerinin dolayli ya da dolaysiz boyundurugu altina giriyordu."



"But it was also clear that an all-round increase in wealth threatened the destruction - indeed, in some sense was the destruction - of a hierarchical society. In a world in which everyone worked short hours, had enough to eat, lived in a house with a bathroom and a refrigerator, and possessed a motor-car or even an aeroplane, the most obvious and perhaps the most important form of inequality would already have disappeared. If it once became general, wealth would confer no distinction. It was possible, no doubt, to imagine a society in which wealth, in the sense of personal possessions and luxuries, should be evenly distributed, while power remained in the hands of a small privileged caste. But in practice such a society could not long remain stable. For if leisure and security were enjoyed by all alike, the great mass of human beings who are normally stupefied by poverty would become literate and would learn to think for themselves; and when once they had done this, they would sooner or later realize that the privileged minority had no function, and they would sweep it away. In the long run, a hierarchical society was only possible on a basis of poverty and ignorance. To return to the agricultural past, as some thinkers about the beginning of the twentieth century dreamed of doing, was not a practicable solution. It conflicted with the tendency towards mechanization which had become quasi-instinctive throughout almost the whole world, and moreover, any country which remained industrially backward was helpless in a military sense and was bound to be dominated, directly or indirectly, by its more advanced rivals."



"Ozgurluk iki kere ikinin dort ettigini soyleyebilmektir. Eger buna izin verilirse gerisi kendiliginden gelir."

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Ingiliz hard rock grubu Def Leppard, 7.studyo albumu Euphoria'yi Mercury Records araciligiyla 8 Haziran 1999 tarihinde yayinladi.

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"Kadin donup ona bakti; daha dogrusu bakisi onu delip gecmiş gibi geldi Charles'a. O ilk karsilasmadan sonra o yuzden aklinda kalan, gercekten de o yuzde olanlar degil, onun o yuzde bulmayi ummadigi seyler oldu; cunku, o cagda bir kadindan agir basli, uysal ve utangac bir goruntu sergilemesi beklenirdi. Charles birden yasak bolgeye girmis gibi hissetti kendini; sanki Cobb, Tarihi Lyme Kasabasinin degil de o yuze aitti. Ernestia'ninki gibi guzel bir yuz degildi. Hic bir devrin olculerine ya da zevklerine gore guzel sayilmazdi. Ama unutulmaz bir yuzdu, trajik bir yuz. Bir dag kaynagindan cikan su gibi saf, dogal ve engel tanimazcasina fiskiriyordu huzun bu yuzden. Hicbir yapaylik, ikiyuzluluk, histeri, maske yoktu orada; hele delilik hic yoktu." Fransiz Tegmenin Kadini



"She turned to look at him or as it seemed to Charles, through him. It was not so much what was positively in that face which remained with him after that first meeting, but all that was not as he had expected; for theirs was an age when the favored feminine look was the demure, the obedient, the shy. Charles felt immediately as if he had trespassed; as if the Cobb belonged to that face, and not to the Ancient Borough of Lyme. It was not a pretty face, like Ernestina's. It was certainly not a beautiful face, by any period's standard or taste. But it was an unforgettable face, and a tragic face. Its sorrow welled out of it as purely, naturally and unstoppably as water out of a woodland spring. There was no artifice there, no hypocrisy, no hysteria, no mask; and above all, no sign of madness."