Sanat Mozaik

[Terraluna]

Martin Scorsese'nin yonettigi 'Casino' (1995) filminde Robert De Niro ve Joe Pesci, unlu col sahnesinin cekiminde, Neveda gunesinden kacip cadira siginmislar.

[Terraluna]

Romali sair Publius Ovidius Naso’nun olum yildonumu (2 Ocak MS17)

"Ilkin, suna inan tum gonlunle, elde edebilirsin her kadini; elde edeceksin, sen yeter ki ser aglarini. Olur da kuslar susarsa baharda, yazin da agustos bocekleri Maenalus tazisi arkasina bakmadan kacarsa tavsandan, iste ancak o vakit reddedebilir bir kadin, asiginin sicacik iltifatlarini. Iltifat istemedigine inandigin bir kadin bile, inan ister. Kacamak ask erkegin de hosuna gider, kadinin da: erkek rol yapmada beceriksizdir, kadin arzularini daha iyi saklar. Kur yapma isi siz erkeklere dusmemis olsaydi ilkin, kadin hemen rolunu kapar, oyle bir kur yapardi ki. Yumusacik cayirlarda, disisi bogaya bogurur: daima kisrak kisner toynakli aygira. Daha uysaldir siz erkeklerdeki sehvet, daha az hummali, makul bir siniri vardir erkegin atesinin." Ovidius, Ask Sanati



"First of all, be quite sure that there isn't a woman who cannot be won, and make up your mind that you will win her. Only you must prepare the ground. Sooner would the birds cease their song in the springtime, or the grasshopper be silent in the summer, or the hare turn and give chase to a hound of Mænalus, than a woman resist the tender wooing of a youthful lover. Perhaps you think she doesn't want to yield. You're wrong. She wants to. in her heart of hearts. Stolen love is just as sweet to women as it is to us. Man is a poor dissembler; woman is much more skilful in concealing her desire. If all the men agreed that they would never more make the first advance, the women would soon be fawning at our feet."

[Terraluna]

Italyan Mannerist ressam Pontormo’nun (Jacopo Carucci) olum yildonumu (2 Ocak 1557)

Ritratto di una Signora in rosso (Portrait of a lady in red dress, 1533)

[Terraluna]

Amerikali yazar Charles Willeford’un dogum yildonumu (2 Ocak 1919)

“Kotuluk de hersey gibi zamana ayak uydurmali, ustelik ben Dorian Gray gibi yuzyil sonu amator sanat meraklilarindan degilim. Profesyonelim ben, hem penceremde gorunen yakici Florida gunesi kadar da guncel.” Yanik Portakal



“Evil, like everything else, should keep pace with the times, and I'm not a turn of the century dilettante like Dorian Gray. I'm a professional, and as contemporary as the glaring Florida sun outside my window.”

[Terraluna]

Birbirimizi Oyle Cok Sevmistik ki (C'eravamo tanto amati - We All Loved Each Other So Much, 1974) Elide Catenacci’si Italyan aktris Giovanna Ralli’nin dogum gunu (2 Ocak 1935)

[Terraluna]

1 Akademi Odulu (Jerry Maguire, 1995), 1 SAG Odulu sahibi Amerikali aktor Cuba Gooding, Jr'in dogum gunu (2 Ocak 1968)

[Terraluna]

Amerikali yazar ve biyokimyaci Isaac Asimov'un olum yil donumu 6 Nisan 1992)



"Ne olacakti bundan sonra? Galaksi Imparatorluklari mi? Bir dunyadan milyonlarcasina tasinan gunahlar ve cilginliklar mi? Her gucluk ve her sikinti korkunc bir sekilde buyuyecek miydi? Bir tek dunyadan bir anlam cikarabilen bir kisi olmamisken Galaksiden kim bir anlam yaratabilecekti? Insanlarla kaynayan bir Galakside kim egilimleri okuyabilip gelecegi gorebilecekti?" Intikam Tanricasi



"What would there be now? Galactic empires? All the sins and follies graduated from one world to millions? Every woe and every difficulty horribly magnified?Who would be able to make sense out of a Galaxy, when no one had ever made sense out of a single world? Who would learn to read the trends and foresee the future in a whole Galaxy teeming with humanity?"

[Terraluna]

Man Booker Odullu (1972) Ingiliz yazar ve sanat elestirmeni John Berger’in olum yildonumu (2 Ocak 2017)

“Tutuldugu kadina yanasirken Zeus’un boga, satir, kartal, kugu kiliklarina girmesi, yalnizca sasirtidan yararlanma amaci gutmezdi: kadinin karsisina (garip mitlerin terimleriyle) bir yabanci suretiyle cikmakti istegi. Sizi tutkuyla isteyen, butun ozelliklerinizle gercekten yalnizca sizi istedigine inandiran biri, burunebileceginiz butun benliklerden simdiki gercek benliginize bir bildiri getiriyordur. Bu bildiriyi alma hevesi, yasaminizin anlami kadar gucludur nerdeyse. Kisinin kendini tanima istegi, meraktan kat kat ustundur. Karsinizdaki bir yabanci olmalidir ki simdiki benliginizle onu daha iyi taniyin, o da sizi tanidikca bilinmeyen olasi benliginizin ustundeki perdeyi soyle bir aralasin. Yabanci olmali evet. Ama aranizda ayni olcude gizemli bir yakinligin kurulmasi da sart, yoksa bilinmeyen benliginizi aciga cikarmak yerine bilmediklerinizle bilinmeyenlerinizi temsil etmekten oteye gidemez. Yakinlik ve yabancilik. Iste bu celiskiden, bu dusten her kadinin dus gucunde ya besledigi ya da acliktan oldurdugu yuce erotik tanri dogacaktir.”



“When Zeus, in order to approach a woman he had fallen in love with, disguised himself as a bull, a satyr, an eagle, a swan, it was not only to gain the advantage of surprise: it was to encounter her (within the terms of those strange myths) as a stranger. The stranger who desires you and convinces you that it is truly you in all your particularity whom he desires, brings a message from all that you might be, to you as you actually are. Impatience to receive that message will be almost as strong as your sense of life itself. The desire to know oneself surpasses curiosity. But he must be a stranger, for the better you, as you actually are, know him, and likewise the better he knows you, the less he can reveal to you of your unknown but possible self. He must be a stranger. But equally he must be mysteriously intimate with you, for otherwise instead of revealing your unknown self, he simply represents all those who are unknowable to you and for whom you are unknowable. The intimate and the stranger. From this contradiction in terms, this dream, is born the great erotic god which every woman in her imagination either feeds or starves to death.”